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Overton Music artist: Russ Green - Stone Cold - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Clarinet blues - Gene Sedric, Mezz Mezzrow, Red Richards, Kansas Fields

By Bman -
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Gene Sedric (June 17, 1907, St. Louis, Missouri – April 3, 1963, New York City) was an American jazz clarinetist and tenor saxophonist. He acquired the nickname "Honey Bear" in the 1930s because of his large camelhair coat. Sedric's father played ragtime piano. He played with Charlie Creath in his hometown and then with Fate Marable, Dewey Jackson, Ed Allen (1922), and Julian Arthur. He joined Sam Wooding's Orchestra in 1925, and toured Europe with him until 1931, when the unit dissolved; while in Europe he recorded with Alex Hyde. He returned to New York City and played with Fletcher Henderson and Alex Hill, then joined Fats Waller's Rhythm in 1934, remaining in Waller's employ until 1942. When Waller went on solo tours Sedric found work gigging alongside Mezz Mezzrow (1937) and Don Redman (1938-39). Sedric put together his own group in 1943, then played with Phil Moore in 1944 and Hazel Scott in 1945. He put together another ensemble from 1946-51, playing ...
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