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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Review. Show all posts
Showing posts with label Review. Show all posts

Tuesday, April 22, 2025

Ermelinda Cuellar - Under A Lavender Sky - New Release Review

 I just had the opportunity to review the most recent release, Under A Lavender Sky, by Ermelinda Cuellar and it's really smooth. Opening with classic Latin jazz track, Poinciana adapted from a Cuban folk song by Simon and Bernier. Presented with clear vocals by Ermelinda Cuellar on vocal and surrounded by rhythm by Anthony Caceres on bass, and Marlon Simon on percussion and featuring a strong guitar solo by Greg Petito, this is a solid opener. Mucenca Rota is a rich Peruvian ballad written by the Quinteras and Cuellar really digs deep emotive presentation. Featuring Darrell Lavigne on piano, Jerre Jackson on drums and Deborah Ungar on accordion, this is a nice entry to the set. Johnny Mercer's classic, Midnight Sun is another top track with super lead vocal by Cuellar. Lavigne on piano, Jackson n piano, Andre Hayward with a soulful trombone solo, Petito on guitar, and Caceres on bass really give the track nice balance. Horace Silver's classic, Song For My Father really shines with a Latin beat and features an excellent guitar breakout by Petito over Sam Dinkins III and Marlon Simon on percussion and Hayward really rips on trombone. Very nice. Wrapping the release is another Johnny Mercer track, Sol De Medianoche with rich Latin feeling. Cuellar featured on vocal of course, backed by Jackson on trumpet, Jackson on drums, Lavigne on piano, Caceres on bass, Petito on piano, and really nice additions by Hayward on trombone and Horace Alexander Young on sax make this an excellent closer. 


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Monday, April 21, 2025

Miller Three Publishing artist: Mark Scott III - Soft Light - New Release Review

 I just had the opportunity to review the most recent release, Soft Light, from Mark Scott III and it's a mix of bop and contemporary jazz. Opening with Carpals, Mark Scott III on guitar leads the way with clean lead and chord emphasis over a tight rhythm by Ben Triesch on bass and Mike Gordon on drums. Triesch gets a nice opportunity to shine on bass as Scott falls away to give him room. This is a strong opener with solid bop roots and concise concepts. Very nice. News Blues sounds like a jazz classic with a straight forward melody on guitar. As the track develops, Scott deconstructs the melody and explores on guitar, giving a bit of space for Gordon to lay in an articulate drum riff before returning to the cohesive melody. Monster Beat has a bit of a modern groove with Gordon holding it tight and Scott running free over nicely placed bass lines by Triesch. Very cool. Smile has a happy go lucky feel with Scott cruising on the melody, supported by loose bass by Triesch and a tight bottom by Gordon. Scott uses a nice synchopation on some of his lead lines and bursts of speed on others, giving the track just a little more oomph. Very nice. Another cool bop is Tomorrow with excellent drive from Gordon and Triesch giving Scott a clear pathway for fluid guitar runs accented by rich chords. Wrapping the release is The Sun Behind A Cloud with a warm,  nicely crafted melody on guitar, with rich chords wrapping each phrase, emphasizing the breadth of the track. Nice closer. 


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Friday, April 18, 2025

Russ Anixter's Hippie Big Band - What Is? - New Release Review

 I just had the opportunity to review the most recent release, What Is? by Russ Anixter's Hippie Big Band and it's energetic and fun. Opening with Tower of Power's, What Is Hip? and it really moves. With aggressive drum work from Scott Neumann and Michael Aarons on guitar the onslaught begins. Jopined by Dan Levine on trombone, Jack Schatz on bass trombone, Matt Hong on alto sax (who plays up a storm), Stan Harrison on tenor sax, Frank Vacin on bari sax, Matt Owens on trumpet and Audrey Flores on French horn and punched up by Steve Count on bass and Bill Hayes on vibes and congas, this track really pumps. The Beatles She Said, She Said has an interesting arrangement like orchestrated Beatles on Zappa. Owens' trumpet work is really solid, Levine gets a real nice opportunity to shine on trombone and Harrison rips a great sax solo of his own, but the excellent drum/Xylophone work of Neumann and Hayes really give the track excellent texture. Saint Stephen/Turn On Your Love Light is a blend of Grateful Dead with again a dash of Zappa. Owens on trumpet shines on Stephen and Vacin honks on Love Light in tandem with Levine and  guest on Uncle John's Band, Oz Noy on guitar and Harrison on soprano sax spice up the mix. Throw a little blues in with Freddie King's Hideaway  giving Aaron's a chance to show his chops and with the deep throated sax work of Vacin and Hayes on vibes adding a bit of swing. Shifting to a meatier mix on Peter Gunn, Harrison really makes his tenor sax sing over the tight drum work of Harrison and Flores plays full on French horn. Wrapping the release is a Latin take on the Green Hornet with Owens really tonguing it out. Precise xylophone work by Hayes and light cymbal work by Neumann with Count on bass hold the bottom and flashy guitar phrasing by Aarons under a clean horn backdrop make this a perfect closer. 


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Thursday, April 17, 2025

Shifting Paradigm Records artist: Jackson Potter - small things - New Release Review

 I just had the opportunity to review the most recent release, small things, from Jackson Potter and it's a groove. Opening with Trams, Jackson Potter on guitar and Hamish Smith on bass set a great riff, joined by Alex Ridout on trumpet and Troy Roberts on sax forming a solid melody and tightened up by Marcello Cardillo on drums. Roberts broadens the track with some real meat on sax and Potter shows excellent fluidity and purpose laying out a really nice guitar lead. Roberts again steps up with some great riffs of his own and Cardillo shows a snappy bottom Excellent opener.  Title track, small things, has a warm melody and Roberts cruises nicely on tenor sax creating  a lush first solo, followed by Potter who's guitar work is clean and has just a slight Latin seasoning, capped by Ridout on trumpet. Very nice. Background Noise opens with Roberts on sax but joining with Ridout and the addition of Cardillo, really winds it up with a more direct Latin rhythm. Potter's guitar solo is more adventuresome in nature  and really flourishes upon the rejoining of trumpet and sax. On Cole Porter's Everything I Love with a tight bottom by Cardillo and Smith. Potter takes the first lead and his fingers fly on the fretboard popping excellent riffs and warm chords. Never missing a beat, Roberts takes the lead and really wailing. Ridout takes his turn laying back but expressively  taking charge. Very strong. Wrapping the release is Sophia's Waltz, a quiet composition framed by Potter and Ridout on trumpet. Smith takes lead on bass really showing his feel, supported but light guitar work by Potter. Ridout and Potter each add lush solos to the composition but this track is all Smith. Very nice closer. 


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Wednesday, April 2, 2025

Eldad Tarmu - Silver On Aluminum - New Release Review

 I just had the opportunity to review the most recent release, Silver On Aluminum, by Eldad Tarmu,  and it's a solid work based on the music of Horace Silver. Opening with The St. Vitus Dance, Eldad Tarmu on vibraphone leads the melody with precision and clarity. Supported by Marty Isenberg on double bass and Michael Shapira on drums, this is a strong opener. No Smokin' is a driving track with an excellent interpretation on the melody and active drum work by Shapira. Opus De Funk has a great "cooking" rhythm with an understated melody and highlights solos from both Isenberg and Shapira. Very cool. Wrapping the release is Yeah with a nod to Barney Kessel style in his engagement with Isenberg and Shapira. With it's Latin influence and monster drums solo, this is a solid closer.

 
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Friday, March 28, 2025

Haywire artist: Ed Alstrom - Flee Though None Pursue - New Release Review

 I just had the opportunity to review the most recent release, Flee Though None Pursue, by Ed Alstrom and it's a juicy bity of soulful blues. Opening with Be Nice! Ed Alstrom on lead vocal and keys we're greeted with a sound that could be The Impressions. With Ula Hedwig on backing vocals and Don Guinta on drums, this is a fine opener. Slow Blues, features Robert Hill on guitars supporting Alstrom on keys and vocals. Slide guitar really gives the track a bluesy sound and Alstrom's organ is great support for his own rich vocals. New Orleans flavored, The Truth features Alstrom and Hedwig on vocals and Jerry Vivino on sax and Frank Pagano on drums. Great track.  Screwed is a cool, funky blues with solid vocals and a nice ripping guitar solo by Alstrom and Pagano on drums. Very cool. Great Notch is another track with a funky New Orleans feel. Don Guinta on drums and Hedwig and Alstrom's vocals add nicely to the piano work of Alstrom and cool harmonica work of Rob Paparozzi. Success really has some strong Allen Toussaint roots with excellent piano and vocal by Alstrom and excellent drumming by Guinta. Wrapping the release is ballad, Don't Cry At My Funeral, with Alstrom leading this waltzy, folk like ballad on vocal with Hedwig on backing vocals and accompaning himself on acoustic guitar and Pagano on drums. 


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Tuesday, March 25, 2025

Brent Laidler - Hidden Gems - New Release Review

 I just had the opportunity to review the most recent release, Hidden Gems, by Brent Laidler, and it has a cool, yet sophisticated approach. Opening with Latin influenced, Haba Verde, Ned Boyd on sax  and Brent Laidler on guitar set the theme working with Richard Sleepy Floyd on drums, Jamie Newman on organ and Scott Pazara on bass to create a very pleasant theme. Flute solo by Boyd, Buselli on trumpet and a rich guitar solo by Laidler really make this a bright opener. Led by Boyd on sax, Gemani has a cool island feel and with Newman holding the bar and Floyd on rimshot, Boyd really gives it a ride. An exuberant solo by Newman on organ and a lively soli by Laidler really takes the track to another level. Very nice. Another track with a bright, Latin bottom, Riff Business gives Newman the first pass and his chops shine bright with just the right zing. I really like Buselli's approach on trumpet with a tight yet laid back attack and Laidler's mellow guitar tone really polishes the track nicely. Evening Song takes the pace way down with Laidler paving the way on guitar with Boyd on sax and Buselli on flugelhorn blending nicely. Laidler really really lays down some warm phrasing on guitar and clean articulation by Buselli on trumpet here making this one of my favorites on the release. Bringing things to a boil, Bop Like sets a nice groove. With Buselli on trumpet, Newman on organ, Boyd on sax, Newman on organ, and again excellent phrasing by Laidler this track sails. Wrapping the release is Without A Tres with Laidler, Newman and Floyd playing a jazz "waltz". Compacted in breadth but expanded in depth, this is an excellent closer for a real nice release. 


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Monday, March 24, 2025

Rhythm Royale Records artist:Towner Galaher Organ Group - Brothers - New Release Review

 I just had the opportunity to review the most recent release, Brothers, from Towner Galaher Organ Group and it's quite good. Opening with title track, Brothers, Towner Galaher sets the rhythm with a funky snare, hi hat thing and Craig Handy on tenor sax builds the melody. With warm B3 by Jimmy Sanders, Marvin Horne on guitars and excellent bass contributions by Randy Monroe, this is a solid opener. The Diamond Chalice is one of my favorites on the release with it's easy pace and soulful melody by Handy. Sanders on Rhodes and thick B3 adds substantially to the depth of the track and Monroe's bass lines balanced with Galaher's tight drumming give the track a real substantial feel. Cahva Bite? weaves from a straight ahead groove and 4 time highlighted by cool percussion by Galaher. Ever present fluid lead lines by Handy and straight up soloing by Sanders and Horne make this another standout on the release. Wrapping the release is Seventh Heaven, a driving rocker with full B3 and somewhat funky lead by Sanders. Horne breaks loose on this one with a strong solo of his own making this a complete closer. 


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Wednesday, March 19, 2025

3Below - Live In Merida - New Release Review

 I just had the opportunity to review the most recent release, Live In Merida, from 3Below and it's stimulating. Opening with Relamparia, Trey Gunn on Warr guitar, Alonso Arreola on electric bass and Michael Manring on fretless bass start the journey. Joined by Emmanuel Pina on oud, this track has a really cool flow of progressive, eastern and fusion themes. Excellent opener. Versos has a distinctly eastern flavor led by Pina on oud and seated nicely by Gunn and Manring and held tight by Arreola. Gunn on Warr guitar creates an unworldly wail on Forest Floor. Leading into bass heavy Big Fungus, a melodic track with dynamic interweaving between Arreola, Gunn, Manring and Pina. One of my favorites on the release. Mournful, The World Is Everything That Is The Case is a terrific blend of Gunn and Manring harmonizing creating a mind bending sonic tapestry. Very nice. Wrapping the release is Area opening with a riff by Pina on oud and joined by Arreola on bass. With a lively pace and eastern flavor, this track dances. Calming into a quieting scene, Gunn creates a soundscape overlayed by Pina on oud and then all rejoined for a fleet finish. 


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Thursday, March 13, 2025

Blue Canoe Records artist: Neff Irizarry - Cambio (Change) - New Release Review

 


I just had the opportunity to review the most recent release, Cambio, from Neff Irizarry, and it's vibrant guitar with hot Latin rhythms. Opening with Adelante, composer and guitar lead, Neff Irizarry leads the way with excellent fluid melody paired with Martin Fabricius on vibraphone, with the rhythmic support of Jimmy Haslip on bass and Picardo Padilla on percussion. Strong opener. Cabo Rojo in 6/8 gives Irizarry plenty of room to breathe with both extended phrases and shorter punctuation, over Fabricius' well placed accents. A steady rhythm by Padilla anchors the piece giving it a nice flow. Led Zep's, The Rain Song is a nice diversion handled by lush melodic phrasing by Irizarry over the simple Latin rhythm of Padilla. El Swing De La Finca really does move with the melody laid down by Fabricius and Irizarry in tandem. Irizarry takes the first line solo and Irizarry the second over the punchy bottom by Haslip and Padilla. My favorite track on the release. Another nicely flowing track is San Miguel De Los Acordes. With Fabricius and Irizarry blending nicely on the initial melody line and then each taking turns at the interpretation with bright strikes and lush chords, this is another really nice track. Wrapping the release is Todo Lo que Fuiste. In full samba style Padilla owns this track, providing a rich foundation for Irizarry and Fabricius to build on. This is a really cool release and enjoyable start to finish. 


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Wednesday, March 12, 2025

JC Gardner Music artist: Gardyn Jazz Orchestra - Vinyl Brews - New Release Review

 I just had the opportunity to review the most recent release, Vinyl Brews, from Gardyn Jazz Orchestra and it's a full bodied beer inspired release. Opening with up tempo, Dinero de Sange', inspired by an IPA with Latin overtones respective of too much blood orange. Featuring a strong guitar solo by Don Hanrahan, and a solid alto solo by Jud Aaron, Jon Gardner and Jacob Kaplan on alto sax, Jordan Graef on tenor and Louis Kugelman, Daniel Wright, Derek Dilman, Andrew Esch, and Michael Cruse on trumpet, Travis Hill, Seth Dowdell, and Rachel Slifer on trombone, Brett Slifer on bass trombone, Jack Ozment on piano, Isaac Strader on bass and Brett Kennedy on drums, they are bringing it. Shuffle, The Golden OG remembers 2023's Gold Cup winner OG Pils Lager with solos by Aaron on tenor, Dowdell on trombone and Ozment on piano. Bluesy, By The Stoney Creek features solos by Marcell Belinger on trumpet, Kaplan on alto, Hanrahan on guitar and Kennedy on drums.  Wrapping the release is Walking On Clouds with a cool, funky rhythm. Graef on tenor really lights it up and Esch on trumpet and Hanrahan on guitar really work the close. 


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Tuesday, March 11, 2025

Root Grooves Records artist: Dan Moretti & Brazilia - Live At The Pump House Music Works - New Release Review

 I just had the opportunity to review the most recent release, Live At The Pump House Music Works, by Dan Moretti & Brazilia, and it's hot. Opening with mambo, Black Nile, this release is hitting on all cylinders right off the bat. With Dan Moretti leading the way on tenor sax, you'll be dancing in your chair. Maxim Lubarsky on piano lays down a stellar solo, reinforced by Oscar Stagnaro on bass, Ernesto Diaz on percussion and Steve Langone on drums. Excellent opener. Night Dreamer is a cool blend of reggae and Latin jazz with straight up sax melody by Moretti and a bountiful piano solo by Lubarsky with tight rhythms by Stagnaro, Diaz and Langone, and a powerful tenor solo by Moretti. Very cool. Wayne Shorter's Witch Hunt is given a Latin flavor and features a strong bass solo by Stagnaro and relentless tenor work by Moretti, making this one of my favorites on the release. Yes or No is sensational in 7 with Moretti on soprano sax, strong bass lead by Stagnaro and excellent drum work by Langone. Wrapping the release is Footprints with it's driving Latin rhythm reinforced by Diaz and fluid lead work by Moretti on tenor. The band takes the volume down but Lubarsky keeps the heat on with energetic piano phrasing over double time snare/cymbal work by Langone. Strong closer. 


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Thursday, March 6, 2025

Alex McLaughlin - A Brand New State - New Release Review

 I just had the opportunity to review the most recent release, A Brand New State, from Alex McLaughlin, and it's rich and full of texture. Opening with Desert Chapel, Alex McLaughlin on upright bass, sets the quiet framework of the track joined by Jeremy Siskind on piano fleshing out the melody. With Tina Raymond adding crisp, articulate snare and cymbal work, Trumpet man Jeremy Pelt creates a sharp contrast with brilliant phrasing and McLaughlin steps back up with a solid bass solo. Siskind adds his own exploration of the melody making for a super opener. Signals is quite melodic with Pelt laying out the format, framed. Siskind and Pelt  each create dynamic solos making this one of my favorite tracks on the release. Lily has a bluesy feel with the sense of longing in lead lines by Pelt on trumpet and lush reinforcement by Siskind on piano. McLaughlin works hand in hand with Siskind on his bass solo with tight snare/cymbal work by Raymond. Bop track, El Polvo really moves with Siskind, McLaughlin and Raymond expanding it nicely. Excellent! Wrapping the release is Elevation with an avalanche of excellent drumming by Raymond and building tension by Siskind on piano. Pelt breaks the tension with a highly melodic solo, and mixing it up with Siskind rewinds the tension. Breaking into his own solo, Siskind develops a solid groove, anchored by Raymond and McLaughlin, rejoined by Pelt who leads the way to an quiet conclusion. Very nice. 


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Friday, February 28, 2025

Happy Growl Records artist: Jim Eannelli - Just Deserts - New Release Review



 I just had the opportunity to review the most recent release, Just Deserts, from Jim Eannelli, and it's a real nice helping of rockabilly, rock, folk and blues. Opening with 29 Women, a strong rocker with a definite defiant swagger, leading the way on guitar and vocal, backed by Rob A Bell on bass, and Bill Siebert on drums. A potent track and brilliant opener. On Train From Chicago, Eannelli melds folk and blues for a really nice sound. His vocals are soulful and and guitar work selective but pointed. With
Peggy James backing vocals and Tanin on keys, this is another strong track. With a western spin, I Want To Be Your Man is another stand out track with a two step rhythm adding harmonica by Lil' Rev and melodic guitar lead held tight by a simple drum rhythm. Another track with a country influence is Old 97 with it's chord driven melody. This is as radio driven as you'll hear on this release but it is well written and performed with nice over laid guitar lead and vocal harmony with James. Very nice. Wrapping the release is driving rocker, Should I Try with a memorable guitar vamp and solid vocals. This is another track with strong commercial potential and a solid closer for an enjoyable release. 


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Monday, February 24, 2025

SwirlDisc artist: FreeWorld - More Love - New Release Review

 I just had the opportunity to review the most recent release, More Love, by FreeWorld and it's a mix of rock, soul, funk, jazz, gospel and reggae. Opening with funk rocker, Outta Sight, Richard Cushing on lead vocal and bass sets the pace with a hot sax solo by Peter Climie and smoking B3 by Cedric Taylor, and joined by Alex Schuetrumpf on trumpet, Courtney Reid on vocal, Frank Paladino on bari sax, Freedman Steorts on trombone, Matt Sweatt on drums and hot guitar solo by Walter Hughes. Smoking opening. Soulful title track, More Love has a solid melody and should appeal strongly for radio play with great lead vocals by Chris Stephenson and warm backing vocals by the Tennessee Mass Choir. Hard driving Rush Hour has a soundtrack feel with Taylor on keys and Gene Nunez on guitars taking the lead pumped up by Schuetrumpf, Climie, Paladino and Steorts on horns and Sweatt on drums. Color Trip is an interesting pop jazz composition with tight horn lead and a real nice guitar solo by Hughes and Hector Diaz on percussion. Wrapping the release is funked up track, D-Up (Here's To Diversity) with it's radio format on straight up vocals, a tight drum rhythm, plenty of keys, making for a unified closer. 


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Thursday, February 20, 2025

Copper Fox Music artist: Mile Marker Zero - Coming Of Age - New Release Review

 I just had the opportunity to review the most recent release, Coming of Age, from Mile Marker Zero and it's a solid dose of 80's progressive rock. Opening with A Place In Time, Dave Alley on lead vocal and Mark Focarile on keys set the intro for Best Is Yet To Come with it's spirited, guitar and drum driven attack. With Dave on lead vocal and guitars, Doug Alley on drums, Focarile on keys, Jaco Lindito on bass and John Tuohy on guitars and backing vocals this gets ramped up. Title track, Coming of Age has a solid, memorable melody, strong vocals, a very nice Spanish flavored guitar solo and a tight drum rhythm by Doug making this a likely radio track. My favorite track on the release is heavy handed, Heavy Days with excellent guitar work by Dave and smashing drum work by Doug. Wrapping the release is End Of August with an acoustic guitar rhythm leading to Dave leading the way over a bed of subtle piano and percussion. The melody develops nicely with solid phrasing by Focarile on keys giving the track strong thematic body.  This is a solid closer for a comprehensive composition. 


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Thursday, February 13, 2025

Blue Canoe Records artist: Randy Hoexter - Tomorrowsville - New Release Review

 I just had the opportunity to review the most recent release, Tomorrowsville, from Randy Hoexter and it's a strong fusion release. Opening with Rosetta Stone, with it's jagged drum rhythm by John David and Randy Hoexter on piano, this track is humming. Sam Skelton adds some solid phrasing on sax and Justin Powell on trumpet join Jimmy Haslip on bass to really fill out the track but this is a great opener. The Dragonfly has a funky bottom and the addition of Mike Stern is a killer idea with his signature guitar work in contrast with Hoexter's clean yet adventurous piano phrasing. Very nice. Up tempo, The Wine-Dark Sea really gives Sam Skelton a broad stage to really rip on sax and features Roberta Setzu on lead vocal. Another track with with exciting pace is Particle Accelerator. Hoexter and Skelton both lay down really nice solo concepts and the tight rhythms of Haslip, David and Emrah Kotan on percussion, complimented by Powell on trumpet and Eric Alexander on trombone make this an exceptional track. Wrapping the release is an adventurous track, In Bright October, featuring Skelton on bass clarinet and sax in complex melody with Hoexter on piano nicely balanced by Haslip and David. Solid closer. 


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