VizzTone Label Group artist: Bob Corritore & Friends - Ernestine Blues - New Release Review

 I just had the opportunity to review the most recent release, Ernestine Blues, from Bob Corritore & Friends and it's a big solid scoop of pure blues. Opening with Tony Coleman on vocal and guitar on How'd You Learn To Shake It Like That, Coleman has a great feel for Chicago style blues and Corritore is one of the best on harp on old Chicago style. Joined by Jimi Primetime Smith on guitar, Bob Stroger on bass, and Anthony Geraci on piano, this is a solid opener. Pat Thomas is featured on vocal and guitar on Big Fat Mama with Corritore adding choice harp riffs. This is a particularly strong track with authentic delta styling and Hooker like meter with no exact number of beats in a measure. Pure! Tia Carroll has the mic on Sam Cooke's Ernestine. With solid R&B styling and warm backing vocals by Eboni McDonald, Diamond Porter and Yolanda Tharrington, Doug James on sax, Geraci on piano, Bob Margolin on guitar, Stroger on bass, and Wes Starr on drums, this is a solid soulful addition. Sleepy John Estes' Trouble No More is up next and Willie Buck does a great job on lead vocal abut it really is a nice showcase for Corritore on harmonica. Carla Denise fronts on Troubles On Your Mind with crystal clear vocals and Ben Levin adds super piano work and really soulful harmonica work by Corritore. Just a note, Corritore's harmonica work is forward in the mix throughout this release and it really is a much better balance. Very nice. Charles Wilson leads on Sorry I Had To Leave You Behind, with Kid Ramos and Johnny Main on guitars and Corritore on harmonica. Mike Turturro sits in on bass and Brian Fahey rounds out the band on drums. Oscar Wilson is on vocal on Jimmy Reed's, Down In Mississippi with Corritore on harmonica, Margolin, and Smith on guitars, Geraci on piano, Starr on drums, and Stroger on bass. Wrapping the release is Teeny Tucker on blues rocker, Shoes. With Corritore giving it greater depth on harmonica, and backed by Starr, Geraci, Billy Flynn, Stroger and Margolin, a solid closer. 

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Nola Blue Records artist: Duke Robillard - Blast Off! - New Release Review

 I just had the opportunity to review the most recent release, Blast Off!, from Duke Robillard and it's really swinging! Opening with Floyd Dixon's, When I Get Lucky, Chris Cote is up front on vocal with Duke Robillard on lead guitar, Bruce Bears on piano, Marty Ballou on bass, Mark Teixeira on drums and Doug James and Mark Earley on wailing sax. Strong opener.  Robillard original, Feel My Cares has a deeper, BB King feel with stinging guitar work by Duke and again featuring Cote on lead vocal. Bears on organ adds a real nice warmth and James and Earley on sax really fatten the track up nicely. AM Brunner's Play Boy Hop is a terrific sax led instrumental with James really making it wail and Duke's guitar phrasing is dynamic and urgent. Very cool. Guitar Slim's Stand By Me really swings with Cote on lead vocal and Earley and James on horns. James takes command on bari sax really kicking up the dirt and Duke rips a classic solo of his own making this one of my favorite tracks on the release. Percy Sledge's Warm and Tender Love (penned by Bobby Robinson) is a super showcase for Cote on vocal and features easy keys by Bears and compact but meaty solos by James, Earley and Robillard. Wrapping the release is Tampa Red's, Look A There Look A There with a great swing tempo. Wailing sax solos by Earley and James really capitalize on the bluesy feel and Cote's vocals, backed by Duke make this a strong closer. 

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MoMojo Records artist: The Lucky Losers - Arrival - New Release Review

 I just had the opportunity to review the most recent release, Arrival, from The Lucky Losers and it is their best release yet. Opening with funk infused, S-C-A-M, Cathy Lemons leads the way with solid vocals backed by the pumped up horn work of Doug James on tenor sax, Mike Rinta on trombone and John Halbieb on trumpet. With Phil Berkowitz on vocal, Chris Burns on keys, Simon Govan Smith on guitars, Edgar San Gabriel on bass, Jon Otis on drums, and Kid Andersen on keys, this is a high stepping intro. Lemons really digs in vocally on Pull On The Rope with some of her best vocals on the release. Smith grinds out a strong guitar intro and with Berkowitz on harmonica, Otis on drums, Gabriel on bass, Burns on keys and warm backing vocals, this is another strong track. Phil is up front on vocal and soulful harmonica on Sorry Brother. This track has a real slinky feel and Burn's key work coupled with the excellent percussion by Otis gives this track a dark, rich feel. Pig Iron Tough is funky blues with great backing vocals. Otis really shines on this track as does Andersen on keys and Berkowitz on harmonica and cool riffs by Andersen on guitar adds to the soul. Wrapping the release is laid back, country flavored, Ain't The Marrying Kind, featuring Lemons and Berkowitz trading vocals over Andersen on acoustic guitar and Berkowitz on harmonica. Solid closer for a real nice release. 

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Sweetspot Records artist: Al Basile - Blues In Hand - New Release Review

I just had the opportunity to review the most recent release, Blues In Hand, by Al Basile and I really like it. Opening with All of Your Lies, Al Basile on lead vocal and cornet create a real funky groove backed by Mark Teixeira on drums, Brad Hallen on bass, Bruce Bears on keys, Jeff "Doc" Chanonhouse on trumpet, Doug James on tenor sax and a stellar guitar solo by Kid Anderson. Excellent opener. Blues After Blues is another really strong track with a deeper feel and a soulful Albert King kind of vibe. Basile plays a soulful cornet solo and his vocals, along with Anderson's sweltering guitar work and Bears' organ solo give this track real traction. Up tempo soul track, Thank You Fool has a real radio appeal with it's solid melody and smooth organ solo by Bears. Good Rhythm is an easy paced blues track featuring Basile's vocals and a real nice piano solo by Bears. A lower octave, stylized, guitar solo by Andersen adds to the dark feel of the track. My Dearest Dream has a reaal nice bluesy feel with Basile on vocal and cool laid back trumpet work by Chanonhouse and smooth piano work by Bears. Wrapping the release is funky, When You Lose Your Money, has just a hint of BB King with accents by Chanonhouse and a firm bass line by Hallen giving the track a distinct feel. A simple, soulful cornet solo by Basile and his own distinct vocal style and a stylized guitar solo by Andersen makes this a solid closer for an enjoyable release.


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Stony Plain Records artist: Duke Robillard - Roll With Me - New Release Review

 I just had the opportunity to review the most recent release, Roll With Me, from Duke Robillard and it's particularly hot! Opening with Eddie Boyd's Bluecoat Man, Robillard is on vocal and these guys are really rocking. With Doug James really humming on sax and Mark Teixeira on drums and Marty Ballou on bass giving Robillard a great platform to blow the doors off on guitar. Excellent opener. Gatemouth Brown's Boogie Uproar is hot and heavy with Robillard having a excellent solo exchange with James and Rich Lataille punched up by the likes of Pam Murray and Carl Querfurth on trombone, Al Basile on cornet, Matt McCabe on piano, Ballou on bass, and Teixeira on drums. Powerful. Willie Dixon's, Built For Comfort has a real cool feel with Robillard playing the easy shuffle under his vocals and nicely interwoven horn work by James and Murray and the tight drumming of Teixeira and groove bass by Ballou gives this track an electrifying feel. Hot, slow, blues, Give Me Back My Money is really an excellent showcase for Robillard when he lays back and stretches. With solid vocals and hot horns by Murray and James, Robillard lays down some stellar phrasing giving this track real legs and Ballou and Teixeira holding down the bottom allow it to fly. Wrapping the release is cool shuffle, Don't You Want To Roll With Me with smooth vocals by Robillard and excellent guitar phrasing held tight with Teixeira. James gets on more chance to play it hot and he optimizes every note. Excellent closer. 

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VizzTone artist: Bob Corritore and Friends - Phoenix Blues Rumble - New Release Review

 I just had the opportunity to review the most recent release, Phoenix Blues Rumble, from Bob Corritore and Friends and it's a great blues rumble. Opening with Big Fat Woman 489 LBS. a blues rocker featuring Chico Chism on vocal and drums, Henry Gray on piano, Paul Thomas on bass and Bob Corritore on harmonica. This is a solid opener with plenty of harmonica by Corritore. With a deep, New Orleans, R&B feel King Karl has the microphone on Mathilda, wailing some really soulful lines. With Johnny Rapp on guitar, S.E. Willis on piano Thomas on bass and Doug James on horns, this is a real standout. George Bowman has the mic for slow blues, I Was A Fool and it's one of my favorites on the release with Jon Atkinson on guitar, Danny Michel on rhythm guitar, Troy Sandow on bass and Brian Fahey on drums. Corritore is a standout on this track with thick, heavily hooded harmonica and Atkinson lays in a tasty guitar of his own to tie down the track. Shuffle, Nine Times Out Of Ten, with it's sonny Boy Williams feel, again features Bowman on lead vocal. Atkinson on guitar fans the guitar nicely, Corritore blows a strong solo on harp and Sandow and Fahey hold the bottom tight. Sugaray Rayford leads the way on The Glide with super vocals joined by Junior Watson on guitar, Fred Kaplan on piano, Kedar Roy on bass and Rena Beavers on drums. Watson takes a real nice solo with Kaplan keeping the rhythm on piano. Wrapping the release is I'm Evil, a slower Chicago style track featuring Big Pete Pearson on lead vocal. With Johnny Rapp pulling the strings on lead guitar, Corritore adding essential harmonica lead, Chris James on guitar, Matt Bishop on piano, Patrick Rynn on bass and Fahey on drums, this is an excellent closer. 

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M.C. Records artist: Duke Robillard & His All-Star Band - Six Strings of Steel - New Release Review

 I just had the opportunity to review the most recent release, Six Strings of Steel by Duke Robillard an it's terrific. Opening with Barney Kessel's Git With It!, Duke Robillard hits the ground running. This is a great tune and Robillard knows how to sell it. Joined by Marty Ballou on bass, Mark Teiseira on drums and with an outstanding solo by Doug James on sax, this is an excellent opener. On, Shame, Shame, Shame, Robillard really gets things rockin. Chris Cote does a great job on vocal and another outstanding solo by James and of course strong guitar work by Duke. Chuck Willis' Love Struck is deep in soul and Cote does an excellent job. Warm organ work by Bruce Bears paves the way for exceptional guitar phrasing by Robillard making this one of my favorite tracks on the release. Leo Parker's Billy In The Lion's Den is an excellent showcase for James and he really does shine. Robillard springboards from the deep throaty work of James with his own light fingered attack, then trading solid riffs making this another exceptional track on the release. Lowell Fulson's Lovin' You fits nicely into this set with it's R&B feel and with James and Bears holding the line for Cote on vocal and nicely stylized guitar lead by Robillard, a strong addition to the set. Wrapping the release is Link Wray's Rumble. Nothing has the grit of Wray's classic, and that reverb saturation is so time perfect. Robillard really works it making it a perfect closer for one of his best releases in years. 

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Sweetspot Records artist: Al Basile - B's Time - New Release Review

 I just had the opportunity to review the most recent release, B's Time, by Al Basile and it's a cool retrospective of Basile's 25 years with Sweetspot Records using up to date technology on the remastering. Opening with You Showed Me Something, from 2009 release, Soul Blue, Basile on cornet and lead vocals is joined by  Mark Teixeira on drums, Bruce Katz on keys, Marty Ballou on bass, Doug James on sax, and Carl Querfurth on trombone, that walking bass line really sets up for great solos by Basile, Katz and James. Great opener. Two stepper, Drive Me Darling from the 2001 release Shaking The Soul Tree had a cool psychedelic rock vibe with solid vocals by Basile. Jeff McAllister on drums, Tom West on keys, John Packer on bass and some wild guitar work By Duke Robillard really makes this track a standout. Light jazz track, B.D. from the 2003 release Red Breath is chilled and relaxed giving Basille a lot of room to breathe on cornet and sets up with real nice lead work by Paul Odeh on keys, backed by Marty Richards on drums, and Marty Ballou on on bass. Very nice. A splash of reggae on Causing Joy from the 2009's Soul Blue features Basile on some real nice vocal, Doug James on sax, Ballou on bass, Katz on Katz on keys, Teixeira on drums really lays in the slot. Wrapping the release is driving rocker, 1.843 Million from 2010 release The Goods, with a tight drum set from Teixeira, and really heavy bass work by Brad Hallen. Basile's cornet sings and Robillard laying in some vital riffs makes this track an excellent closer. 

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VizzTone Label Group artist: Bob Corritore - Women In Blues Showcase - New Release Review

 I just had the opportunity to review the most recent release, Women In Blues Showcase by Bob Corritore and there are some real gems here. Opening with You're Gonna Be Sorry, Barbara Lynn on vocal and guitar is joined by Corritore on harmonica, Maxine Johnson and Laydee Jai on backing vocal, and Bill Tarsha on drums. A cool, early blues rock sound makes this an excellent opener. One of my favorite tracks on the release is soulful, I Just Need A Friend, by Carol Fran. Johnny Rapp on guitar, Paul Thomas on bass, and Chico Chism on drums really support this excellent vocal track perfectly. Koko Taylor is front and center on What Kind of Man Is This with great Chicago swagger. Joined by Bob Margolin on guitar, Frank Krakowski on guitar, Bob Stroger on bass, Adriana Marie on bass and Willie Big Eyes Smith on drums, a real cool track. Shy Perry does a great job  belting out Dixon's Wang Dang Doodle with Corritore on harmonica and Brian Fahey on drums. Diunna Greenleaf 's rocker, Don't Mess With The Messer really is a mover and Greenleaf's vocals are gritty and powerful, backed by Fred Kaplan on piano, Troy Sandow on bass, Andrew Guterman on drums and a terrific bari solo by Doug James. Wrapping the release is Francine Reed on Why Am I Treated So Bad. I gotta say I really love Reed's voice and the choice to place her last on this release is a great one. With  Kid Ramos on guitar, Johnny Main on guitar, Mike Hightower on bass, Michael Reed on backing vocal and Brian Fahey on drums, this is an excellent closer for a really strong release.

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DixieFrog Records artist: Todd Sharpville - Medication Time - New Release Review

 

I just had the opportunity to review the most recent release, Medication Time, from Todd Sharpville, and it's a solid rocker. Opening with Walk Out In The Rain, Todd Sharpville on vocal and guitar sets a tense stage with his intense vocal and Clapton like guitar riffs. Joined by Bruce Bears on Hammond, Brad Hallen on bass and Mark Texeira on drums, this is an attention grabber of an opener. Driving track, Get Outta My Way features Doug James on Bari sax, Mark Early on tenor sax, Carl Querfurth on trombone and Doc Chanonhouse on trumpet and put to great use with a full horn delivery and a strong sax solo by Early. House Rules is a great track that's likely to get you up on your feet. With it's tight rhythm and slick guitar soloing by Sharpville, this track is super. Larry McCray joins on guitar and vocal on Brothers From Another Mother and the guy's voices actually pair up quite nicely (McCray on the left). McCray and Sharpville jam out pretty nicely for the last minute or so and James deep bari punctuation really sets it off. Bluesy ballad and title track, Medication Time really has a great feel and Sharpville's vocals carry the melody nicely, complimented by Bears on piano and Hammond. The close of this track is emotion filled with exceptional guitar riffs that are bound to perk up your senses. Raising the Texas style on blues rocker, God Loves a Loser, Sharpville shows great flair and style in blues rock style. Red Headed Woman has a lot of country influence with hot finger picking electric guitar picking and just the right amount of spunk. Wrapping the release  is soulful ballad, I Don't Need To Know Your Name again blending vocals with Larry McCray and a very nice sax solo by Early. This is a really strong release with a wide blend of great tunes.

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Sweetspot Records artist: Al Basile - Through With Cool - New Release Review

 I just had the opportunity to review the most recent release (9/19/2022), Through With Cool, by Al Basile and it may be my favorite yet. Opening with Keep On Living, with a cool Latin beat by Mark Teixeira on drums and Brad Hallen on bass we're off to a great start. Basile who sings and plays cornet really rides the slot and just seems to hit it perfectly with Bruce Bears on keys and Kid Andersen provides some real nice guitar effects, all backed by Doug James on sax and Doc Chanonhouse on trumpet. Super opener. On blues swinger, I'm Waiting has a real nice feel with Chanonhouse on trumpet, punctuating Basile's vocal lead and Andersen's guitar style is terrific as always. Basile lays in a cool muted cornet solo giving the track an overall jazz approach giving it yet one more dimension. Very nice. Uh Huh is a cool strut with punchy horn work over the basic rhythm section supporting Basile's vocal. Basile lays in a cool cornet solo which is real nice but when Andersen steps up on guitar, I gotta say, his style really is cool and relentless. Very nice. Another cool blues number is Turnabout Is Fair Play and Basile knows how to set the table with strong vocals. Andersen is right on spot with some scorching guitar riffs again making me sit up and take notice but Basile is back on cornet letting you know who wrote the show. Very cool. We Lie On Your Grave is a really nice track with a sumptuous melody, emphasized by the effortless cornet solo on Basile and Andersen again really plays scorching riffs under the melody. Wrapping the release is title track, Through With Cool, with it's conventional blues vamp played in understated fashion by Andersen to the lead vocal by Basile. This is a simple, straightforward closer for a real nice release. 

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Stony Plain Records artist: The Duke Robillard Band - They Called It Rhythm & Blues - New Release Review

 I just had the opportunity to review the most recent release, They Called It Rhythm & Blues, by The Duke Robillard Band,  and it's another stellar performance by the Duke and his crew. Opening with swing blues, Here I'm Is, Chris Cote on lead vocal really does a nice job with excellent fluid guitar lead by Robillard, and solid backing by Bruce Bears on keys, Marty Ballou on bass, Mark Teixeira on drums and Doug James on sax. Fools Are Getting Scarcer, James really does a great job stepping out on bari and tenor sax solos over a hot R&B feel. Excellent! Kim Wilson takes the lead on Tell Me Why with his trademark vocals and solid harmonica work. Robillard's guitar lead is impeccable and the band is solid. John Hammond is up front on Homeless Blues with his delta based vocal and playing style. I really like Hammond and am glad to see him on this release. With distinctive drum work by Teixeira and piano by Bears, this track is one of my favorites. Freddy King's Someday After Awhile, is a real showcase for both Cote and Robillard with exceptional vocal lead and plenty of room for Duke to stretch. Very nice. Kim Wilson does a rework on Guitar Slim's Things I Used To Do, The Things I Forgot To Do,  and Wilson works it nicely. Duke's guitar soloing really captures the styling of Slim and the piano work of Bears is spot on, with reinforcement by James and Mark Earley on sax. Very cool. Wrapping the release is hot instrumental jam, Swingin' For Four Bills, featuring really nice front work by Duke, Sue Foley and Mike Flanigin.  This is a super track and great closer for Robillard on this newest release. 

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8th Train Records artist: Tom Craig - Good Man Gone Bad - New Release Review

 I just had the opportunity to review the most recent release, Good Man Gone Bad, by Tom Craig and it's solid blues rock. Opening with I'm Working Too Hard, Tom Craig on lead vocal and guitar sets a firm pace with Dave Gross on bass and Vin Mott on drums. With it's melodic guitar lead and bluesy edge, a solid opener. What's A Man Gotta Do has great drive along the lines of Willie Cobb's dynamic, You Don't Love Me. With tight drum patterns, strong guitar lead and with the addition of Mikey Junior on harmonica, a super track. On Chicago style blues track, Treat Your Daddy Nice, Craig really gets the band revved up. With a great guitar vamp and Big Daddy Lamberson on harmonica, this is a strong track. One of my favorite tracks on the release is Change My Way Of Living with it's easy sway and soulful vocals by Craig. Of particular interest is Craig's smoking guitar blues and addition of Doug James on bari sax, Hailey Brinnel on trombone and Mike Scott on tenor sax. Very cool. Headhunter is another cool track with a real nice twist. With it's funky rhythm, Brinnell, James and Scott on horns and a great bottom, this track really rocks. Wrapping the release is R&B ballad, My Turn To Cry, featuring Craig's smooth vocals, Bill Heid on piano and Doug James on sax. This is a real solid release with plenty of flavorful playing.

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Sweetspot Records artist: Al Basile - B's Testimony - New Release Review

 I just had the opportunity to review the most recent release, B's Testimony, from Al Basile and it's a real cool mix of blues and jazz. Opening with Lucky Man, a lightly funky, New Orleans flavored track with loose drum rhythm by Mark Teixeira, Brad Hallen on bass and Bruce Bears on piano. Adding in a bit of rock to the blues on If All It Took Was Wishing, Basile on cornet works with Doug James and Doc Chanonhouse to get just the right sound. Funky blues, I'm Bad That Way features some real tasty guitar work from Kid Andersen under some of Basile's best vocals on the release as well as a real nice laid back cornet solo that flows perfectly. Horn backing by James and Chanonhouse give it just the right amount of soul. Andersen steps up early on Up Close And Personal Best with some real hot riffs and follows with some absolute stinging solo guitar lead and Basile's muted cornet soloing lays in the slot making this one of my favorites on the release. Shuffle, I Oughta Be Your Monkey, is a lot of fun with just Basile front and center on cornet and lead vocal and a cool interface between Andersen's fine guitar work and the horns of James and Chanonhouse. Very nice. Another tight guitar solo by Andersen highlights It's Your Pain. Kid blends chickin pickin styling with bluesy approach, Basile's own laid back cornet solo laid in and the rich organ work of Bears tying it all together.  On Through Thick and Thin Andersen really gets loose on guitar and if you've never heard that, it's an absolute joy. The guy really can play and he's really inventive. He swings from riff to riff with wreckless abandon and blows the top off of this one. Excellent! Built around a similar musical theme as "A Thrill Is Gone" Would I Do That To You?, is a great R&B shaped blues number. Basile leads on vocal with horn response by James and Chanonhouse. This track is a real sweet showcase of his cornet work and again resolves with Andersen just slaying the guitar. His bends, mixed with his (what sounds like) whammy vibrato is off the hook. Soft horn backing by James and Chanonhouse really add warmth for a strong finish. Wrapping the release is He Said, She Said, a low slung blues number with a real nice piano display by Bears and solid vocals by Basile leading to another hot guitar solo by Andersen. Basile closes the show with a poised cornet solo line. Really cool release. 

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Couldn't find a video for the release but here's one anyway with Al and Kid:

 

The Last Music Company artist: Jimmie Vaughan - The Pleasure's All Mine - New Release Review

 I just had the opportunity to review the most recent release, The Pleasure's All Mine, from Jimmie Vaughn and it's a super blues cd. Opening disc one with title track, The Pleasure's All Mine, Jimmie Vaughan lays right in the slot with this low slung blues track. His guitar work is stylistic and tasty, his vocals are solid and fat sax by Kas Kasenoff work really caps it nicely with George Rains on drums, Ronnie James on bass, Billy Pitman on rhythm guitar and Greg Picollo on tenor sax. Terrific instrumental, Comin' & Goin' really hits the spot with tight drums rhythms by Rains and a melodic guitar lead. Excellent! Up beat shuffle, How Can You Be So Mean, will get you bopping in your seat. Vaughan has one of those voices that works really nicely with swing beat music and his guitar style has just the right sting. Really nice. Cool boogie track, Roll, Roll, Roll has a strong bottom and Vaughan's vocal paired with his loose, but slick style makes for an unbeatable pair. Another great jump track, (She's Got the) Blues For Sale, pairs the hot sax work of Picollo and Kasenoff with carefree vocals and really tasty guitar work by Vaughan.

Opening disc 2 with two stepper, I Ain't Never, Vaughan sets a simple guitar palate but teamed with his smooth vocals and Doug James on sax makes for a great opener.  Slower blues, Teardrop Blues, gives Vaughan a super opportunity to dig in on guitar and he takes the opportunity to work it nicely. Paired with a sax underwork by Picollo and James, this is a really nice track. R&B track, What Makes You So Tough really works nicely into Vaughn's repertoire with more emphasis on vocal but still turning to some stinging riffs to accent the way.  Jazzy instrumental, Greenbacks, is a really nice departure from the blues with a great swing and fluid guitar runs. Super bari sax soloing by Doug James and a tight bottom by Rains makes this one of my favorites on the release. Cried Like A Baby has particularly soulful vocals by Vaughn and excellent guitar punctuation which really is Vaughn's trademark. Very cool! Wrapping the set is Shake A Hand, featuring Lou Ann Barton on lead vocal over solid horn backing by James and Picollo and a final fat sax solo by James makes this a strong closer to a great set. 

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Stony Plain Records artist: Duke Robillard & Friends - Blues Bash - New Release Review

 I just had the opportunity to review the most recent release, Blues Bash, by Duke Robillard & Friends and it may be his best recent release. Opening with Do You Mean It, Chris Cote is up front on lead vocal with Robillard on guitar, Bruce Bears on piano and Hammond, Mark Teixeira on drums and Jesse Williams on bass. With it's up tempo shuffle feel and super lead work by Robillard, super opener. Piano boogie, What Can I Do showcases strong piano by Bears and super sax by Greg Piccolo, Rich Lataille and Doug James and again. With Cote on lead vocal again and some really hot guitar riffs by Robillard, this track spins. With it's bluesy lope, Rock Alley is a great track to show Robillard at his best. His guitar phrasing is terrific and his feel is soulful. A bluesy sax solo by Lataille really adds great spice on this track. Very nice. Michelle Willson steps up on lead vocal on swing track, You Played On My Piano giving it a great feel and a rich, fat, sax solo by James really kicks this track up another notch. On I Ain't Gonna Do It, Mark Braun really sets the pace on piano with Marty Richards on drums, Marty Ballou on bass, Al Basile on cornet and Sax Gordon on sax. Hot track. Robillard handles lead guitar and vocal on Give Me All The Love You Got with it's sturdy blues feel and fat sax bottom. Robillard dances stylistically on the fretboard showing that fluid finger work that he's well known for. Very cool. Wrapping the release is Just Chillin', a cool, instrumental blues jam with a relaxed feel. Piccolo lays in a really nice sax solo, followed by nicely phrased guitar soloing by Robillard. A Hammond solo by Bears adds real texture to the track making this a strong closer for a solid release. 

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Sweetspot Records artist: Al Basile - B's Hot House - New Release Review

I just had the opportunity to review the most recent release, B's Hot House, from Al Basile and it's a great mix of blues, R&B and soul. Opening with So Called Story Teller, a lumbering "Thrill Is Gone" like track with Basile on lead vocal and cornet, and featuring Duke Robillard with some mighty tasty guitar riffs. Backed by Mark Teixeira on drums, Brad Hallen on bass, Bruce Bears on keys, Doug James on sax and Doc Cannonhouse, this is a super opener. Shuffle track, Razor Wire has a great stride with Bears' "Booker T like" organ vibe and Robillard's riffs lead nicely into a cool cornet solo by Basile. Very nice. R&B track, Give Me That Look is one of my favorites with it's easy groove and sax/trumpet accent. Basile's vocals on this track are my favorite on the release as well with solid piano work giving it that polish. Another of my favorites on the release is What Dogs Wanna Do, with Robillard dialing his guitar into warm round sound over a Latin rhythm. Horn chorus behind the lead guitar sounds almost vocal like giving the track an almost gospel feel.  Very nice. Wrapping the release is Time Has Made A Fool Of Me, a bass reinforced shuffle with muted horns on the return. Basile's vocals guide the track and a loose, jazz style trumpet gives the track a cool feel. This is a solid release by Basile and another cool release outside of the guitar mainstream.

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