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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just had the opportunity to review the most recent release, Down At The Juke Joint from Gerald McClendon and it's a solid soulful R&B release. Opening with soul track, Back Where You Belong, drips with soul with Gerald McClendon on lead vocal joined by Tony Llorens on Fender Rhodes, Joe Burba on guitar, Mike Jackson on sax, David Forte on bass, and Twist Turner on drums and Hammond. Title track, Down At The Juke Joint has a real Sam Cooke feel showing McClendon's voice and backed by Mary Lane. Harlan Terson hods it tight on bass and Turner adds melodic faux harmonica. My favorite track on the release is House Ain't A Home featuring Maurice John Vaughn working guitar solo work with McClendon's lead. Forte lays down a firm bass line and The Delta Roots Horns add nice depth. Very cool. I really like Cryin' Time Again with it's super vocals by McClendon, riding on piano by Llorens, Gurba on guitar, Forte on bass and Turner handling strings and drums. Wrapping the release is top radio track, You're So Fine with is warm melody and backing vocals. Forte's bass line is solid and the Rhodes work by Llorens anchors the track. A nice sax solo by Mike Jackson gives the track a real nice shine.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Jubu, by Jubu Smith and it's a super blend of soul, funk, jazz and blues. Opening with super funky, Hamster Wheel, Jubu Smith on lead guitar pairs with guitar master Charlie Hunter on his hybrid guitar and tight drum work by Calvin Napper on drums. Spinning the top on guitar and with Hunter really working a hot bass line, this is an energetic opener. Kwik-Way Nostalgia is a cool, laid back track with Hunter working the rhythm from the bottom and Smith and Napper playing it straight with it's easy melody and clean, bluesy, articulation. Organizations Sake has a great funky bottom with Napper and Hunter really spanking it along. Smith takes a WW Washington blues (or JG Watson if you prefer) approach with poised phrasing giving the track real spark. EG Is Here is a really cool merger between funk and soul giving it a funky turn on BB King. Hunter and Smith, joined by Eric Gales, really craft a great track here with Napper anchoring the beat. Very cool. One of my favorite tracks on the release is At Long Last is a real piece of art featuring nicely presented melody on electric guitar, clearly articulated and blended with volume swells. Really nice. Wrapping the release is Totally Convicted, a straight up slow blues with Hunter and Napper holding the bottom as Smith lays it all out there. Mixing slide techniques, synthesized guitar, straight up picking and jazz and blues phrasing this is a super closer for a strong release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, 106 Miles To Chicago, from The B. Christopher Band and it's a party band deluxe. Opening with Floyd Dickson's Hey Bartender the band is swinging. With Eddie Testa on vocal, B. Christopher on guitar, Anton Fig on drums, Nick Douglas on bass, Bruce Katz on keys, Andy Snizter on sax, Ryan Keberle on trombone, and Tony Kadleck on trumpet, the house is rockin'. Robert Johnson's Sweet Home Chicago has much of the Blues Brother's swagger with blazing horns, cool piano work by Katz, bluesy guitar swagger by Christopher, a sweltering sax solo by Snizter, warm trombone work by Keberle and smooth vocals by Testa. On Taj Mahal's slinky, She Caught The Katy, Testa really delivers on vocal with Kadleck on trumpet and Studebaker John on harmonica pushing the top. Christopher lays in a real nice guitar solo pulling forth strong emotion from Mahal's original arrangement. Wrapping the release is the horn line from Otis Redding's I Can't Turn You Loose with Katz on organ, Fig on drums, Douglas on bass and Christopher on guitar. A solid Blues Brothers sendoff.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, To The Blues and Back Again, by Val Starr & the Blues Rockets, and it's a solid blues rocker. Opening with title track, Been To The Blues & Back Again, Val Starr o lead vocal leads the way with Frankie Munz on harmonica playing over a shuffle rhythm by John Ellis on bass, Pamela Charlles on keys, Kirk Hooper on drums and featuring Timothy Brisson on lead guitar. Boogie track, If You Don't Blues It You'll Lose It, Starr really puts some swing in her vocals, with Brisson on lead guitar and solid bass work by Ellis and cool key work by Arthur. With a Latin flavor, Ask Me No Questions, really features the vocal work of Starr and Arthur on organ, and a sassy sax solo by Marty Deradoorian and Brisson on guitar. Stephen Kimball lays down some real tasty guitar riffs on The Blues That Moves Me, a soulful track that could get some real traction. R&B track Big City Blues, has a cool Booker T feel courtesy Ellis on bass and sets a nice stage for Starr's vocals. Wrapping the release is folksy blues, Did You Ever Notice, showcasing Starr's vocals and Ellis on lead guitar. Darrell Lee Echols sits in on drums for this solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Brown Eyed Blues, from Jeff Pitchell and it's a lot of fun. Opening with thumping rocker, Now You Know, Jeff Pitchell on lead guitar and vocal sets a finite reference. With grinding guitar tone and solid bass line from John O'Boyle and Ephraim Lowell on drums, this is a powerful opener. Boogie, Wait, is driven by an aggressive bass line by Mike Nunno and Mike Levesque on drums. Pitchell really gets the track rocking with strong vocal lead and great guitar riffs, backed by Colin Tilton on sax, Dan Fontanella on piano, and John Robinson, Theresa Wright and Linda Ransom on backing vocals. Pop rocker, When We Kiss, has a light finky beat and features Duane Betts on guitar, adding the twin lead guitar closely associated with the famous Allman Brothers band. Jay Vernali on piano and organ, Tommy MacDonald on bass and Tom Hambridge on drums make this the radio choice for the release. Latin flavored, Stay While The Night Is Young, features some of Pitchell's best vocals and Santana like Mesa Boogie overdrive. With Nunno on bass, Mike Levesque on drums, Nick Longo on drums, Ivan Santiago on percussion, Kevin Berry on percussion, Bruce Feiner on keys and Vic Steffens on percussion, this is a cool track. Cool shuffle, When It All Comes Down. is one of my favorite tracks on the release, with Pitchell playing call and response with his vocal and guitar. With solid bass and drum backing this track just hits nicely in the slot. Wrapping the release is another Latin flavored track, Welcome To The Beat with Pictell on lead vocal, guitar and bass and Bill Holoman on drums, keys sax and trumpet, backed by Jim and Gloria Pitchell on vocal. Solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Young Man's Blues, by Frankie Boy & The Blues Express and it's strong. Opening with Guitar Jr, a cool jam with a funky, James Brown "Boogaloo" feel. Frankie Boy Blues takes the lead on guitar and vocal with Mickey Maguire on bass, Mike Morgan on guitar and Harrison Foti on drums. Young Man's Blues is a cool, laid back blues with a low slung guitar vamp. Mike Morgan plays a melodic guitar solo with Frankie on vocal and a stiff drum swat by Foti. Very nice. Luther Johnson's Talkin' About Soul is a energetic hi stepper with JB energy. Funky rhythm guitar, a rumbling bass line and a stiff drum swat gives Frankie plenty of room to groove. Lots of fun. Slow blues, Something About You really showcases Frankie's feel for the blues and excellent guitar phrasing. Cheatham's Chicago classic, Black Drawers On, really rolls. With excellent guitar work by Morgan this is one of my favorites on the release. Buddy Guy's Mary Had A Little Lamb maintains Guys arrangement and fits nicely into this funky set. Wrapping the set is original track, What More Can I Do with it's radio format. A solid melody, vocals and understated guitar work seal the deal for this enjoyable release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Tulsa Custom, from Seth Lee Jones, and it's a cool blues rocker. Opening with stylized Texas blues rocker, 110, Seth Lee Jones creates that overdriven romp that a certain band from Texas made famous. Grabbed chords on guitar and gritty vocals by Jones, solid bass by Bo Hallford and a steady drum beat by Matt Teagarden makes this a very memorable opener. Rockin boogie, All That I Ask has a driving rhythm and a cool moving bass line, snapped in place by Teegarden. I like Jones' approach on guitar soloing. Very cool. Another driving boogie, One Chance, has a terrific groove. Jones' vocals are gritty and Hallford and Teegarden really kick up the dirt. Jones on guitar blends traditional blues rock riffs with more contemporary "tricks" but the end results is solid boogie. Wrapping the release is bluesy ballad, Don't Waste A Thing, with Jones singing with a much silkier nature and melodic guitar soloing. This is certainly the radio track for the release but if you want a kick ass boogie rocker in the vein of "That Little Ol Band from Texas", you'll love this release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, About Time, from Celos Salim and Darryl Carriere and it's packed full of lively rock and blues. Opening with BBQ, a hot R&B style track with a funky backbeat. Celso Salim on guitar leads this rocker with a cocky strut and Darryl Carriere on harmonica and vocal really get this track going, backed by Mike Hightower on bass and vocal and David Kida on drums. Solid opener. Jump track, Sweet Thing really has a great feel with excellent riffs and wicked trem bends by Salim and wailing harmonica by Carrier. Excellent! Slow blues, In Your Arms has it all with a strong melody vocal depth by Salim, sumptuous harmonica solo by Carriere and gripping solo by Salim. Very nice. Lightly funky, Get Along is really a cool track with a potent drums rhythm by Kida. Salim and Carriere play a great call and response vocal jibe and tasty work by both , this is one of my favorites on the release. Shuffle, Love On A Shelf has a rolling bass line by Hightower and Salim and Carriere share the mic with stinging guitar riffs as accents all through the melody. Carriere really shows his blues influences on this track with great tone and phrasing. Wrapping the release is country blues, Make You Mine with Salim on resonator and Carriere on vocal and harmonica. With a foot stomp as percussion, this track has a really soulful authentic old school feel. Solid closer for a really cool release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Silver Lining, from Misty Blues, and it's strong. Opening with Seduction By Blues, Gina Coleman with her deep, thick blues oozing vocals permeate the air. Out of the darkness bursts Seth Fleischmann on guitar backed by Bill Patriquin on bass and Rob Tatten on drums, driven by David Vittone on keys. Powerful opener. The Upper Hand had a cool creep about it with atmospheric guitar work woven with Joel Nicolas on keys, Aaron Dean on sax and Patriquin on trumpet. Bluesy rocker, Enough Lovin' For Two and a great sax/bass riff and Fleischmann rips a real nice guitar solo adding nicely to this already cool track. Funky blues rocker, That's My Cross, finds Coleman on vocal over a funky guitar rhythm. I really like the laid out sax solo by Dean and Fleischmann rips a great solo of his making this one of my favorite tracks on the release. Wrapping the release is Blues Never Ends, with the Diego Mongue Band. With backing vocals by Fleischmann, Patriquin, Tatten and Dean, Diego Mongue on percussion and the solo sax work by Dean, this is a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Person of Interest, by Billy Price and it's got style. Opening with funky, Inside The Box, Billy Price is back with his next chapter. Notable for a leading vocal style for more than 25 years, Price is joined by Larry Fulfher on bass, Josh Sklair on guitar, Jim Pugh on keys, Tony Braunagel on drums and backing vocals by Masayn Lewis, Fred White and Will Wheaton. Of course there's a great horn section behind him including Ron Dziubla on sax, Eric Spaulding, and Mark Pender on trumpet. Great opener. Bluesy ballad, Mercy, gives Price a chance to belt one out and warm keys by Pugh under the solid lead guitar work of Fulcher, and a sultry sax solo by Spaulding make this a solid radio contender. Title track, Person Of Interest, really has a funky pop sound in the vein of Steely Dan. Reggie McBride on bass lays in a great vibe and Pugh is killer on keys. Price's vocals are loose and free and Dziubla and Pender do a great job on horns. Having spent 3 years with Roy Buchanan, Price dedicates a track, Change My Mind, to Roy. A serious soul track and featuring Joe Bonamassa on guitar who gives Roy a few nods this is a very cool track. Latin rhythms on A Certain Something has radio warmth and a strong melody. Pugh leads the track nicely on keys and Lenny Castro on percussion and Braunagel really spice up the bottom with Fulcher on bass and lead vocal by Price, backed by Lewis, White and Wheaton really shines. Wrapping the release is high stepping, Damage Control, with Price playing call and response with Dziubla and Pender on horns. McBride on bass holds the line with Braunagel on drums and Pugh of course on keys is stellar. Spaulding shines on tenor sax whipping out a real nice solo and Lewis, White and Wheaton blend nicely. This is a consistently cool release ... think a bluesy Steely Dan. Very nice!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent releases, Spirits, by Kid Andersen and Soul, by Lisa "Little Baby" Leuschner released together as a single release (2 discs) and it's great! Opening with slow blues, The Civilized Life, Kid Andersen opens with some of the most powerful music to come out of Greaseland Studio. Andersen is a talented musician across the board and his guitar playing and lead vocals here are really strong. Endre Tarczy on bass, Chris Burns on keys and Mike Rinta on trombone, Dr Aaron Lington and Stevie Gurr on harmonica add great texture to this excellent opener. Blind Willie Johnson's Nobody's Fault But Mine gets a really nice rework with a slinky feel courtesy Dave LeMieux on drums and Kid on guitar, bass and lead vocal shared with Lisa Leuschner. Check out the outrageous slide guitar work by Kid on Hey, Little Reaper, a Chicago style blues romp with solid harmonica work by Nic Clark and Charlie Musselwhite, coupled with Burns on keys. Very nice. I really love the feel on I Ain't Right with Kid on lead vocal and slide guitar. This track is a loose shuffle and reminiscent of the work that Skydog did with Arthur Conley at Muscle Shoals back in the early 70's. The groove is excellent and horn work by Eric Spaulding, Jack Sanford, along with Lorenzo Farrell on keys, June Core on drums and Jerry Jemmott really sends this one over the edge. Wrapping Spirits is Ship of Fools, a sauntering soul/jazz track in the vein of early War. The vocal blending by a host of characters is incredible and Jemmott really anchors this track. Excellent closer for disc one.
Leuschner opens her disc with Mike Schermer's In My Mind's Eye with a warm R&B influenced feel. Smooth, soulful vocals, backed by Kenny Ken Franklin on bass, D'Mar on drums, and clean guitar work by Kid make this a solid opener. Another R&B track, Donnie Woodruff's I Won't Let That Happen To Me, really has a great feel showcasing Leuschner's voice nicely. With Jemmott setting a deep groove on bass, D'Mar on drums, Jim Pugh on keys, Vicki Randle on percussion and cllean, understated guitar work by Kid, this is a really nice entry. Digging back into Bishops great days with Jo Baker, Rock Bottom is resurrected and is punchy as it was when I first heard it in college. Lisa is backed by James, Dwayne and Walter Morgan on vocals, Rinta, Lington, Scott Jensen on trumpet add in authentic horns and Kid rips a guitar solo that would make Crabshaw proud. Kickass! Infectious, Slipped Through My Fingers, has a strong deep groove courtesy Kid on bass, Latimore on keys and D'Mar on drums. Latimore trades vocals with Lisa on this serious radio track. Wrapping the release is smart little ballad, Family, written and performed by Lisa with the last verse sung by Kid. With only acoustic guitar, keys and bass backing, this is a really nice track with Lisa's voice as pure as it gets, unadorned and straight up. Very nice closer for a tremendous double set. One of the most enjoyable reviews of the year!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Slow Ride - Live In Concert, from Foghat and it's an excellent record of the energy produced by one of the best blues rock bands of their time. Spawned from Savoy Brown, Kim Simmonds brain child, Lonesome Dave Peverett (vocal and guitar), Tony Stevens (bass), Roger Earl (drums), joined up with slide master Rod Price and Foghat was an immediate hit. This concert was recorded in 1999 after the departure of Price and joined by Molly Hatchet's Bryan Bassett resulting in this line up. Opening with Drivin' Wheel, Bassett's gain saturated slide work gets things going and Peverett's incredible pipes lead on this terrific opener. Always known as a potent rocker Earl and Stevens provide a serious bottom. Excellent opener. On Elmo James' deep blues, It Hurts Me Too, again Peverett and Bassett have just a magical sound. Soulful vocals and overdriven slide is killer and with Earl and Stevens on the bottom, this sound just can't be beat. Robert Johnson's Sweet Home Chicago is up next with Foghat's trademark sound. Peverett's vocals are every bit a signature as the wide open slide and the driving bottom. These guys run this track just long enough to get it into 6th gear and then let the crowd sing along. Excellent blues rock. The set is wrapped with the big trio, Fool For The City, I Just Want To Make Love To You, and Slow Ride, Two Peverett originals and a Willie Dixon cover, there is hardly a person on the planet that was a rocker at this time who didn't know these 3 tracks. This is a powerful set and one that is sure to get your BP up. Enjoy!
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, One Guitar Woman, from Sue Foley and it's an acoustic solo release in tribute to female pioneers of guitar. Opening with Elizabeth Cotten's Oh Babe It Ain't No Lie, Foley on vocal and guitar delivers this classic blues track with clarity and nicely articulating Cotten's classic guitar styling. Mother Maybelle Carter's, Lonesome Homesick Blues is a nice showcase for Foley vocally and her Davis like turnarounds work really nicely on this track. Spanish styling on Foley and Lydia Mendoza composed, Mal Hombre, is really tasty and Foley singing in both Spanish and English really suits this track. One of my favorites on the release. Classical composition, Romance In A Minor is a beautiful addition to this set. Composed by Niccolo Paganini, this track is all feel. Very nice. Sister Rosetta Thorpe song, My Journey To The Sky is a really soulful composition and Foley does it justice with clean vocals and a minimum of guitar accompaniment. Elizabeth Cotten's most popular track, Freight Train is up next with Foley nicely demonstrating Cotten's widely recognizable guitar technique. Wrapping the release is possibly one of the most recognizable Spanish guitar compositions, La Malaguena, composed by Ernesto Lecuona. Foley does a really nice job with feel and articulation on this classic closer. It's notable to say all tracks on the release were performed on a nylon string flamenco Negra made by master luthier Salvadore Castillo. Really interesting release and a bit off the standard path for Foley but an enjoyable journey.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, The Blues Remind Me, from Kelly's Lot and it's a solid blend of soul, blues, boogie and rock. Opening with I Gotta Sing The Blues, an easy paced soul track featuring Kelly Zirbes on lead vocal shared with Mo Beeks, backed by Perry Robertson on guitars, Matt McFadden on bass, Beeks on keys, and Art Mendoza on drums. With a memorable melody and well balanced vocals, this is a strong opener and a likely airplay track. Kelly takes the mic on Mama's Blues, with it's slow dance feel and warm horn work by Bill Johnson (Bari), Aviva Maloney (alto), Paulie Cerra (tenor and alto), Didier Reyes on trumpet, and Chip Tingle on trombone and a solid sax solo. Swampy, Without You, is a firm ricker led by Kelly and Robertson on guitar and has a rocky bottom provided by Mike Sauer on drums and McFadden on bass. Rocker, Aces features Tomislav Goluban on harmonica trading lead with Kelly on vocal. Steady drum rhythm by Sauer, bass line by McFadden and Robertson on guitar makes this a lively entry to the set. Wrapping the release is shuffle, Love And Understanding, the best showcase for Kelly on the release. With it's easy pace and acoustic guitar work by Robertson a smooth closer for the release.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Live And Havin' Fun, from Deb Ryder and it's a boat load of high steppin fun. Opening with Fun Never Hurt No One, with it's pumping rhythm, Deb Ryder is upfront leading the way on gritty vocals and Lon Price and Joe Sublett on sax. Tony Braunagel lays down a steady drum rhythm with Ric Ryder on bass and Johnny Lee Schell on guitar. Paul Litteral on trumpet and Jim Pugh on trombone really open the track up with brass. Solid Opener. Temporary Insanity has plenty of sway with Schell leading the way on guitar and Pugh, Price and Litteral on horns. Ric's bass work adds a real nice bottom giving Deb a solid footing for her powerful vocals. Albert Lee lays down some real nice guitar riffs on Ma Misere for a strong addition to the set. Braunagel sets up a hot, New Orleans rhythm and Albert Lee picks some real nice riffs under the soulful vocals on Deb. Funky, I'm Coming Home, leads off with Price wailing on sax and the thumping bass work of Ric. Deb gets in the groove with great response by Price and funky guitar rhythm by Schell and snappy drum work by Braunagel. Hold On has a driving blues rock feel with Deb leading the way and Tex Nakamura on harmonica adding just the right amount of spice. Wrapping the release is country blues rocker, Blues Is All I Got, with it's strong rhythm, Ric on bass and Deb trading lead with Nakamura. Schell lays down a real nice guitar solo on this one further electrifying this live closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Soul Brother No.1, from The Reverend Shawn Amos, and it's a strong mix of R&B, rock, soul and blues. Opening with funky rocker, Revelation, driven by Jerry "Wyzard" Seay on bass and Steve Ferrone on drums. With Rev on vocal and wailing harmonica, Dapo Torimiro on keys, and Doctor Roberts soaring on guitar, this is a super opener. I love the Al Green feel on Back To The Beginning and solid backing vocals by the McCrary Sisters and The Crimm Singers. Soulful, Circles, features The Revs vocals, great guitar accents by James Saez and backing vocals by Denise Carite, Torimiro and Seay. Wrapping the release is Things Will Be Fine, a great soul track featuring Amos and Carite on lead vocal, backed by Torimiro, Seay and the McCrary sisters. Excellent closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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I just had the opportunity to review the most recent release, Play Loud & Smoke Often, from Cryin' Out Loud, and it's a good set of rocking blues. Opening with I Smoke Cigars and I Play The Blues, a jazzy blues rocker, Brandon Stallard on lead vocal and guitar gets things rocking joined by Ben Chute on guitar and slide, Jim Fratini on bass, Erik Lawrence on sax, Mark "Bluesboy" Kanter on harmonica and Jeff Glidden drums. On boogie track, You Can Dance to the Blues, Fratini on bass sets the pace with Brooks Milgate on keys and piano and Stallard on vocal. Stallard lays in a hot guitar solo and Lawrence blows a cool sax solo of his own. My favorite track on the release is bass driven, Instead, with it's drum/bass echo rhythm and fiery guitar lead and full organ solo by Milgate and Lincoln Blake. Moonshine Lover has a light feel and memorable radio melody. With it's bouncy rhythm and vocal harmonies it plays well for airplay. Up tempo rocker, Time Away From You, is another track with strong radio appeal. With a solid melody, warm organ backing under Stallard's vocals, cool rhythm guitar by Chute and melodic guitar lead by Stallard, this is a solid closer.
If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band!- ”LIKE”
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For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening
