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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
We went to an exceptional show on Friday night and if you get the opportunity to see this on tour somewhere, take the time. The show at Phoenix's famous Rhythm Room was booked as Thornetta Davis, Detroit's Queen of the Blues with an allstar blues review but it was so much more. I see and hear a lot of music but this was a lot of talent on one stage. I wasn't familiar with Thornetta's work but I always like to see Johnny Burgin when he's in town so we made the trek. The band was Bob Corritore (harmonica master and club owner), Jimi Primetime Smith, solid guitar player and a great voice, 91 year old Bob Stroger on bass who has a number of releases on his own (Eddie King, Otis Rush Sunnyland Slim, Big Eyes Smith, Carey Bell, Pinetop Perkins) and Dave Keyes on keys who has just released another new album (Popa Chubby, Odettta, David Johansen, Bo Diddley, Ronnie Specter, Eddie Clearwater, Ruth Brown, Levon Helm).
Each prime member of the band got at lease two tracks of his own music and featuring his own lead work. Thronetta, a real powerful performer, took the stage once during each of the two sets for 5-7 songs each set. This was a great night of blues with some of the best blues performers in the blues business (bar none) and Thornetta blew the roof off of the house. They stuck primarily to a Chicago style format with the exception to Keys who do a cool piano boogie. This is not your weekend something to do show. This is a real feature concert. Check it out!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Take Your Time, from Ben Levin and it's a super entry to a strong line of super releases by Levin. Opening with title track, Take Your Time, Levin on piano and vocal fronts a band of great players including my man Johnny Burgin on guitar and Shorty Starr on drums. A cool shuffle track this is a strong opener and gives Burgin space to lay down some real nice riffs. Lil Ed Williams joins on Why Do Things Happen To Me with his distinctive guitar feel and vocal work. I really like the work that Levin has been doing and paired with Lil Ed on guitar, Aron Levin on guitar, Walter Cash on bass and Ricky Nye on drums, he's on fire. Burgin is up again as featured lead player on Latin influenced, Out Of Your Own Way. Burgin can really set the fuel and ignite it and I can tell his playing style immediately. I didn't know he was playing on this release on the first pass through and I heard this track and said... wow Johnny...Great! Levin's vocal and piano work, coupled with Burgin makes this my favorite track on the release. New Orleans flavored boogie, You Know You're So Fine features Lil Jimmy Reed on lead vocal and guitar over the excellent piano boogie of Levin. With Aron on guitar, Walter on bass and Ricky on drums, this track has a great groove. Another great piano shuffle is closer, Mr Stroger's Strut featuring Bob Stroger on vocal and bass. With Noah Wotherspoon on guitar, Nye on drums and Levin on keys, this is an excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Major League Blues, from Jose Ramirez, and it's solid contemporary blues. Opening with title track, Major League Blues is a cool shuffle featuring Jose Ramirez on lead vocal and guitar and with Jimmy Johnson sitting in on guitar as well. Bob Stroger on bass, Willie Hayes on drums, Roosevelt Purifoy on B3 and Billy Flynn round out the band for this solid opener. On soulful ballad, I Saw It Coming , Ramirez is really out front on vocal with Purifoy creating a warm B3 envelope for his vocals. Flynn and Ramirez really do a nice job on lead guitar with solid melodic lead soloing. Here In The Delta is a cool contemporary blend between Hill Country flavored music and solid BB King styling. I really like the heavy tom tom work by Antonio Reyes, working nicely with Purifoy on B3 and the nice guitar work by Flynn and Ramirez, his own solid vocals and cool backing vocals. Kenny Watson Jr on bass adds to the heavy bottom making this one of my favorite tracks on the release. Latin fused, Are We Really Different, has really nice percussion work by Evan Hoffman and Reyes who also plays a bit of tasty bass. Ramirez's vocals and fiery guitar work really make this track sail. Wrapping the release is quiet ballad, After All This Time, with lush guitar chords and B3 carrying Ramirez's vocals. Shelly Bonet lays in some really nice contrasting vocals, followed buy some really nice blues guitar riffs, closing the set.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Cold Chills, from Henry Gray and Bob Corritore and it's a heaping serving of Chicago blues. Opening with Cold Chills, Henry gray is upfront on lead vocal and piano and Corritore has great tone and fullness. Backed by Bob Margolin on guitar, Johnny Rapp on guitar, Chico Chism on drums and Pops McFarlane on drums, this unit is tight. Fats Domino's Don't You Lie To Me is a great track for Gray with natural piano spotlight and Corritore is mic'd forward in the mix which I really like. John Brim gats the mic on slow blues, Moonlight Blues, also taking the lead on guitar with Corritore on harmonica, Paul Thomas on bass, and Chism on drums. This track has a great feel and balance. Eddie Taylor Jr leads the way on guitar and vocal on Going Away Baby with Corritore on harmonica, Illinois Slim on on guitar, Brian Fahey on drums, and Bob Stroger on bass. Very nice. Gray is back on piano on Mother - In - Law Blues featuring Robert Jr Lockwood on guitar and Chism on drums, Rapp on guitar and Mario Moreno on bass. In the slot, solid. Tail Dragger is upfront on Hurt Your Feelings and Johnny Burgin adds tasty lead guitar. With Slim on guitar, Fahey on drums and Stroger on bass, deep Chicago blues. Jimi "Primetime" Smith is at the mic on You For Me a cool shuffle track with a nice lope. Gray and Corritore really shine on this track with Troy Sandow on bass and Marty Dodson on drums. Chief Schabuttie Gilliame does an outrageous job on lead vocal on boogie, Javelina Jamboree with Burgin smoking the guitar and great piano riffs by Gray. Backed by Moreno on bass and Chism on drums, this is my favorite track on the release. Wrapping the release is slower blues, Going Down Slow with Gray back on lead vocal and piano and chilling guitar riffs by Rapp. This is an excellent closer for a really strong traditional Chicago blues release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release (releasing today), Don't Let The Devil Ride!, from Bob Corritore & Friends and it's super. Opening with Willie Buck's shuffle track, Went Home This Morning, Bob Corritore on harp joins up with Willie Buck on lead vocal, Mojo Mark on guitar, Troy Sandow on bass and Brian Fahey on drums for a solid opener. On Little Walter's Tell Me Mama, Oscar Wilson is on lead vocal and Corritore lays out a real nice harp solo with Priimetime Smith on guitar, Henry Grey on piano and Johnny Rapp on guitar. Alabama Mike has the lead on Laundromat Blues and with really expressive lower octave work from Corritore, particularly nice soloing from Atkinson on guitar and strong piano work from Welch making this one of my favorites on the release. Corritore original, Fork In The Road, features Oscar Wilson on vocal, with Henry Grey on piano and Johnny Rapp on guitar with Corritore in in mostly a strong supportive role choosing cool riffs over long solos...his general trademark. Bob Welch's rockabilly guitar riffs on Lovey Dovey Lovey One set the stage and Corritore sails on harp. Another terrific track. Particularly strong vocals by Alabama Mike set title track, Don't let the Devil Ride! with complimentary guitar work by Danny Michel. Willie Mae features the vocal and guitar work of Bill "Howl-N-Madd" Perry and with it's Latin rhythm, it simmers. George Bowman has the lead on I Was A Fool with Chris James adding tasty texture on guitar. Wrapping the release is Thundering and Raining featuring Tail Dragger on lead vocal, Grey on piano and Bob Stroger on bass. Rockin' Johnny Burgin and Corritore balance guitar and harp nicely for a solid ending to a real cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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Bob Corritore, one of the top Chicago blues harp players on the planet today and owner of the Rhythm Room in Phoenix, AZ brought a terrific concert to town last night and I was fortunate enough to be in attendance. Corritore, a native of Chicago moved to Arizona over 30 years ago and is such a part of the blues music fabric here that he is sometimes taken for granted by locals. Making routine appearances here around his own recording and touring schedule he often becomes a complimentary musician to guests in his own house. His instrumental release,Taboo is certainly one of the best contemporary blues harp releases that I have heard. Last night, hosting a great group of Chicago musicians, Corritore took the stage with Eddie Taylor Jr. (guitar and lead vocal),Illinois Slim (guitar) and Brian Fahey (drums).
This was a terrific set of straight up Chicago blues showing just how
good Taylor is both as a lead singer and blues guitarist and giving
Corritore the opportunity to really shine.This initial set was maybe 6 -10 songs and was extremely well received.
Exceptional bassist and vocalist Bob Stroger joined the group on bass and lead vocals. Stroger is an exceptional performer who stands out as a musician when in a back up role but as a leader really takes control. Having performed with
Eddie King, Odie Payne, Otis Rush, Sunnyland Slim, Willie Big Eyes Smith and Carey Bell, he knows how to do his business and he took control. This was a short but powerful set with Strogers queezing solid gutsy
blues from this set of excellent musicians.
This probably isn't a secret to any of my daily readers but I was especially here to see Rockin'
Johnny Burgin. Johnny took the stage like wild fire playing two dynamic
tracks from his most recent release, Greetings from Greaseland which is exceptional. I had only seen Johnny on video, backing others such as Tail Dragger on his DVD Live At Rooster's Lounge and on Youtube so I was extremely anxious to see him in person. This guy has his own style of guitar playing and is a really super singer. Now don't go off half cocked thinking I'm saying he's Stevie Ray Vaughn or Joe Bonamassa. He's Johnny Burgin and he takes his craft seriously, playing the rocking edge of the Chicago blues and doing it with dynamic style. Burgin only played two tracks as a band leader/lead vocalist, but I've been to concerts where there weren't two songs that I enjoyed as much as these two tracks so don't take that lightly.
Next up was ninety year old Henry Gray has played with a literal who's who of blues including Sonny Boy Williamson II, Homesick James, Robert Lockwood, Jr., Billy Boy Arnold, Muddy Waters, Johnny Shines, Hubert Sumlin, Lazy Lester, Little Walter Jacobs, Otis Rush, Buddy Guy, James Cotton, Little Milton Campbell, Jimmy Rogers, Jimmy Reed, and Koko Taylor. I reviewed his most recent release
with Corritore, Blues Won't Let Me Take My Rest and his appearance in person was dynamic and memorable. His
vocals are solid and his piano playing inspiring. His style to my ear
is somewhat similar to one of my favorites, Booker T Laury and his set
as a leader was really great as well.
Finally Tail Dragger took the stage, or the entire room as the case was, singing to and hugging most everyone in the room. Kneeling, crawling and growling the entire way, Tail Dragger lived up to every show of his that I have ever seen. Check out my review of his most recent release, Stop Lyin'from 2013. Burgin, who is a now regular with Dragger had some super opportunities to fan the flames and although careful to never take over the show, was super hot gasoline on the smoking fire.
Needless to say this was an exceptional show. If you have the opportunity to see this line up, do it. It won't happen too many times and clocking in at over 3 hours, you get way more than your monies worth! Oh, and Rockin Johnny has some terrific hot blue t shirts. If you know the Bman, you know he's all about the blue (s) so don't be afraid to ask Mr Burgin. They are very affordable and really cool. Mine's in the mail so don't be surprised to see me sporting one at the next blues show!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
I just received the newest release, Blues Won't Let Me take My Rest from Henry Gray and Bob Corritore. Featuring 10 previously unreleased out of 14 included tracks, this release features not only Gray and Corritore, but many other of the greats in recent blues history. Opening with Let's Get High, a great piano shuffle with Gray on lead vocal backed by Willie "Big Eyes" Smith on backing vocal and drums and Corritore on harp, this is a great opener. Gray's vocals on Blues Won't Let Me Take My Rest are a stark contrast to Clapton but this is real and Gray's piano with Corritore on shielded harp, Bob Margolin and Johnny Rapp on guitar and Chico Chism on drums, this sounds a lot like Muddy's band. New Orleans flavored boogie, I'm In Love Again features a cool harp riff by Corritore and hot guitar riffs by Rapp. Robert Jr Lockwood is featured on vocal and guitar on Robert Johnson's Ramblin' On My Mind, one of my favorite tracks on the release. Big Maceo's Worried Life Blues, feature Nappy Brown on lead vocal but Gray's piano work is solid and unmistakable. Gray is in top form on vocal on They Raided The Joint, joined by Kid Ramos on guitar, Corritore on harp, Paul Thomas on bass and Chism on drums. Very cool! Dave Riley takes the lead vocal spot on Ride With Your Daddy Tonight joined by Chris James on guitar, Yahni Yiley on bass and Eddie Kobek on drums. Corritore and Gray both do really nice jobs on this track making it one of the strongest instrumental tracks on the release. Lowell Fulsom's Trouble Blues, has a great feel with Rapp laying down some real nice slide over Gray's killer piano and vocal work. Excellent! Shuffle track, I'm Gonna Miss You, keeps Gray up front on piano and vocal. With extended harp work from Corritore, Steve Cushing on drum and, Paul Thomas on bass this track, Rapp steps up again with some pretty cool riffs on guitar. John Brim's That Ain't Right features Brim himself on the mic backed by Troy Sandow on bass and Big John Atkinson on drums. Corritore keeps up the heat but this track really shows how nicely Gray can hit the groove on piano. Ernest Lawler's Can't Afford To Do It has Gray back on lead vocal backed by Little Frank, Danny Michael and Big John on guitar, Sandow on bass and Brian Fahey on drums. One of the hottest tracks on the release is Boogie Woogie Ball, really giving Gray the open door to rock it and he really does. Corritore has strong continuity on harp throughout the track, Kirk Fletcher it tight on the beat with hot riffs backed by Patrick Rynn on bass and Brian Fahey on drums. Very cool! On laid back Honey Don't Let Me Go, Gray has the full focus with lead vocal and piano. Backed by Rapp on guitar, Thomas on bass and Cushing on drums, Corritore steps in for a nice harp solo balancing out the track nicely. Wrapping the release is BB King's She Don't Move Me No More featuring Gray on beautiful piano and lead vocal. I especially like Corritore's riffs on this track as well as Rapps tight guitar solos. Paul Thomas on bass and Chico Chism on drums round out the line up.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
I just received the much anticipated new release from Delta Groove, Knockin' Around The Blues from John Primer and Bob Corritore and it's great! Both Corritore and Primer are known for their traditional Chicago style and this is right on it...but it is a solid square hit. Opening with The Clock, you're in Chicago and the best band in town is up and making that statement isn't far off. These guys, both superstars themselves, have a full hand of musicians with them. Primer of course handles lead vocals and he's always terrific. Corritore can really be magic on the harp and his playing on this track is very strong. Barrelhouse Chuck adds terrific riffs throughout and Chris James and Primer both do nice jobs on guitar on this track. Blue and Lonesome opens with a great intro from Chuck and Primer and Corritore exchange call and response. This is slow dirty blues like you love it. One of the comments that I've had of some recordings of Corritore in the past have been that he gets lost in the mix. Not on this recording! Corritore is well highlighted and sounding great. James and Primer are both highlighted on guitar on this track as well and there is a blood curdling solo on this track that is not to be missed. When I Get Lonely is an uptempo blues track and Brian Fahey is light in the front on drums. Primer has a great voice and Corritore takes a real nice solo early in the track complimenting his singing. Great harp tone! A smokin' Chicago loper, Cairo Blues, is up next and Billy Flynn (guitar), Bob Stroger (bass) and Kenny "Beedy Eyes" Smith join the mix. Corritore really gets the harp screamin on this track and Chuck adds really nice punctuation throughout. Leanin' Tree opens with some smokin guitar riffs but them paring back to highlight to allow Primer to lead the way on vocal. One of my favorite tracks on the release, James, Primer and Corritore all take nice solos on this track. Harmonica Joyride is an absolute blast! Corritore takes a step to the front and demonstrates clearly why he's regarded as on of the top harp men in the business today. (Yeah stilladog...this track's for you pal). Little Boy Blue, of course the great track by Robert Jr. Lockwood is a nice slow in the pocket track. Corritore again blowin exceptional tone on this track. Chuck of course is always spot on and this track is no exception. Opening with a real slick slide intro, Dixon's Just Like I Treat You is bright and full of energy featuring Patrick Rynn on bass and Brian Fahey on drums. Again the mastery of Corritore is well documented on this track. Chuck takes a cool piano solo on this track opening for Primer on slide. Saw Primer a short while back at the rhythm Room and his second set blew the doors off the place. This is a guy who can really do it all in his genre. Man Or Mouse gets right into the groove. Billy Flynn takes a nice solo on this track and Chuck keeps the ivories hot. Finishing up with Going Back Home, an old Lightning Hopkins track, the band is tight and lays down the last of 10 solid performances. Corritore takes the first of the solos on this track is it's really apparent how deeply he feels about getting just the right tome. Excellent. Chuck belly's up with a really clean solo but James and Primer really step it up on this track and knock it out of the park.
This is a great contemporary recording of traditional Chicago blues played by a group of exceptional blues musicians. This is one not to be missed.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!
Have Bass Will Travel.... I was born in South East Missouri in a small town Haiti, where I lived on a farm. I moved to Chicago in 1955. I lived in the back of a night club on the West Side, where Howling Wolf and Muddy Waters played. It looked like they were having a lot of fun and I made up my mind that what I wanted to do was play music. I got married at an early age and I used to watch my brother-in-law play music. His name was Johnny Ferguson and he and JB Hutto had a band they called the Twisters. They were working on 39'th and State Street in Chicago and I would carry them to work every night and watch them. Then at home I would try to teach myself to play. My cousin Ralph Ramey said that we should start a band and we did just that. We got my brother (John Stroger), who played the drums, to learn the songs we knew and in four months we were making some noise. We went to a club and played two songs and the man said we had a job. It was one of the better clubs, where musicians like Memphis Slim worked. The owner wanted us to wear uniforms but we had no money to buy them, so we got black tams and put a red circle in the top and called the band the Red Tops and that was the way it started. We got so good that they wanted the band to travel, but Ralph's wife did not wont him to travel. so my brother formed a band with Willie Kent and myself and called it Joe Russel and the Blues Hustlers. We played together for a while,but eventually I decided to move on, because i wanted to travel more and see the world and I found out you can make money doing this. I joined a jazz band and played with Rufus Forman for about 3 years, but we were doing very little work. Then I met Eddie King and we talked. I told him I was in a jazz band and we needed a guitar player that could play blues. He sead OK and joined our groop, and we started playing blues and RB and things took off. We called the band Eddie King and King Men, and we stayed together for 15 years. Then we split up for about 2 years and later we started the band up as Eddie King and Babee May and the Blues Machine and we stayed together until Eddie King moved out of town. I quit playing for 2 years becouse we were so close I did not want to play with anyone but Eddie. Then I met Jessie Grean when I was playing with Morris Pejo and he liked the way I played bass and one night Otis Rush need a bass player, so Jessie said come and work with him. The rest is history. I have been playing music for 39 years and I am still having fun.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!
George "Mojo" Buford (November 10, 1929 – October 11, 2011) was an American blues harmonica player, best known for his work in Muddy Waters' band.
Buford relocated from Hernando, Mississippi to Memphis, Tennessee in his youth, where he studied the blues. He relocated to Chicago in 1952, forming the Savage Boys that eventually became known as the Muddy Waters, Jr. Band. They substituted for Muddy Waters at local nightclubs whilst he was touring.
Buford first played in Muddy Waters' backing band in 1959, replacing Little Walter, but in 1962 moved to Minneapolis to front his own band, and record albums. It was in Minneapolis that Buford gained his nickname "Mojo", because of the audiences requesting him to perform his cover version of "Got My Mojo Working." Buford returned to Muddy Waters' combo in 1967 for a year when he replaced James Cotton. He had a longer tenure with Muddy Waters in the early 1970s, and returned for the final time after Jerry Portnoy departed to form The Legendary Blues Band.
He also recorded for the Mr. Blues label (later re-issued on Rooster Blues) and the British JSP label.
Buford died on October 11, 2011, in Minneapolis, after a long hospitalization. He was 81.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, - ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!
ANDY EGERT and his blues band is one of the most appearing live-bands of Switzerland and has got a high reputation during the last 20 years. Presenting blues at its best and in the tradition of their great heroes Freddie King, Eric Clapton, Peter Green, Alvin Lee, Johnny Winter, Robert Johnson and many others.
Andy Egert has taken a lot of time to work on his sixth CD and to pick the right songs – and he did! “I`m a Bluesman-Live” presents him again as outstanding guitar blues artist in its best way and he confirms his position as one of the leading blues artists in Europe.
Mainly influenced by the best Chicago-Texas and British-Blues Tradition, Andy Egert (vocal, guitar, harmonica) works in the classical trio line-up and covers fascinating classics from Johnny Winter, Freddie King, Robert Johnson, Alvin Lee, Canned Heat, Otis Rush or Junior Parker but also presents some self penned songs.
The band line-up gains additional attention by the help of such superb artists like drummer Tosho Yakkatokuo and the legendary bass player and singer Bob Stroger, who comes out of the heart of the Chicago scene and also Robert Lucas, singer, slideguitar and harmonica player from Canned Heat !
If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
Have Bass Will Travel.... I was born in South East Missouri in a small town Haiti, where I lived on a farm. I moved to Chicago in 1955. I lived in the back of a night club on the West Side, where Howling Wolf and Muddy Waters played. It looked like they were having a lot of fun and I made up my mind that what I wanted to do was play music. I got married at an early age and I used to watch my brother-in-law play music. His name was Johnny Ferguson and he and JB Hutto had a band they called the Twisters. They were working on 39'th and State Street in Chicago and I would carry them to work every night and watch them. Then at home I would try to teach myself to play. My cousin Ralph Ramey said that we should start a band and we did just that. We got my brother (John Stroger), who played the drums, to learn the songs we knew and in four months we were making some noise. We went to a club and played two songs and the man said we had a job. It was one of the better clubs, where musicians like Memphis Slim worked. The owner wanted us to wear uniforms but we had no money to buy them, so we got black tams and put a red circle in the top and called the band the Red Tops and that was the way it started. We got so good that they wanted the band to travel, but Ralph's wife did not wont him to travel. so my brother formed a band with Willie Kent and myself and called it Joe Russel and the Blues Hustlers. We played together for a while,but eventually I decided to move on, because i wanted to travel more and see the world and I found out you can make money doing this. I joined a jazz band and played with Rufus Forman for about 3 years, but we were doing very little work. Then I met Eddie King and we talked. I told him I was in a jazz band and we needed a guitar player that could play blues. He sead OK and joined our groop, and we started playing blues and RB and things took off. We called the band Eddie King and King Men, and we stayed together for 15 years. Then we split up for about 2 years and later we started the band up as Eddie King and Babee May and the Blues Machine and we stayed together until Eddie King moved out of town. I quit playing for 2 years becouse we were so close I did not want to play with anyone but Eddie. Then I met Jessie Grean when I was playing with Morris Pejo and he liked the way I played bass and one night Otis Rush need a bass player, so Jessie said come and work with him. The rest is history. I have been playing music for 39 years and I am still having fun. If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
With HUBERT SUMLIN, EDDIE TAYLOR, BOB STROGER AND ODIE PAYNEWillie Mabon (October 24, 1925 – April 19, 1985) was an American R&B singer, songwriter and pianist.Born Willie James Mabon, and brought up in Hollywood, Memphis, Tennessee, he had become known as a singer and pianist by the time he moved to Chicago in 1942. He formed a group, the Blues Rockers, and in 1949 began recording for the Aristocrat label. Mabon's debut solo release was made for the Apollo label on 28 August 1949 (Bogey Man/It Keeps Raining) and then Chess. His style contrasted with many Chess artistes – it was cool and jazzy, emphasising piano and saxophone rather than guitar and harmonica. His biggest success came in 1952 when his debut solo release, "I Don't Know",originally recorded for Al Benson's Parrot label 1050 and later the same year released on Chess with whom it had the hit topped the Billboard R&B chart for eight weeks. He picked it up from the older boogie-woogie pianist, Cripple Clarence Lofton. It was one of the most popular releases of its era, becoming Chess's biggest hit in the period before Chuck Berry's and Bo Diddley's success. It also became one of the first R&B hit records to be covered by a leading white artist, Tennessee Ernie Ford. Mabon's original was played on Alan Freed's early radio shows and also sold well to white audiences, crossing over markets at the start of the rock and roll era.Mabon returned to the top R&B slot in 1953 with "I'm Mad", and had another hit with the Mel London penned "Poison Ivy" in 1954. However, his career failed to maintain its momentum, and record releases in the late 1950s on a variety of record labels were largely unsuccessful. After a lull he repeated the process more modestly in the early 1960s with "Got To Have Some" and "I'm The Fixer".After moving to Paris in 1972, Mabon toured and recorded in Europe, including a 1977 album on Ornament Records.[4] He also performed at the Montreux Jazz Festival. In April 1985, after a long illness, Mabon died in Paris
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Pre-festival event for Grafton Blues Festival 2008, featuring Hubert Sumlin (guitar), Willie Smith (harp), Bob Stroger (bass), Eddie Kobek (drums), Billy Flynn (guitar). Bob Stroger played with Otis Rush and others. Willie Smith played drums for Muddy Waters for many years. Billy Flynn is the guitar sound of Muddy Waters and Chuck Berry and is heard on the Etta James music in the movie Cadillac Records. Billy Flynn (born August 11, 1956) is an American Chicago blues and electric blues guitarist, singer and songwriter.
In addition to his own work, and those mentioned later, Flynn has worked and recorded with Bryan Lee, Little Smokey Smothers, Mark Hummel, Willie Kent, Snooky Pryor, Big Bill Morganfield, John Brim, Jody Williams, Little Arthur Duncan, Deitra Farr, and Billy Boy Arnold Like my Facebook Page, Post your video on my Wall or post your Photos of great blues events! Share your favorite posting and get more exposure for your favorites band!- ”LIKE”
