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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Henrietta Records. Show all posts
Showing posts with label Henrietta Records. Show all posts

Monday, December 21, 2015

Henrietta Records artist: Charlie Musselwhite - I Ain't Lyin' ... - New Release Review

I just received the newest release, I Ain't Lyin'..., from Charlie Musselwhite and its Chicago style blues pure and simple. Opening with Latin flavored, Good Blues Tonight, Musselwhite is joined by Matt Stubbs on guitar, June Core on drums and Steve Froberg on bass. With classic Musselwhite harp styling and a snazzy guitar solo by Stubbs this is a cool opener. Elmore James' Done Somebody Wrong, is up next and has classic 70's arrangement not unlike Beck and Page or the Allmans but with Musselwhite's signature vocals and harp riffs. Stubbs has a clean guitar dialog which, with cool vibrato has a punch of it's own. Long Lean Lanky Mama is one of my favorite tracks on the release with it's freewheeling harp and deliberate guitar attack. Very nice! Slow blues, Always Been Your Friend, really gives Stubbs a solid floor to solo on guitar and Musselwhite delivers nicely on harp and vocals. Morganfield style, If I Should Have Bad Luck, is a great toe tapper with a classic 12 bar bottom. Musselwhite's trademark tone and phrasing is perfect on this number and Stubbs hits it running in pure Chicago style. My Kinda Gal is a high power track with hot riffs. Both Musselwhite and Stubbs unload on this track, Stubbs at time with almost Western style riffs. very cool! Cool shuffle track, Blues, Why Do You Worry Me, hits a fine groove , set by Froberg and Musselwhite hits it square on. Walking guitar riffs by Stubbs are placed in perfect style making this another of my favorites on the release. Continuing in cool Chicago style, 300 Miles To Go, has a great energy and Musselwhite's phrasing is pure and tight. Stubbs adds another of his slick solos adding even more texture to an already strong track. Long Leg Woman digs in the funk with bass,guitar & drum rhythm section giving Musselwhite a solid vehicle to solo over. A cool departure and solid track, this track has a nice feel. Duke Pearson penned instrumental ballad, Cristo Redentor, is a super track with Musselwhite playing the melody on harp. This is a very nice track and gives Musselwhite the opportunity to play outside of the box. Excellent! Wrapping the release is an unedited version of Good Blues Tonight. With it's Latin flavor, clean riffs and great tone, it's a great closer as it was opener.

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Wednesday, November 20, 2013

Henrietta Records artist: Charlie Musselwhite - Juke Joint Chapel - New Release Review

I just received the newest release, Juke Joint Chapel, from Charlie Musselwhite and it's a monster. I've been listening to Musselwhite for years and I can honestly say that this is my favorite release in some time. Opening with Eddie Taylor's Bad Boy, a super shuffle track, Musselwhite sets a firm groove. Musselwhite has a distinctive style and tone and it's strong here with Charlie on vocals and swinging guitar work from Matt Stubbs. On Shakey Jake track Roll Your Money Maker, Musselwhite and bassist Mike Phillips have a lot of fun with the vocals and Stubbs rips out some smoking hot riffs. On Tony Joe White's As The Crow Flies, Musselwhite really gets the Chicago groove going on harp. With some hot work by June Core on drums, Stubbs steps up with cool great riffs. On Billy Boy Arnold's Gone Too Long, Musselwhite takes a more melodic take on his solo with sounds of his work from the 70's. Very cool. Stubbs steps up again with some really nice riffs doubled up on the double stops. Little Walter's It Ain't Right is up next and Musselwhite has you hopping out of your shoes. Great harp work! On Strange Land Musselwhite keeps the basic track simple giving him a lot of breathing room to play some super harp. Stubbs and Musselwhite play in a tandem jam building to a hard driving crescendo. On original track, Blues Overtook Me, Musselwhite sets a really nice pace to accommodate his personal style. This is a nice long harp jam and Charlie doesn't waste a note. Stubbs also takes a cool opening on this track keeping the groove moving. Really nice. River Hip Mama is a boogie track with Musselwhite leading the way against the guitar vamp. This track like many of the others hits a high spot where Musselwhite and Stubbs trade riffs and the track is really cookin. Another original track, Blues Why Do You Worry Me, has a solid Chicago feel with Musselwhite playing a cool intro and singing lead. What differentiates this release from other "traditional Chicago" blues releases? These guy jam it out and have fun. most of these tracks are 4-6 minutes long and that gives the band a good opportunity to show their chops. Feel It In Your Heart is an unusual track with a Latin style rhythm and a bit of a western sounding arrangement. On Prince Conley's I'm Going Home, a jazzy blues number, the band plays a really cohesive rhythm for Musselwhite to sing and play harp. Stubbs also contributes a really nice solo on this track. Duke Pearson's Cristo Redentor is a somber instrumental ballad featuring Musselwhite and his signature tone. It's a really cool track to wrap up a great new release.

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”