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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Lou Ann Barton. Show all posts
Showing posts with label Lou Ann Barton. Show all posts

Friday, February 5, 2021

The Last Music Company artist: Jimmie Vaughan - The Pleasure's All Mine - New Release Review

 I just had the opportunity to review the most recent release, The Pleasure's All Mine, from Jimmie Vaughn and it's a super blues cd. Opening disc one with title track, The Pleasure's All Mine, Jimmie Vaughan lays right in the slot with this low slung blues track. His guitar work is stylistic and tasty, his vocals are solid and fat sax by Kas Kasenoff work really caps it nicely with George Rains on drums, Ronnie James on bass, Billy Pitman on rhythm guitar and Greg Picollo on tenor sax. Terrific instrumental, Comin' & Goin' really hits the spot with tight drums rhythms by Rains and a melodic guitar lead. Excellent! Up beat shuffle, How Can You Be So Mean, will get you bopping in your seat. Vaughan has one of those voices that works really nicely with swing beat music and his guitar style has just the right sting. Really nice. Cool boogie track, Roll, Roll, Roll has a strong bottom and Vaughan's vocal paired with his loose, but slick style makes for an unbeatable pair. Another great jump track, (She's Got the) Blues For Sale, pairs the hot sax work of Picollo and Kasenoff with carefree vocals and really tasty guitar work by Vaughan.

Opening disc 2 with two stepper, I Ain't Never, Vaughan sets a simple guitar palate but teamed with his smooth vocals and Doug James on sax makes for a great opener.  Slower blues, Teardrop Blues, gives Vaughan a super opportunity to dig in on guitar and he takes the opportunity to work it nicely. Paired with a sax underwork by Picollo and James, this is a really nice track. R&B track, What Makes You So Tough really works nicely into Vaughn's repertoire with more emphasis on vocal but still turning to some stinging riffs to accent the way.  Jazzy instrumental, Greenbacks, is a really nice departure from the blues with a great swing and fluid guitar runs. Super bari sax soloing by Doug James and a tight bottom by Rains makes this one of my favorites on the release. Cried Like A Baby has particularly soulful vocals by Vaughn and excellent guitar punctuation which really is Vaughn's trademark. Very cool! Wrapping the set is Shake A Hand, featuring Lou Ann Barton on lead vocal over solid horn backing by James and Picollo and a final fat sax solo by James makes this a strong closer to a great set. 


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Saturday, May 18, 2013

05/17/2013 Rhythm Room: Nick Moss Band with Bob Corritore, Lou Ann Barton and Jimmie Vaughan - Ellis James, guest contributer



An extra full house was the scene recently at the Rhythm Room, Phoenix, AZ USA when blues legends and veteran road pros Nick Moss and Jimmie Vaughan delivered killer sets of tasty Blues. Chicago based Nick Moss and Michael Ledbetter (guitar and vocals), were joined by Bob Corritore (harmonica and vocals) and drummer Patrick Seals for a full hour of house rocking ‘Chicago style’ tunes. Just two weeks into a seven week Western USA tour this group was jumping. According to road tour manager, Javik Smith (son of Willie “Big-Eyes” Smith) the core band will work the West for five additional weeks, take a short rest and then head out to the Eastern leg of the USA as the summer progresses. Moss showed his decades of experience through the fret board runs, fills, comps and seamless blending with guest harmonica player Bob Corritore and members of his regular band. Great support came from Michael Ledbetter on rhythm guitar and vocals who has been with Moss for the past two years. Classically trained in Opera, Ledbetter calls Elgin, Illinois home. Once again, opportunity comes to those who prepare themselves. Sounding like a page out of Mike Bloomfield’s biography, Nick Moss initially discovered Ledbetter through a recommendation from one of his friends. Gradual collaboration between the men evolved over time. A one-off gig turned into occasional fill-ins which in turn eventually lead to a regular spot on the Moss stage. Kudos to Illinois resident and experienced pro drummer Patrick Seals who set the beats and drove the tempo. Seals’ background includes Jazz Studies and Instrumental Performance at Columbia College, Chicago.
This year, Nick Moss received his 16th nomination from the Blues Music Association for "Best Blues Rock Album" for Here I Am, which debuted at number 2 on the Relix/Jambands Radio Chart, and at number 6 on the Living Blues Radio Chart! This latest CD is Nick’s ninth release on his own Blue Bella Records label.
The place was primed and pumping by the time that Jimmie Vaughn and his Tilt-a-Whirl band took the stage. Scorching through a 21 song set, of songs mostly from his 2010 release, Plays, Blues, Ballads and Favorites, Vaughan and his band barely stopped to take a breath. The crowd began with respectful reserve leaving breathing room on the dance floor and was on their feet and shoulder to shoulder by the end of the last song. Everyone knows about Vaughan but we should be reminded of what a great group of players make up the Tilt-A-Whirl team. Horn section really stood out as a huge asset. Professional to a tee was the drummer, bassist and rhythm guitarists who performed flawlessly and barely took a bow for their efforts. Good music, like photography, looks easy and natural when done well. These folks blended like prize-winning Barbeque. Founding member of Double Trouble, Lou Ann Barton joined the group for a flurry of songs including Shake A Hand, Scratch, signature duet Wheel of Fortune and Middle of the Night. Jimmie stayed on stage for 6 String Down while the band took a quick break. Motorhead Baby, Middle of the Night (with Barton), White Boots and D/FW closed out the performance. It was striking at how nice, personable and frankly politely approachable Vaughan was as he took time to patiently sign autographs and meet/greet following the 180 minute performance. Strong encouragement to watch for and attend performances by both Moss and/or Vaughan. I for one got more than my dollars’ worth at this show. Thanks again to Bob Corritore, Phoenix Blues Society and the Rhythm Room for an excellent time.


If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!

Sunday, October 14, 2012

Why is Love So Hard to Find - Marcia Ball w/Lou Ann Barton featurning Mark KAZANOFF

Saxophonist Mark ‘Kaz’ Kazanoff is well known to blues, rhythm and blues, and jazz fans around the world. Kaz has contributed horn arrangements, saxophone and harmonica solos, and original songs to more than 130 record albums over the last 25 years, as well as producing many CD’s, but he still thinks of himself as a live musician! Albums Kaz has played on and produced have been nominated for and won Grammy and W.C. Handy Awards. For the last five years, as a tribute to the high quality of his live and studio performances, Kaz himself has been nominated each year for a W. C. Handy award in the Blues Performance Instrumental Categories. Delbert McClinton’s excellent CD “Live From Austin” featured Kaz’ sax work, and won a Grammy as Best Blues Album. Kaz co-produced, performed on, and arranged W.C. Clark’s acclaimed “Texas Soul” CD, which won the W.C. Handy award in 1997 as Best Soul/Blues album. Other recent production credits include Marcia Ball (“Let Me Play With Your Poodle” for Rounder Records), Pat Boyack (“Super Blue and Funky” for Rounder Records), Bob Margolin (“Hold Me To It” for Blind Pig Records), and Long John Hunter. Kaz played on and arranged the horns for “The Lone Star Shootout” Alligator CD (1999), featuring Lonnie Brooks, Philip Walker, and Long John Hunter. The movie “The Client” featured Kaz’ song, “She Said” (from The Tri-Sax-Ual Soul Champs Blacktop CD). Other songs of his have been used in TV shows such as “The Big Easy”, and international TV commercials (American Express). Kaz can be seen and heard on music TV shows such as Austin City Limits, Bravo ‘Up Close and Personal’, and Lonesome Pines Special, performing with artists like Marcia Ball, Irma Thomas, Tracy Nelson, Angela Strehli, Albert Collins, Colin James, and Delbert McClinton. Kaz has performed often at major international music festivals such as the New Orleans Jazz and Heritage, North Sea Jazz, and Monterey Jazz Festivals, Chicago Blues Festival, Ottawa Blues Festival, and San Francisco Blues Festival. “To laugh often and much; to win the respect of intelligent people and the affection of children; to earn the appreciation of honest critics and endure the betrayal of false friends; to appreciate beauty; to find the best in others; to leave the world a bit better, whether by a healthy child, a garden patch or a redeemed social condition; to know even one life has breathed easier because you have lived. This is to have succeeded.” - Ralph Waldo Emerson If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Friday, February 17, 2012

In The Middle Of The Night - Jimmie Vaughan & Lou Ann Barton


Lou Ann Barton (born February 17, 1954, Fort Worth, Texas, United States) is an American blues singer based, out of Austin, Texas since the 1970s.
In the early 1970s, she was a member of the Triple Threat Revue, with W. C. Clark and Stevie Ray Vaughan. She was a founding member of Vaughan's band Double Trouble, and did a stint with the jump blues band Roomful of Blues. During that time, in 1975, she joined up with W. C. Clark to form his W. C. Clark Blues Revue.

She recorded the album Old Enough for Asylum Records in 1982, a well-received recording that was co-produced by Jerry Wexler and Glenn Frey. Despite positive reviews, Old Enough did not sell well, and her tenure with Asylum Records was a short one. Barton recorded Forbidden Tones, a pop-oriented EP for Spindletop Records in 1986 that also failed to find a wide audience. Her next release was the 1989 album Read My Lips for the Austin-based Antone's Records, a triumphant return to her blues roots that featured inspired versions of songs made famous by Slim Harpo, Hank Ballard and Wanda Jackson, among others. Barton later collaborated with singers Marcia Ball and Angela Strehli on the release Dreams Come True (1990).

In 1990 Barton made an appearance on Austin City Limits with the W. C. Clark Blues Revue. The show was taped in celebration of Clark's 50th birthday. Other artists included Stevie Ray Vaughan, Jimmie Vaughn, and Kim Wilson of The Fabulous Thunderbirds

In 2001 she again appeared on Austin City Limits, as a guest of Double Trouble.

In 2006 she was a featured act at the Austin City Limits Music Festival.

As of 2011, she is touring with Jimmie Vaughan and the Tilt-a-Whirl Band.
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