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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Bob Welch. Show all posts
Showing posts with label Bob Welch. Show all posts

Wednesday, July 5, 2023

Gulf Coast Records artist: Monster Mike Welch - Nothing But Time - New Release Review

 


I just had the opportunity to review the most recent release, Nothing But Time, from Monster Mike Welch and it's flat out scorching! Opening with Walking To You Baby, Mike wastes absolutely no time kicking this release into overdrive. With solid vocals and high strung, blues guitar phrasing, Mike sails. Backed by Jerry Jemmott on bass, Bob Welch on piano, Kid Andersen on keys, Fabrice Bessouat on drums, Eric Spaulding on tenor sax, Jack Sanford on bari sax, and John Halblieb on trumpet, this track will part your hair. George Harrison's terrific track, I Me Mine gets a real nice cover by Mike and though he doesn't vary far from the original theme, it's a real nice track and Mike's interpretation, adding horns and blues guitar riffs takes it to the next level. Excellent shuffle, I Ain't Saying shows Mike's strong vocals and Texas style blues riffs setting up a great groove. With Andersen on bass, Spaulding on sax Bob on piano and Bessouat on drums, Mike kills it on guitar. One of my favorite tracks on the release is funky blues, In Case You Care, with Jemmott back on bass, Mike Peloquin on sax, Dr Aaron Lington on bari, Halblieb on trumpet, Mike Rinta on trombone, and Vicki Randle on percussion, this track is hot! Jump For Joy is really packed with energy and Mike is again swinging for the wall. Gotta say if he comes to Phoenix, I'm seeing the concert. Slow blues, Ten Years Ago is that one track when you just sit back in your chair nodding. Mike grabs this track by the scruff and shakes the stuffing out of it. His vocals are gripping and his guitar attack is relentless. Excellent! Wrapping the release is a modern take on Robert Johnson's Kind Hearted Woman Blues with Mike on electric guitar and vocal. His poise and prowess are obvious and his vocals are actually in line with Johnson's own falsetto. This is an excellent track to close a spectacular release. Out of the park


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Friday, May 29, 2020

VizzTone Label Group artists: John Primer & Bob Corritore - The Gypsy Woman Told Me - New Release Review

I just had the opportunity to review the latest release, The Gypsy Woman Told Me, by John Primer & Bob Corritore and it's a great dose of contemporary Chicago style blues. Opening with Keep A-Driving, Primer on vocal and guitar really does a nice job of setting the stage with Corritore supporting nicely and with solid piano work by Bob Welch, Kedar Roy on bass and June Core on drums. With a bit of boogie built in, Knockin' On Your Door, with Primer again leading on vocal gives Corritore a nice chance to spread a bit with great harp tones and Primer's guitar work is tight and well phrased. Lil Son Jackson's Gambling Blues is one of my favorite tracks on the release with quick paced acoustic guitar and fleet fingered lead by Primer and a fatter harp part by Corritore. Primer's own, Little Bitty Woman falls right from the Muddy Waters tree with a bouncy, Chicago blues pace, riding harp and Waters like slide work by Primer. Very cool. Slow blues, Walking The back Street Crying is one Primer and Corritore can both sink their teeth into with super vocal and instrumentals throughout. Sonny Boy's My Imagination gives Corritore a nice time in the spotlight and his harp is A1. Primer's vocals are of course spot on but this track is here for Bob to shine and he really does a nice job. Another favorite is Left Me With A Broken Heart featuring Billy Flynn on guitar, Ben Levin on piano, Mike Hightower on bass and Brian Fahey on drums. Corritore's harp work is particularly expressive and I always like Flynn's guitar styling. Very nice. Wrapping the release is Ain't Gonna Be No Cuttin' Loose with a driving shuffle pace and featuring a real nice solo by Corritore. Flynn again works the guitar nicely working with Corritore to a powerful ending. Solid release. 

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Friday, June 22, 2018

VizzTone Label Group artist: Bob Corritore & Friends - Don't Let The Devil Ride! - New Release Review

I just had the opportunity to review the most recent release (releasing today), Don't Let The Devil Ride!, from Bob Corritore & Friends and it's super. Opening with Willie Buck's shuffle track, Went Home This Morning, Bob Corritore on harp joins up with Willie Buck on lead vocal, Mojo Mark on guitar, Troy Sandow on bass and Brian Fahey on drums for a solid opener. On Little Walter's Tell Me Mama, Oscar Wilson is on lead vocal and Corritore lays out a real nice harp solo with Priimetime Smith on guitar, Henry Grey on piano and Johnny Rapp on guitar. Alabama Mike has the lead on Laundromat Blues and with really expressive lower octave work from Corritore, particularly nice soloing from Atkinson on guitar and strong piano work from Welch making this one of my favorites on the release. Corritore original, Fork In The Road, features Oscar Wilson on vocal, with Henry Grey on piano and Johnny Rapp on guitar with Corritore in in mostly a strong supportive role choosing cool riffs over long solos...his general trademark. Bob Welch's rockabilly guitar riffs on Lovey Dovey Lovey One set the stage and Corritore sails on harp. Another terrific track. Particularly strong vocals by Alabama Mike set title track, Don't let the Devil Ride! with complimentary guitar work by Danny Michel. Willie Mae features the vocal and guitar work of Bill "Howl-N-Madd" Perry and with it's Latin rhythm, it simmers. George Bowman has the lead on I Was A Fool with Chris James adding tasty texture on guitar. Wrapping the release is Thundering and Raining featuring Tail Dragger on lead vocal, Grey on piano and Bob Stroger on bass. Rockin' Johnny Burgin and Corritore balance guitar and harp nicely for a solid ending to a real cool release.



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Wednesday, February 28, 2018

Highjohn Records artist: Johnny Tucker - Seven Day Blues - New release Review

I just had the opportunity to review the most recent release, Seven Day Blues, from Johnny Tucker and I really like it. Opening with Talkin' About You Baby, Johnny Tucker has the rugged voice of a pure blues man. Backed by Big Jon Atkinson on guitar, Troy Sandow on bass, Scott Smart on guitar, and Malachi Johnson on drums, this is a solid opener. With the addition of Sandow on harp, Tired of Doing Nothing has super presence, really, imaging that I haven't experienced in my office location on many occasions thanks I believe to the expert engineering of Atkinson (in Mono). If you listen to this, you won't need to have someone tell you it's special. It's way apparent! On Why Do You Let Me Down So Hard, Tucker's vocals are super and Atkin's guitar work is downright outstanding. Excellent! Title track, Seven Day Blues, is funnkkyy! Again, Sandow's harp work over Atkinson's bass, working in concert with Tuckers vocals really make the groove. With a super strong feel, Come On Home With Me just struts. Hard picked guitar riffs by Atkinson and understated harp work by Bob Corritore highlight Tucker's vocals nicely. Kid Ramos adds a new guitar texture on Tell You All with Bob Welch on organ. One of my favorite tracks on the release, Gonna Give You One More Chance, has a great slower blues feel with grand vocals from Tucker. I continuously keep thinking to myself during this recording how perfectly centered Tucker's vocals are on my cheesy desktop player in the office. The imaging really is strong. Beautiful guitar phrasing by Atkinson and soulful yelps cheering him on by Tucker really sets this track apart. Cool shuffle, Do-Right Man features real nice slide work by Atkinson and harp backing by Sandow giving Tucker strong instrumental support for his rugged vocals. Another slower blues number, One Of These Days, shows incredibly expressive vocals by Tucker and Atkinson really knows how to milk his guitar to get the best from this track. This is really a super track and Atkinson's feel makes it so. Excellent! Wrapping the release is a gripping, You Can Leave My House, with incredible feel by Sandow on harp and Atkinson on guitar. Kick back and enjoy!  I see a number of old school blues records on my desk quarterly, but this is one that really stands out. Excellent job! ...watch the video...feel the heat!

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