I just received the newest release, Blues Won't Let Me take My Rest from Henry Gray and Bob Corritore. Featuring 10 previously unreleased out of 14 included tracks, this release features not only Gray and Corritore, but many other of the greats in recent blues history. Opening with Let's Get High, a great piano shuffle with Gray on lead vocal backed by Willie "Big Eyes" Smith on backing vocal and drums and Corritore on harp, this is a great opener. Gray's vocals on Blues Won't Let Me Take My Rest are a stark contrast to Clapton but this is real and Gray's piano with Corritore on shielded harp, Bob Margolin and Johnny Rapp on guitar and Chico Chism on drums, this sounds a lot like Muddy's band. New Orleans flavored boogie, I'm In Love Again features a cool harp riff by Corritore and hot guitar riffs by Rapp. Robert Jr Lockwood is featured on vocal and guitar on Robert Johnson's Ramblin' On My Mind, one of my favorite tracks on the release. Big Maceo's Worried Life Blues, feature Nappy Brown on lead vocal but Gray's piano work is solid and unmistakable. Gray is in top form on vocal on They Raided The Joint, joined by Kid Ramos on guitar, Corritore on harp, Paul Thomas on bass and Chism on drums. Very cool! Dave Riley takes the lead vocal spot on Ride With Your Daddy Tonight joined by Chris James on guitar, Yahni Yiley on bass and Eddie Kobek on drums. Corritore and Gray both do really nice jobs on this track making it one of the strongest instrumental tracks on the release. Lowell Fulsom's Trouble Blues, has a great feel with Rapp laying down some real nice slide over Gray's killer piano and vocal work. Excellent! Shuffle track, I'm Gonna Miss You, keeps Gray up front on piano and vocal. With extended harp work from Corritore, Steve Cushing on drum and, Paul Thomas on bass this track, Rapp steps up again with some pretty cool riffs on guitar. John Brim's That Ain't Right features Brim himself on the mic backed by Troy Sandow on bass and Big John Atkinson on drums. Corritore keeps up the heat but this track really shows how nicely Gray can hit the groove on piano. Ernest Lawler's Can't Afford To Do It has Gray back on lead vocal backed by Little Frank, Danny Michael and Big John on guitar, Sandow on bass and Brian Fahey on drums. One of the hottest tracks on the release is Boogie Woogie Ball, really giving Gray the open door to rock it and he really does. Corritore has strong continuity on harp throughout the track, Kirk Fletcher it tight on the beat with hot riffs backed by Patrick Rynn on bass and Brian Fahey on drums. Very cool! On laid back Honey Don't Let Me Go, Gray has the full focus with lead vocal and piano. Backed by Rapp on guitar, Thomas on bass and Cushing on drums, Corritore steps in for a nice harp solo balancing out the track nicely. Wrapping the release is BB King's She Don't Move Me No More featuring Gray on beautiful piano and lead vocal. I especially like Corritore's riffs on this track as well as Rapps tight guitar solos. Paul Thomas on bass and Chico Chism on drums round out the line up.
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
Please email me at Info@Bmansbluesreport.com
Showing posts with label Big Eye Willie Smith. Show all posts
Showing posts with label Big Eye Willie Smith. Show all posts
Tuesday, June 2, 2015
Saturday, May 18, 2013
05/17/2013 Rhythm Room: Nick Moss Band with Bob Corritore, Lou Ann Barton and Jimmie Vaughan - Ellis James, guest contributer
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An extra full house was the scene recently at the Rhythm
Room, Phoenix, AZ USA when blues legends and veteran road pros Nick Moss and Jimmie Vaughan delivered killer sets of tasty Blues. Chicago based
Nick Moss and Michael Ledbetter
(guitar and vocals), were joined by Bob
Corritore (harmonica and vocals) and drummer Patrick Seals for a full hour of house rocking ‘Chicago style’ tunes.
Just two weeks into a seven week Western USA tour this group was jumping.
According to road tour manager, Javik
Smith (son of Willie “Big-Eyes” Smith)
the core band will work the West for five additional weeks, take a short rest
and then head out to the Eastern leg of the USA as the summer progresses. Moss
showed his decades of experience through the fret board runs, fills, comps and
seamless blending with guest harmonica player Bob Corritore and members of his
regular band. Great support came from Michael Ledbetter on rhythm guitar and
vocals who has been with Moss for the past two years. Classically trained in
Opera, Ledbetter calls Elgin, Illinois home. Once again, opportunity comes to
those who prepare themselves. Sounding like a page out of Mike Bloomfield’s
biography, Nick Moss initially discovered Ledbetter through a recommendation
from one of his friends. Gradual collaboration between the men evolved over
time. A one-off gig turned into occasional fill-ins which in turn eventually
lead to a regular spot on the Moss stage. Kudos to Illinois resident and
experienced pro drummer Patrick Seals who set the beats and drove the tempo.
Seals’ background includes Jazz Studies and Instrumental Performance at
Columbia College, Chicago.
This year, Nick Moss received his 16th nomination
from the Blues Music Association for "Best Blues Rock Album" for Here I Am, which debuted at number 2 on
the Relix/Jambands Radio Chart, and at number 6 on the Living Blues Radio
Chart! This latest CD is Nick’s ninth release on his own Blue Bella Records
label.
The place was primed and pumping by the time that Jimmie
Vaughn and his Tilt-a-Whirl band took the stage. Scorching through a 21 song
set, of songs mostly from his 2010 release, Plays, Blues, Ballads and Favorites, Vaughan and his band barely
stopped to take a breath. The crowd began with respectful
reserve leaving breathing room on the dance floor and was on their feet and
shoulder to shoulder by the end of the last song. Everyone knows about Vaughan
but we should be reminded of what a great group of players make up the
Tilt-A-Whirl team. Horn section really stood out as a huge asset. Professional
to a tee was the drummer, bassist and rhythm guitarists who performed
flawlessly and barely took a bow for their efforts. Good music, like
photography, looks easy and natural when done well. These folks blended like
prize-winning Barbeque. Founding member of Double Trouble, Lou Ann Barton
joined the group for a flurry of songs including Shake A Hand, Scratch, signature duet Wheel of Fortune and Middle
of the Night. Jimmie stayed on stage for 6 String Down while the band took a quick break. Motorhead Baby, Middle of the Night (with
Barton), White Boots and D/FW closed out the performance. It was striking
at how nice, personable and frankly politely approachable Vaughan was as he
took time to patiently sign autographs and meet/greet following the 180 minute
performance. Strong encouragement to watch for and attend performances by both
Moss and/or Vaughan. I for one got more than my dollars’ worth at this show.
Thanks again to Bob Corritore, Phoenix Blues Society and the Rhythm Room for an excellent time.
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