I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I jut had the opportunity to review the most recent release, Stretch, from Ben Patterson and it's cooking. Opening with Unbridled, Ben Patterson on trombone leads off on this slamming adventure. Backed by Shawn Purcell on guitar, Harry Appelman on keys, Miles Brown on bass and Todd Harrison on drums, this track is energetic. Patterson stretches out with a real nice elaboration of the melody, chased by Appelman on piano and Purcell really kicks it with a vibrant guitar solo making this a super opener. In swiftly paced 6/8 time, Ship of Foolsis perfectly coordinated with Patterson, Purcell, and Appelman trading phrases every four bars making for quite an exciting exchange, anchored and augmented by Brown on bass and vibrant drums by Harrison. Very cool. My favorite track on the release may be David and Francis a hot bottom and a driving rhythm. Patterson really kicks in on trombone setting the pace and Appleman on B3 rolls up behind him and adds the funk. Of course everyone knows the funk lies in the bass and drums so you know they're highly active and Purcell's overdriven guitar work doesn't even need a wah to make it squeal. Patterson comes back for a second round adding a large scoop of soul to his gumbo and Brown and Harrison hammer it home. Excellent! Confidence and Doubthas an adventurous approach with changing time signatures, melody presented by Patterson on trombone and with Purcell wide open on guitar through a synthesizer, anchored by Appleman on piano. Turning it down a notch Patterson delivers it straight with pure tone and tight rhythm by Harrison. Very nice. Wrapping the release is Phrenetic a great title for a track with this level of pace and precision. Patterson really works his horn on this one with light, snappy drum work by Harrison and Purcell again brings the fusion sound hard with fast fingered, synthesized guitar lead paired with Brown on bass and driven by Harrison. Excellent closer for another remarkable release from Origin.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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