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Alligator Records artist: Lil' Ed & The Blues Imperials - Slideways - New Release Review

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 I just had the opportunity to review the most recent release, Slideways , from Lil' Ed & The Blues Imperials and it's terrific! Opening with Bad All By Myself , Lil' Ed on lead guitar and vocal, gets things rocking right off the bat. With Michael Garrett playing a strong rhythm line reinforced by James "Pookie" Young and Kelly Littleton on drums, this is a great opener. The Flirt In The Car Wash Skirt is a great blues rocker with raucous slide work by Lil' Ed and Ben Levin on piano really gets this track boogieing. Vital rhythm guitar work by Garrett and a rock solid bottom makes this one of my favorites on the release. Elmore James flavored, 13th Street And Trouble , is a strong track with a pounding bottom and super piano work by Levin. Lil' Ed has this track by the short hairs and is really shaking it. Cooking! Laid back Chicago blues , More Time , has solid pacing and features Lil' Ed upfront on lead vocal. Garrett showcases his lead gui...
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I started a quest to find terrific jazz and blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Coco Montoya with Debbie Davies

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Davies rise to the upper echelon of blues music started at an early age as she absorbed the music heard constantly in her home. Her (professional) musician parents were either sitting at the piano or spinning discs on their turntable, filling the air with the sounds of big band jazz, harmony vocal groups, or the pop icons of the day. But the young Davies was particularly attracted to the bluesier sounds of her father’s Ray Charles records, and by the age of 12 realized that her affinity for an instrument was not for the piano, but for the guitar. Growing up in Los Angeles in the 1960’s, she found that being a female guitar player meant only one thing: acoustic guitar. Electric guitars were still toys meant only for boys. But when Debbie heard the sounds of the British blues-rock bands, particularly the electric guitar of Eric Clapton with John Mayall’s Bluesbreakers, she became completely captivated. Going against the grains of society’s accepted roles of the time, Debbie pursued her d...