Guitar One Records artist: Sandy Atkinson - The Best of Sandy Atkinson - New Release Review

 I just had the opportunity to review the most recent release, The Best of Sandy Atkinson, by Sandy Atkinson, and it saturated with soulful vocals and hot guitar blues. Opening with Sweet Little Pieces, Ben Sudano on bass  Tom Bell on drums lay down a super SB Williams/Hooker boogie line with Cannon Quinn on guitars and Sandy Atkinson on vocal and guitar. Solid opener. Got The Wrong Number has a western/bluesy feel with Atkinson on acoustic guitar and vocal pairing with Quinn on guitars and nice piano work by Dean Germain. Boogie, Cook In Your Kitchen showcases Tomcat Blake on guitars with Atkinson's vocals, Richard Price on bass, Dan Degregory on drums, Henry Burke on keys and Wayne Beardwoods on sax. I like the slower, acoustic blues of Back To The Livin (live) featuring solid vocal and guitar work of Atkinson and Quinn. Very nice. Talkin To The Animals is a cool blues rocker with a springy rhythm. With saucy vocals by Atkinson, Quinn on guitar, Germain on keys, Sudano on bass and Bell on drums, one of my favorites on the release. With John Lee Hooker styling, 1 Night Stand is a cool little boogie performed live with Quinn on guitar accompanying Atkinson on vocal and guitar. Another cool track. Slow blues, She's Just A Floozy has a rich, old school, "Memphis Minnie" kind of sense. Atkinson on vocal and guitar with Blake on guitar gives this track plenty of sass. Wrapping the release is quiet, acoustic ballad, Out Of The Blue featuring Atkinson on vocal and acoustic guitar. Putting me in mind of an acoustic version of Seattle grunge rock, Super closer. 

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Lightning In A Bottle Records artist: The CD Woodbury Trio - Bulldog - New Release Review

 I just had the opportunity to review the most recent release, Bulldog, from The CD Woodbury Tri, and it's a solid blues rocker. Opening with Wicked Grin, CD Woodbury sets the pacd with a strong hammer on riff with Robert Baker thumping a single not bass line and Bill Ray on drums. Woodbury tells the story on lead vocals adds in guitar soloing that adds just the right amount of pepper. Solid opener. Doc Pomus' Little Sister stays simple with it's pop roots with Woodbury laying down a guitar riff and including Davis soloing on harmonica. Blues rocker, Gaslight Road, has a deep bass/drums groove and Woodbury, on guitar, creates a Green's Fleetwood Mac feel adding gritty vocals. Very cool. One of my favorite tracks by Jack Bruce, Politician, is up next with Woodbury bringing on the suspenseful melody on guitar. He doesn't have Bruce's voice, but he really does a great job on this track Overdubbing clean chords with eccentric slide riffs and tight picked blues riffs. Super. A laid back cover of Willie Dixon's, Spoonful, works really nicely with Woodbury's voice. His laid back guitar approach, paired with Mike Marinig on flute and his own guitar flair with "Kim Simmonds" like accents really is nice. Wrapping the release is title track (Call Me The) Bulldog with it's funky blues rocking feel. Woodbury cuts loose with a cool, funky guitar riff on this one making it a strong closer. 

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Big Mama Productions artist: The Alexis P. Suter Band - Just Stay Live Recorded Live At The Falcon - New Release Review

 I just had the opportunity to review the most recent release, Just Stay Live Recorded Live At The Falcon by The Alexis P Suter Band, and it's terrific! Alexis P. Suter is one of those vocalists that come along once in a lifetime and her take on Blind Willie Johnson's John The Revelator is powerful .With her deep rich vocals backed by Vicki Bell, and pushed by the stirring slide work of  Jimmy Bennett, this track is off the hook. Joining Suter on the set is The Band's Garth Hudson who lays out an epic piano improvisation. One of Gregg Allman's best tracks, It's Not My Cross To Bear, really works nicely with this set. Suter's deep, rich voice is perfect for this track with Benny Harrison on organ and Bennett really laying down the blues on guitar and Hudson on piano. A monumental blues by a monumental vocalist.  Hole That I'm In has a super Latin rhythm and the band is really moving. Bennett gets a Santana-esque guitar solo going and Harrison's organ pushes up the tension. Very powerful.  Only I has a soulful, gospel delivery showcasing Suter vocals with Linda Pino and Vicki Bell on lush backing vocals and Harrison on keys. Super strong. Wrapping the release is George Harrison's Isn't It A Pity. Harrison outdid himself on this track and Suter sings soulfully joined by Bennett on guitar, Hudson on accordion and piano, Bennett on bass, Grappone on drums and Bell on backing vocals. This is an excellent closer for an outstanding release. 

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E-H Records artist: Eliza Neals - Thunder In The House - New Release Review

 I just had the opportunity to review the most recent release, Thunder In The House, by Eliza Neals and I think that it's her best yet. Opening with Speedy Beady, a blues rocker, with a potent bottom, by Steve Lacross on drums and Doug Woem on bass give Eliza Neals a great stage to showcase her stellar vocals. Adding in Micheal Puwal on guitars, this is a potent opener. Lumbering, Blues Bombshell takes the form of a standard 8 bar with Neals wailing and Puwal playing dual slide lead guitars and adding Detroit Mike Hepner on B3 and grand piano and Justin Headley on drums. Unoriginal Bitch is a broke down blues rocker. Keep it simple, and with Neals on vocal and piano, Puwal on guitar, Woem on bass, Mark Leach on B3 and Headley on drums this is right up the middle. Wrapping the release is title track, Thunder In The House, with a dark, swampy feel. Neals both on lead and backing vocals creates a strong vocal platform, added to by Puwal who is really effective on slide and reverb saturated lead, Lacross on heavy toms, and Woem on bass. Strong closer. 

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Slide Records artist: Paul Boddy - Soul Gone Blu' - New Release Review

 I just had the opportunity to review the most recent release, Soul Gone Blu', from Paul Boddy and it's a rocking blues party. Opening with One Hundred Years, Paul Boddy on vocal and guitar sets a cool rhythm with Jack Daley on bass, Aaron Comess on drums, Rob Clores on keys and warm backing vocals by Jessie Wagner and Lynn Lockamy. Chonnie-On-Chon is a great boogie blues with Mikey Jr. wailing on harmonica and slick slide work by Boddy. Funky, Cussin', Cryin' & Carryin' On, is a real cool track featuring Jessie on lead vocal and she really brings it and Boddy's slide work is fat toned and rich giving it a retro Elvin Bishop/Johnny V feel. Very cool. Wrapping the release is Little Willie John's Need Your Love So Bad excellent vocals by Boddy and rich slide work by Sonny Landreth. Warm backing vocals by Wagner and Lockamy adds a great feel to the overall track and Landreth takes it home with extremely nice slide soloing. Excellent closer. 

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Yellow Dog Records artist: Corey Harris, Alvin Youngblood Hart, Guy Davis - Fight On! True Blues Vol 2 - New Release Review

 I just had the opportunity to review the most recent release, Fight On! True Blues Vol 2, by Corey Harris, Alvin Youngblood Hart, and Guy Davis and it's pure roots blues. Opening with We Are Almost Down To The Shore (Fight On) is written by Jimmy Strother and originally on banjo but adapted by Cory Harris to guitar, presented in a Piedmont finger style accompanying Harris on vocals. Solid opener. See Me When You Can is performed in Delta style by Guy Davis on vocal and acoustic guitar. His finger work is strong and confident and his vocals rich and sincere. Very nice. Harris wrote clever rag, What's That I Smell, with cool, laid back finger work on acoustic guitar and great vocal delivery by Harris. Alvin Youngblood Hart takes over on original composition, If The Blues Was Money. The track has just the right texture with authentic delta style guitar work and Hart's own vocals. Very cool. On Rev Gary Davis', I Belong To The Band, Harris' very strong vocals alone give this a new texture. Gary Davis' lower octave had it's own signature and Harris' higher octave is really quite nice with firm acoustic guitar picking. Guy Davis wraps the release with Elizabeth Cotten's Everything I Got s Done In Pawn. Davis reworked Cotten's Shake Sugaree adding additional verses and imagining himself as Blind Willie McTell on guitar. This is particularly successful with a jangly acoustic guitar. Strong closer. (In case you're wondering, yes, that's the legendary Jack Johnson on the cover). 

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VizzTone Label Group artist: Bob Corritore & Friends - Ernestine Blues - New Release Review

 I just had the opportunity to review the most recent release, Ernestine Blues, from Bob Corritore & Friends and it's a big solid scoop of pure blues. Opening with Tony Coleman on vocal and guitar on How'd You Learn To Shake It Like That, Coleman has a great feel for Chicago style blues and Corritore is one of the best on harp on old Chicago style. Joined by Jimi Primetime Smith on guitar, Bob Stroger on bass, and Anthony Geraci on piano, this is a solid opener. Pat Thomas is featured on vocal and guitar on Big Fat Mama with Corritore adding choice harp riffs. This is a particularly strong track with authentic delta styling and Hooker like meter with no exact number of beats in a measure. Pure! Tia Carroll has the mic on Sam Cooke's Ernestine. With solid R&B styling and warm backing vocals by Eboni McDonald, Diamond Porter and Yolanda Tharrington, Doug James on sax, Geraci on piano, Bob Margolin on guitar, Stroger on bass, and Wes Starr on drums, this is a solid soulful addition. Sleepy John Estes' Trouble No More is up next and Willie Buck does a great job on lead vocal abut it really is a nice showcase for Corritore on harmonica. Carla Denise fronts on Troubles On Your Mind with crystal clear vocals and Ben Levin adds super piano work and really soulful harmonica work by Corritore. Just a note, Corritore's harmonica work is forward in the mix throughout this release and it really is a much better balance. Very nice. Charles Wilson leads on Sorry I Had To Leave You Behind, with Kid Ramos and Johnny Main on guitars and Corritore on harmonica. Mike Turturro sits in on bass and Brian Fahey rounds out the band on drums. Oscar Wilson is on vocal on Jimmy Reed's, Down In Mississippi with Corritore on harmonica, Margolin, and Smith on guitars, Geraci on piano, Starr on drums, and Stroger on bass. Wrapping the release is Teeny Tucker on blues rocker, Shoes. With Corritore giving it greater depth on harmonica, and backed by Starr, Geraci, Billy Flynn, Stroger and Margolin, a solid closer. 

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Ruf Records artist: Laura Chavez - My Voice - New Release Review

 I just had the opportunity to review the latest release, My Voice, by Laura Chavez, and it's a super blues rocker. Opening with a driving cover of CCR's Born On The Bayou, With Chavez grinding out the melody, Lea Worms playing over the top organ, Tomek Germann on bass and Explosive drumming by Marty Dodson, this is a powerful opener. Shot-Zee is a full on R&B track in the vein of Booker T ... a 70's rocker with heavy drums and bass, saturated organ and fiery guitars.  One of my favorite tracks on the release is sensitive blues, Wanderer. With Worms forming the melody on warm organ and Chavez literally screaming out a melodic interpretation on electric guitar with hints of Peter Green's Fleetwood Mac, this track is explosive. Excellent! Covering El Cascabel is a natural for Chavez who grew up in San Diego just minutes from the Mexican border, her father being a first generation Mexican American. El Cascabel is a Mariachi standard and Chavez picks up a nylon string guitar giving it a pure natural rhythm and surrounded by Works on organ, Antonio Econom on percussion, and solid bass line by Germann and Dodson on drums plays masterful lead on electric guitar. Very nice. Another stand out for me is surf flavored, Mamba Negra, with fat guitar rhythm and scorching, Latin flavored lead. Lush interpretation of the melody, surrounded by Econom on tom tom and organ, this track is terrific. Wrapping the release is La Llorona, a beautiful slow blues developed from a traditional Mexican song of the Weeping Woman. Chavez really knows how to knock a track out of the park and this rolls Peter Green and Roy Buchanan into one ball with quiet reverb saturated lead, volume swells, trem bends, fanning and all of the grace that one can milk from a melody. Beautiful closer. Highly recommended!

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The Wildcat O'Halloran Band - Welcome To Sunderland - New Release Review

 I just had the opportunity to review the most recent release, Welcome To Sunderland, from The Wildcat O'Halloran Band and Wildcat is back rocking and ripping on guitar. Opening with Welcome Wagon, Wildcat on vocal and guitar leads the way with Jopey Fitzpatrick on drums, Angelo Mursey on bass and Paul Provost on keys. Johnny Winter's Check Her Mama has a cool Latin rhythm and Wildcat has those pickups fattened up with rich tone for his blistering riffs joined by Ottomatic Slim on harp. Big Maceo's Worried Life Blues is one of my favorite tracks on the release with a deep blues feel and soulful vocal and guitar work by Wildcat. Provost's electric keys tell the story nicely and Wildcat digs in with some really nice riffs of his own. Dan Penn's blues rocker, Blues Of The Month Club, has a great feel with it's lightly funky rhythm, Provost's piano work and Wildcat's saturated blues riffs. Wilson Pickett's, Don't Knock My Love, keeps it's R&B feel Wildcat reinforcing the rhythm with his stylized guitar work and backing vocals by Wildcat's daughter, Sarah O'Halloran. St. Louis Jimmy Oden's Goin' Down Slow is an absolute blues classic and Wildcat takes it for a fine walk. Telling the story and singing the blues, Wildcat really works his fretboard over on this 10+ minute romp. Wrapping the release is Albert King's (Booker T Jones penned), Born Under A Bad Sign, wrangled by Wildcat, fusing that driving R&B undertone with a rock rhythm. Solid closer for a solid release. 

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Cleopatra Records artist: Cactus - Temple of Blues II - New Release Review

 I just had the opportunity to review the most recent release, Temple of Blues II, from Cactus and it's strong blues rock...old school! Opening with Back Door Man Pt 1&2, Eric Gales leads the way on vocal and guitr with Artie Dillon on rhythm guitar, Billy Sheehan on bass and featuring the driving drum work of Carmine Appice. Super. Pat Travers is featured on lead and slide guitar on Moanin' At Midnight with Ed Terry on vocal, Dillon on rhythm guitar, Jim Caputo on bass and Appice on organ and drums. Travers style really give the track a great bluesy feel, really grinding in. Very cool. Ron Bumblefoot Thal on guitar leads the way on Tokin Chokin', a fun, country pop rocker with edge. Terry handles vocals and with plenty of splash cymbals by Appice, and Johnny Rod on bass, Bumblefoot really sails on slide. Tail Dragger has a Brit blues rock feel with Terry on vocal and Rockin Jake on harp. Appice's driving drum line with Rudy Sarzo on bass, gives guitarist Alex Skolnick a cool rocking rhythm to jam on. Willie Dixon's Spoonful features Ted Nugent on guitars with Terry on vocal. Bob Daisley on bass and Appice on drums really give the track an assault feel and I really like it. Wrapping the release is Feel So Good with a heavier rock feel. It features Rob Caudill on vocals, Tommy Thayer, Artie Dillon and Britt Lightning on guitars, Sheehan on bass, Marty Paoletta on keys and of course Appice on drums. A solid closer for a cool blues rocking release. 

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Get Hip Recordings artist: Billy Price - Random Madness - New Release Review

 

I just had the opportunity to review the most recent release, Random Madness, from Billy Price and it's a solid blues /R&B release. Opening with up tempo, I Was A Fool, Billy Price leads the way on vocals, backed by Tom Valentine on bass, Steve Delach on guitar, Jim Britton on keys, Dave Dodd on drums, Delana Flowers, Willa Katy Cotten, and Carmen Miller on backing vocals and with some super sax work by Eric Spaulding. Hungry Ghost has a Donald Fagen feel with nice trumpet by Joe Herndon, and a cool Latin based beat by Dodd. A clean guitar solo by Delach adds a a really nice touch to a cool radio ready track. Bluesy, Rent Free, has a great feel, with subtle keys by Britton, Tony Braunagel on drums, showcasing Price's strong vocals, and a a really nice trumpet and trombone solos by Herndon and Reggie Watkins on trombone. One of my favorite tracks on the release is Dirty Knee Revelation, with warm sax backing by Spaulding. Price really digs deep on vocals and with glistening keys by Britton and soulful guitar soloing by Ian Arthurs. Wrapping the release is title track, Random Madness with soulful vocals by Price and warm horn backing by Spaulding, Sean Jones on trumpet (who also blows a real nice solo), Watkins on trombone, solid guitar work by Delach and warm backing vocals. This is a very pleasurable release with plenty of soul. 

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Brother John - Johnny Never & John Colgan-Davis - Black Crow - New Release Review

 I just had the opportunity to review the most recent release, Black Crow, from Brother John (Johnny Never & John Colgan-Davis) and it's thick acoustic blues. Opening with Bread and Salt, Johnny Never leads the way on vocal and slide with Holly Hoffman, Shannon Roberts and Monica Moran on backing vocals and John Colgan-Davis on harmonica. Deep rooted blues and a solid opener. Svelte Man Blues is a great rag style blues. Never on guitar and Colgan-Davis get a great cadence going with Never on vocal. Very nice. Charlie Patton's Dirt Road is particularly cool featuring Colgan-Davis really working the harmonica over Never's vocals. Wandering Eye Blues is one of my favorites on the release with slick slide work by Never and with choppy harmonica work by Colgan-Davis. Very cool. Old Man Mose has a real nice guitar stroll feel to it, reinforced by Jimmy Pritchard on bass and and Hoffman and Moran on backing vocals. Colgan-Davis' harmonica work is particularly soulful under the vocal prowess of Never. Whiskey Glass is a somber ballad that really showcases Never's vocals with strong harmonica work by Colgan-Davis. Wrapping the release is boogie, Cook It To The Bone, with it's driving rhythm. With Never on guitar and vocal, Colgan-Davis on harmonica, Chicago Carl Snyder on piano and Mark Shewchuk on percussion, this is a solid closer for a solid release. 

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New Sun Music artist: Crystal Shawanda - Sing Pretty Blues - New Release Review

 I just had the opportunity to review the most recent release, Sing Pretty Blues, by Crystal Shawanda and it's powerful music. Opening with heavy bottomed, Preachin' Blues, Crystal Shawanda leads the way with potent vocal lead, supported by Dave Roe on bass, Nioshi Jackson on drums and Stephan Hanner on harmonica and featuring Dewayne Strobel on guitars. Excellent opener. Bluesy ballad, Would You Know Love, really has a super radio/R&B feel, featuring Crystal on vocal and warm backing vocals by Sarina Joi Crowe and Ping Rose and horns by Chris West. Strobel lays in some real nice melodic guitar work giving the track cool contrast with Peter Keys on keys. Very nice. Title track, Sing Pretty Blues has a classic blues format with Hanner and Strobel on guitar working with Crystal on the lead and Jonathan Nixon on bass and Jackson on drums. Waitin' For My Lover To Call has a funky pop feel with warm B3 support by Keys and Ping Rose and Strobel on guitars. Crystal's vocals really works nicely on the entire set giving it super continuity. Deep blue rocker, Honey Bee is one of my favorites on the release with it's bass/guitar/organ riff. Crystal really works this one and with Hanner joining on harp and Strobel's slide guitar work gives the track a solid kick. Wrapping the release is rich, acoustic blues, Dirty, featuring Crystal on vocal with Strobel on slide resonator guitar giving the track a tangy balance. I really like this track...a great closer for a real satisfying release. 

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MoMojo Records artist: Billy Thompson - This World - New Release Review

 I just had the opportunity to review the most recent release, This World, by Billy Thompson and I really like it. Opening with This World, a rolling rocker, Billy Thompson on lead vocal and slide is joined by Golder O'Neill on bass, Eric Selby on drums and Michael Leroy Peed on keys. A super opener with solid vocals and radio promising melody.  Like Rain is another strong track with a great, funky style rhythm. With Kirk Joseph on sousaphone (which is great), Eddie Christmas on drums, Lionel Batiste Jr. on drums, and Thompson on guitar and vocal. One of my favorite tracks on the release is For True with a real swampy, funky blues feel. Thompson's vocals are great and his slide guitar is reminiscent of Lowell George. O'Neill on bass, Selby laying down some terrific drums and and Peed on keys really propel this track. R&B track, Hope, Peace and Joy has a great feel with some of Thompson's best vocals on the track and warm keys work by Peed. Latin rhythm really works nicely on Dinosaur Eggs featuring Doug Belote on drums, Michael Skinkus on congas, and O'Neill on bass supporting Thompson on vocal, harmonica and hot guitar riffs and nice slide. Very cool. Wrapping the release is Of The Angels is a straight up rocker with a lot of characteristics of a Knopler tune. Clever guitar riffs and strong vocals by Thompson, Belote rapping out solid riffs n drums, Luciano Leaes on B3, Tom Worrell on keys, Skinkus on congas and backing vocals by Aduago Ejekwu, Evan Miller, Erin Finnigan, Lami Argueta and Zoe Resendez make for a cool closer. Very nice. 

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Nola Blue Records artist: Duke Robillard - Blast Off! - New Release Review

 I just had the opportunity to review the most recent release, Blast Off!, from Duke Robillard and it's really swinging! Opening with Floyd Dixon's, When I Get Lucky, Chris Cote is up front on vocal with Duke Robillard on lead guitar, Bruce Bears on piano, Marty Ballou on bass, Mark Teixeira on drums and Doug James and Mark Earley on wailing sax. Strong opener.  Robillard original, Feel My Cares has a deeper, BB King feel with stinging guitar work by Duke and again featuring Cote on lead vocal. Bears on organ adds a real nice warmth and James and Earley on sax really fatten the track up nicely. AM Brunner's Play Boy Hop is a terrific sax led instrumental with James really making it wail and Duke's guitar phrasing is dynamic and urgent. Very cool. Guitar Slim's Stand By Me really swings with Cote on lead vocal and Earley and James on horns. James takes command on bari sax really kicking up the dirt and Duke rips a classic solo of his own making this one of my favorite tracks on the release. Percy Sledge's Warm and Tender Love (penned by Bobby Robinson) is a super showcase for Cote on vocal and features easy keys by Bears and compact but meaty solos by James, Earley and Robillard. Wrapping the release is Tampa Red's, Look A There Look A There with a great swing tempo. Wailing sax solos by Earley and James really capitalize on the bluesy feel and Cote's vocals, backed by Duke make this a strong closer. 

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Davey Jones - Ball Cap Blues - New Release Review

 I just had the opportunity to review the most recent release, Ball Cap Blues, by Davey Jones and it's solid contemporary blues. Opening with shuffle, Banks Of The Blues, Davey Jones on lead vocal and guitar sets a nice groove, backed by piano, organ and drums. Cool opener. Easy blues rocker, Walking Easy, definitely has radio airplay characteristics with it's memorable melody and easy beat. Rocker, Mis Memphis Blues has a fine tempo with super vocals by Jones who also grinds in on "JJ Cale" like guitar with organ and drum backing. Real nice. Six Feet In The Ground is my favorite track on the release with a Don Nix feel. Driving piano rhythm and solid guitar work under Jones vocals gives this track a solid kick. Wrapping the release is rockin roller, Woman I Love with Jones grinding out a rocking guitar riff. With super vocals, drums and organ/piano following, this is a super closer. 

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