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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Glenn Hughes. Show all posts
Showing posts with label Glenn Hughes. Show all posts

Wednesday, September 29, 2021

Cleopatra Records artists: Legends Play The Beatles - Various - New Release Review

 I just had the opportunity to review the most recent release, Legends Play The Beatles, from Cleopatra Records, and it's an interesting mix of Beatles covers by notable rock, pop and folk icons. Opening with Here Comes The Sun, Richard Page has the lead vocal and Steve Morse has the guitars, backed by Jay Schellen on drums and Billy Sherwood on keys. With a nearly identical arrangement to the original, Page sets the stage. Heart's Ann Wilson does an acoustic cover of Across The Universe backed by acoustic guitar and percussion. Very nice. Surprise rockers Molly Hatchet Cover Back In The USSR... Beach Boys style backing vocals and all. Air Supply covers, A Long And Winding Road with a bit more theatrical vocal lead by Russell Hicthcock and nice bass work by Billy Sherwood. Another interesting cover is Tomorrow Never Knows by Electric Moon. Komet Lulu's FX, Sula Bassana synth and drums by Marcus Schnitzler rocks this track. My disappointment on the release is Jack Bruce's take on Eleanor Rigsby. Bruce is one of the truly great vocal icons of the rock era but this track just doesn't float. Howard Jones takes a straight ahead approach on And I Love Her and with simple vocal strength carries one of the Beatles top pop songs nicely. Folk/rock superstar Judy Collins' cover of Yesterday is beautiful and her vocals are clear and mesmerizing. Wrapping the release is Beatles anthem, Let It Be, covered handily by Deep Purple vocalist Glenn Hughes. With quiet finesse and backed by Geoff Downes on piano, this is a solid closer. 


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Wednesday, April 9, 2014

California Breed release video for "Midnight Oil"

 

FEATURING
LEGENDARY VOCALIST-BASSIST GLENN HUGHES,
DRUMMER EXTRAORDINAIRE JASON BONHAM AND
23-YEAR-OLD NEWCOMER GUITARIST-SINGER-SONGWRITER ANDREW WATT

SELF-TITLED DEBUT ALBUM RELEASED BY FRONTIERS RECORDS
UK RELEASE: MONDAY MAY 19, 2014

AVAILABLE ON CD AND CD/DVD DELUXE EDITION
Power Trio release animated video for their new single, "Midnight Oil"


Think of California and you think of brilliant color and bright sunlight. Think of a breed and it's all about bloodlines and brotherhood. Put the two together as CALIFORNIA BREED, and you have the most exciting new band of 2014, built around the foundation of legendary vocalist-bassist Glenn Hughes, drummer extraordinaire Jason Bonham and 23-year-old newcomer guitarist-singer Andrew Watt.
Mixing massive riffs, gutsy vocals and gale force rhythms, this powerful three-piece band will release their self-titled debut album in the UK on Monday May 19th on Frontiers Records. The album is produced by Dave Cobb (Jamey Johnson, Rival Sons, Lindi Ortega, Shooter Jennings).
Look out for future announcements on the band at www.californiabreed.com.
CALIFORNIA BREED (L-R): Jason Bonham, Glenn Hughes and Andrew Watt.
Photo Credit: © Joe Lester
CALIFORNIA BREED was recorded at Cobb’s Nashville studio and features equal co-writing credits among the three-man lineup. "It’s proper rock," Hughes told Classic Rock Magazine - "but at the same time it’s very now. Andrew is as influenced by Mick Ronson as he is Jimmy Page."
"This kid is an amazing guitarist," says Bonham. "The first time we met I thought he looked like the white Jimi Hendrix. He plays in the studio likes he’s onstage!"
Glenn Hughes, nicknamed The Voice of Rock, is a true original, a legendary icon whose credits include Deep Purple and guesting with everyone from Black Sabbath to Earth, Wind & Fire, and his most recent collaboration with rock supergroup Black Country Communion.
Album artwork for CALIFORNIA BREED’s eponymous debut album
No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. That astonishing voice is Hughes' calling card.
The legacy of Led Zeppelin lives on in Jason Bonham, British drummer and son of Zep's legendary John Bonham. He has inherited the best of his father's skills while mastering his own distinctive and dynamic technique. Jason has followed his own distinctive path over the years, fronting his own successful outfits like Bonham, and playing with Led Zeppelin, Foreigner, Heart and, most recently, movie composer Hans Zimmer.
Andrew Watt is a soulful singer/songwriter and multi-instrumentalist whose high-energy aggressive style and creative spirit are synonymous with the energy and vibe of New York City.
"I live in the moment, it’s all about now," says Hughes. "California Breed is exactly where I live, breathe and where my freak flag flies."

California Breed - Official Biography
Glenn Hughes has spent the subsequent years working with the biggest legends in music, as a solo star, and guesting with everyone from Black Sabbath to Earth, Wind & Fire – up to his most recent collaboration in rock supergroup Black Country Communion, which included Jason Bonham.
When Black Country Communion disbanded Hughes and Bonham had a strong desire to keep playing together. They're only challenge was finding a new guitarist worthy of their musicality.
Easier said than done for these stars, who between them, have worked with some of the greatest guitarists in history, including Ritchie Blackmore, Tony Iommi, Jimmy Page and Joe Bonamassa, to name just a few.
Fate took a hand in things when Glenn’s friend Julian Lennon introduced him to the astounding talents of a New York City hotshot guitarist named Andrew Watt. "Literally, the first day me and Andrew got together we wrote two songs," recalls Hughes. "One was ‘Chemical Rain’ and the other was ‘Solo’, both featured on the new album. I was so moved by the music, I said, ‘We’ve got to record this!’ That’s when I called Jason."
Cut to autumn 2013. Recording with producer Dave Cobb at his studio in Nashville, added all the finishing touches, says Hughes. At Cobb’s insistence, every vocal was recorded live as the band was playing. "Totally the reverse of what I’m used to," says Hughes. "I went into that aggressive rock soulfulness and everything down to the whispers, it was all done live! I enjoyed myself so much, just going for it. For a three-piece, the sheer range of sounds and melodies you get from California Breed are breathtaking."
CALIFORNIA BREED - ONLINE

Wednesday, October 24, 2012

Black Country Communion's 'Afterglow' album released October 29th

Download Black Country Communion's FREE song "Confessor" HERE
THE BRAND NEW STUDIO ALBUM
AFTERGLOW
UK RELEASE: MONDAY 29th OCTOBER 2012click for hi-res
Black Country Communion the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa, release their third album, ‘Afterglow’, via Mascot Records on Monday October 29th.
Just like its two predecessors, ‘Afterglow’ was overseen by Kevin Shirley, whose catalogue of hit records for Led Zeppelin, Iron Maiden, Aerosmith, Journey, The Black Crowes and many more has made him the hottest producer that rock music has to offer. Shirley – who had the idea of putting Hughes and Bonamassa together in a band together after seeing them jamming onstage in Los Angeles back in November 2009 – is the group’s unofficial ‘fifth member’.
The additions of Jason Bonham, esteemed son of Led Zeppelin’s John, who took his father’s place when the legendary group made musical history by reuniting at London’s O2 Arena in December 2007, and the in-demand Derek Sherinian, made them a force to be reckoned with. An air of expectancy and excitement greets the unveiling of ‘Afterglow’.
When issued in September 2010, BCC’s self-titled debut was described by Classic Rock magazine as “Possibly the best hard rock album of 2010”, whilst Mojo magazine awarded it 4 stars. Music Radar hailed the disc as “a potent and stomping collection of riff-heavy rockers that will undoubtedly stun listeners.”
During its first week of release in the UK the album hit the #1 spot in the Official Top 40 Rock Album Chart. It was voted #3 in Classic Rock magazine’s “Critics Album of the Year” poll, and listeners of Planet Rock Radio crowned BCC as the Best New Band of 2010.
click for hi resBlack Country Communion L-R: Joe Bonamassa (Guitar/Vocals), Derek Sherinian (Keyboards),
Glenn Hughes (Lead Vocals/Bass), Jason Bonham (Drums). Photo Credit: © Christie Goodwin
Issued a mere nine months later, in time for a well received slot at the High Voltage Festival in London, ‘Black Country Communion 2’ was darker and deeper than its predecessor.  Once again it topped the UK’s Rock Album Chart. The band were also the recipients of the Best Breakthrough Act award at Classic Rock magazine’s prestigious Roll Of Honour ceremony. Acknowledging that more than a single listen was required to fully appreciate its “depth and artistry”, the same magazine rightly called ‘BCC2’ “one stone-solid classic song after another”.
This time with Bonamassa busy notching up the miles to promote his biggest solo record to date – ‘Driving Towards The Daylight’ reached Number Two in the UK’s Top 40 Album Chart – BCC (the distinctive name is a reference to the industrial area in the Midlands of Great Britain where both Hughes and Bonham were born and raised) had far more time to prepare ‘Afterglow’… and it shows.
“There were six months to write this album, and I’m really excited by the way it came out,” comments Glenn Hughes, the man responsible for the bulk of its contents. “I wanted to make a record that stood up to the first two, but not to repeat either of those records. There would be absolutely no point beginning it with a song like ‘Black Country’ [the distinctively energetic track that kicked off the debut].”
The band assembled to record ‘Afterglow’ in a studio in Westlake Village, about 70 miles outside of Hollywood, during five supremely productive days. Its 11 songs are set to delight all fans of high quality hard rock, also those that admire singers of distinction. Hughes is not known as The Voice Of Rock for nothing.
click for hi resBlack Country Communion L-R: Jason Bonham (Drums), Derek Sherinian (Keyboards),
Glenn Hughes (Lead Vocals/Bass), Joe Bonamassa (Guitar/Vocals). Photo Credit: © Christie Goodwin
In terms of content, ‘Afterglow’ expands upon the progression that took place between ‘BCC’ and ‘BCC2’. Rich in hooks, melodies and choruses, it’s nonetheless another of those highly rewarding albums that bears additional fruit with repeated spins.
“I wanted this album to have more acoustic moments than the previous two,” explains Hughes. “I wanted to hear more of Derek [Sherinian] and I wanted the more angelic voice of Glenn as well as the more aggressive one which is there on songs like ‘Crawl’ and ‘Midnight Sun’. Above all, I wanted more drama.”
Hughes shares lead vocals with Bonamassa on the song ‘Cry Freedom’. “The vocal sound that Kevin got on this record is second to none – it’s his best work yet with BCC,” believes Hughes. “We butted heads a little on the first and second albums, simply because we’re both control freaks, but this was the record on which Kevin and Glenn became friends.”
Indeed, Hughes speaks of Shirley in the most glowing terms. “Kevin only needs three hours of sleep per night; he’s hyper and super-intelligent. He cracks the whip but he also knows exactly what he’s talking about when it comes to music.”
Black Country Communion hope to tour ‘Afterglow’ at the start of 2013.
Here’s a breakdown of the album’s contents in the words of Glenn Hughes:
BIG TRAIN
“It’s very quirky and British-sounding. Jason Bonham is an incredible timekeeper. I love the way he provides the engine room on that song.
THIS IS YOUR TIME
“Let’s give Jason Bonham a little more love. He writes his songs on an iPhone whilst driving his car, which is completely nuts. It really helps the groove factor. He emailed me some footage of him playing this song. He wrote the music and I wrote the lyrics. It has a huge chorus, too. Jason is not just a brilliant drummer – he’s a great songwriter.”
MIDNIGHT SUN
“I had my wallet stolen in a Starbucks and arrived late at the studio. When I got there the guys were fooling around with a song that sounds quite a lot like The Who, thanks to those Rabbit Bundrick-style keyboards. I picked up my bass and joined in. It’s quite a romp; there’s a definite vibe of Moon and Entwistle.”
CONFESSOR
“The first album had ‘No Time’, which was slow and groovy. I wrote ‘Confessor’ that way too, but when Jason heard it he insisted upon playing it – in his own words – like his dad would have done. We’re a democratic band and I went along with that. When he turbo-d it up it really came to life.”
CRY FREEDOM
“I sang this one alone originally until Kevin pointed out that the album didn’t have a song with split vocals. Joe and I sing well together. I’ve never had a problem sharing a microphone with other great singers. We really let rip off one another on this one, which has a ZZ Top/Humble Pie kind of a vibe.”
AFTERGLOW
“[At more than six minutes long] it’s an epic song. I was adamant that this album should have a proper title instead of a number. I played it to the band right at the end of sessions – purposely so. When they heard it on acoustic guitar, everybody agreed that it should name the album.”
DANDELION
“I wrote it slower than we recorded it; maybe I had too much coffee that day. Had we done it that way then maybe it would have sounded a bit dirge-like. Jason sets the tempos – he’s got a really good ear for the way that a song should sound.”
THE CIRCLE
“It’s one of my favourites on this record. It gives me the chance to use my ‘breathier’ voice. Kevin asked me to sing it an octave higher than I intended, and it worked. The high voice in the chorus is not my falsetto, it’s my upper register natural voice. I’m singing about being powerless; being in a dreamlike state. People have spoken about my voice and bass playing for so many years, I hope that this time they notice my lyrics because I’m very proud of them.”
COMMON MAN
“That’s another of the songs that came from Jason. When he sang me its melody acapella I could hear myself singing it. It could have been a song from Deep Purple’s ‘Stormbringer’ album; he wrote it for my voice.”
THE GIVER
“When you listen to the end of the song, if people are trying to figure out what key it’s in, I’m playing a capo [a device that raises the pitch of notes] on the fifth fret. When I wrote it, I deliberately held back from completing it because it needed Joe’s input. Kevin helped as well.”
CRAWL
“Some people may know that this song was going to be on ‘BCC2’ but we held it over because there simply wasn’t enough room. To me, it fits this album a lot better. It’s a really aggressive song – it’s dangerous and angry. I love it. It’s a great way to finish the record.”
click for hi res
BLACK COUNTRY COMMUNION ESSENTIAL WEB LINKS
Black Country Communion: YouTube

Thursday, October 4, 2012

Jason Bonham triumphs on new Black Country Communion album

Download Black Country Communion's FREE song "Confessor" HERE
THE BRAND NEW STUDIO ALBUM
AFTERGLOW
UK RELEASE: MONDAY 29th OCTOBER 2012click for hi-res
Black Country Communion the Anglo-American rock group comprising vocalist/bassist Glenn Hughes (Deep Purple, Trapeze), drummer Jason Bonham (Led Zeppelin, Foreigner), Derek Sherinian (Dream Theater, Alice Cooper, Billy Idol) and blues-rock guitarist/vocalist Joe Bonamassa, release their third album, ‘Afterglow’, via Mascot Records on Monday October 29th.
Just like its two predecessors, ‘Afterglow’ was overseen by Kevin Shirley, whose catalogue of hit records for Led Zeppelin, Iron Maiden, Aerosmith, Journey, The Black Crowes and many more has made him the hottest producer that rock music has to offer. Shirley – who had the idea of putting Hughes and Bonamassa together in a band together after seeing them jamming onstage in Los Angeles back in November 2009 – is the group’s unofficial ‘fifth member’.

The additions of Jason Bonham, esteemed son of Led Zeppelin’s John, who took his father’s place when the legendary group made musical history by reuniting at London’s O2 Arena in December 2007, and the in-demand Derek Sherinian, made them a force to be reckoned with. An air of expectancy and excitement greets the unveiling of ‘Afterglow’.
When issued in September 2010, BCC’s self-titled debut was described by Classic Rock magazine as “Possibly the best hard rock album of 2010”, whilst Mojo magazine awarded it 4 stars. Music Radar hailed the disc as “a potent and stomping collection of riff-heavy rockers that will undoubtedly stun listeners.”
During its first week of release in the UK the album hit the #1 spot in the Official Top 40 Rock Album Chart. It was voted #3 in Classic Rock magazine’s “Critics Album of the Year” poll, and listeners of Planet Rock Radio crowned BCC as the Best New Band of 2010.
click for hi resBlack Country Communion L-R: Joe Bonamassa (Guitar/Vocals), Derek Sherinian (Keyboards),
Glenn Hughes (Lead Vocals/Bass), Jason Bonham (Drums). Photo Credit: © Christie Goodwin
Issued a mere nine months later, in time for a well received slot at the High Voltage Festival in London, ‘Black Country Communion 2’ was darker and deeper than its predecessor.  Once again it topped the UK’s Rock Album Chart. The band were also the recipients of the Best Breakthrough Act award at Classic Rock magazine’s prestigious Roll Of Honour ceremony. Acknowledging that more than a single listen was required to fully appreciate its “depth and artistry”, the same magazine rightly called ‘BCC2’ “one stone-solid classic song after another”.
This time with Bonamassa busy notching up the miles to promote his biggest solo record to date – ‘Driving Towards The Daylight’ reached Number Two in the UK’s Top 40 Album Chart – BCC (the distinctive name is a reference to the industrial area in the Midlands of Great Britain where both Hughes and Bonham were born and raised) had far more time to prepare ‘Afterglow’… and it shows.
“There were six months to write this album, and I’m really excited by the way it came out,” comments Glenn Hughes, the man responsible for the bulk of its contents. “I wanted to make a record that stood up to the first two, but not to repeat either of those records. There would be absolutely no point beginning it with a song like ‘Black Country’ [the distinctively energetic track that kicked off the debut].”
The band assembled to record ‘Afterglow’ in a studio in Westlake Village, about 70 miles outside of Hollywood, during five supremely productive days. Its 11 songs are set to delight all fans of high quality hard rock, also those that admire singers of distinction. Hughes is not known as The Voice Of Rock for nothing.
click for hi resBlack Country Communion L-R: Jason Bonham (Drums), Derek Sherinian (Keyboards),
Glenn Hughes (Lead Vocals/Bass), Joe Bonamassa (Guitar/Vocals). Photo Credit: © Christie Goodwin
In terms of content, ‘Afterglow’ expands upon the progression that took place between ‘BCC’ and ‘BCC2’. Rich in hooks, melodies and choruses, it’s nonetheless another of those highly rewarding albums that bears additional fruit with repeated spins.
“I wanted this album to have more acoustic moments than the previous two,” explains Hughes. “I wanted to hear more of Derek [Sherinian] and I wanted the more angelic voice of Glenn as well as the more aggressive one which is there on songs like ‘Crawl’ and ‘Midnight Sun’. Above all, I wanted more drama.”
Hughes shares lead vocals with Bonamassa on the song ‘Cry Freedom’. “The vocal sound that Kevin got on this record is second to none – it’s his best work yet with BCC,” believes Hughes. “We butted heads a little on the first and second albums, simply because we’re both control freaks, but this was the record on which Kevin and Glenn became friends.”
Indeed, Hughes speaks of Shirley in the most glowing terms. “Kevin only needs three hours of sleep per night; he’s hyper and super-intelligent. He cracks the whip but he also knows exactly what he’s talking about when it comes to music.”
Black Country Communion hope to tour ‘Afterglow’ at the start of 2013.
Here’s a breakdown of the album’s contents in the words of Glenn Hughes:
BIG TRAIN
“It’s very quirky and British-sounding. Jason Bonham is an incredible timekeeper. I love the way he provides the engine room on that song.
THIS IS YOUR TIME
“Let’s give Jason Bonham a little more love. He writes his songs on an iPhone whilst driving his car, which is completely nuts. It really helps the groove factor. He emailed me some footage of him playing this song. He wrote the music and I wrote the lyrics. It has a huge chorus, too. Jason is not just a brilliant drummer – he’s a great songwriter.”
MIDNIGHT SUN
“I had my wallet stolen in a Starbucks and arrived late at the studio. When I got there the guys were fooling around with a song that sounds quite a lot like The Who, thanks to those Rabbit Bundrick-style keyboards. I picked up my bass and joined in. It’s quite a romp; there’s a definite vibe of Moon and Entwistle.”
CONFESSOR
“The first album had ‘No Time’, which was slow and groovy. I wrote ‘Confessor’ that way too, but when Jason heard it he insisted upon playing it – in his own words – like his dad would have done. We’re a democratic band and I went along with that. When he turbo-d it up it really came to life.”
CRY FREEDOM
“I sang this one alone originally until Kevin pointed out that the album didn’t have a song with split vocals. Joe and I sing well together. I’ve never had a problem sharing a microphone with other great singers. We really let rip off one another on this one, which has a ZZ Top/Humble Pie kind of a vibe.”
AFTERGLOW
“[At more than six minutes long] it’s an epic song. I was adamant that this album should have a proper title instead of a number. I played it to the band right at the end of sessions – purposely so. When they heard it on acoustic guitar, everybody agreed that it should name the album.”
DANDELION
“I wrote it slower than we recorded it; maybe I had too much coffee that day. Had we done it that way then maybe it would have sounded a bit dirge-like. Jason sets the tempos – he’s got a really good ear for the way that a song should sound.”
THE CIRCLE
“It’s one of my favourites on this record. It gives me the chance to use my ‘breathier’ voice. Kevin asked me to sing it an octave higher than I intended, and it worked. The high voice in the chorus is not my falsetto, it’s my upper register natural voice. I’m singing about being powerless; being in a dreamlike state. People have spoken about my voice and bass playing for so many years, I hope that this time they notice my lyrics because I’m very proud of them.”
COMMON MAN
“That’s another of the songs that came from Jason. When he sang me its melody acapella I could hear myself singing it. It could have been a song from Deep Purple’s ‘Stormbringer’ album; he wrote it for my voice.”
THE GIVER
“When you listen to the end of the song, if people are trying to figure out what key it’s in, I’m playing a capo [a device that raises the pitch of notes] on the fifth fret. When I wrote it, I deliberately held back from completing it because it needed Joe’s input. Kevin helped as well.”
CRAWL
“Some people may know that this song was going to be on ‘BCC2’ but we held it over because there simply wasn’t enough room. To me, it fits this album a lot better. It’s a really aggressive song – it’s dangerous and angry. I love it. It’s a great way to finish the record.”
click for hi res
BLACK COUNTRY COMMUNION ESSENTIAL WEB LINKS
  If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”