Bman's Blues Report

 I just had the opportunity to review a Terrific release by John Lee Hooker , Boom Boom recorded in 1989. John Lee Hooker has been on of my favorite blues guys since I was a kid so to have the good fortunate to review this release on vinyl is really special. The release explodes with Boom Boom right out of the gate featuring Hooker on guitar a vocal, Jimmie Vaughn on guitar, Richard Cousins on bass, Kevin Hayes on drums and Jim Pugh on keys. Unlike some of the more contemporary releases by Hooker, this band stays out of Hookers way with his eccentric timing and vocal style, Jimmie Vaughn fitting right in the slot under Hookers trademark vocals, Pugh adds just the right amount of organ and Hayes kicking the drums tight to make this track an exceptional opener.  Hooker also plays a solo take on his classic I’m Bad Like Jesse James . This recording is not just clean but alive with plenty of air around Hooker with his vocals sounding immediate and present and his guitar seemi...

 I just had the opportunity to review the most recent release, Live To Be This, from The Boneshakers, and it's a soul filled blues rocker. Opening with high stepping, I'll Kick A Brick (For My Man), Jenny Langer on lead vocal sings with attitude backed with the tight drum raps of Greg Bissonette, and Randy Jacobs on guitar exchanging riffs with Rodney Lee on keys, Ron Holloway on sax, Joe Sublett on sax, and Mark Pender on trumpet and solid backing vocals by Harry Bowens, and Derrick Harris. Hot opener. Funky, How Do You Spell Love is a real workout for Langer with Bissinette on drums and super vocal and horn backing. Dobro Jones has a great country blues feel with Jacobs featured on dobro and vocal with Langer. Very nice. Here I Am is downright slinky with an excellent bottom and Ron Reinhardt on keys. Jacobs distorts his guitar for a real nice guitar solo and Langers vocals paired with Bowens, Harris, Lessly Fisher jr, and Holly Montgomery and Lenny Castro on percussion makes...

 I just had the opportunity to review the most recent release, Grown In Mississippi , by John Primer and it's deep rooted blues, Delta style. Opening with John's Blues Holler , an authentic style acapella track replicating the sounds that Primer heard by field workers in his youth. Rolling into Born In Mississippi with Primer showing his slick finger work and his warm vocals on acoustic guitar. Fluid, precise and solid. Very nice. Willie Dixon's Down In The Bottom features Primer guitar and vocal and Watermelon Slim on slide dobro, and backed by Billy Earheart on piano. Very nice. Bobby Rush joins on Nothin' But A Chicken Wing adding some nice harp work to this funky blues track featuring Primer on lead vocal and guitar, Harvell Thomas Jr on bass and Quicksand Martin on drums. This track is stripped down and moving. Another track with a cool funk is When I Met The Blues driven by Lee Williams on drums and featuring Lightnin' Malcolm on guitar and Primer on guita...

 I just had the opportunity to review the most recent release, Chasing The Sun, by Colin James  and it's chocked full of great tracks and guest talent. Opening with Protection , Lucinda Williams is up front on vocal with Colin James on vocal and lead guitar. Colin Linden on guitar adds rea nice riffs joined by Darryl Jones on bass, Charley Drayton on drums and Ann & Regina McCrary on backing vocals. This track has a strong melody with a Keith Richards feel. Excellent opener. Devilment has a really cool, New Orleans style drum rhythm by Drayton and with the addition of Charlie Musselwhite on harmonica crafting some sweet lead work, this is a strong track. Soulful radio track, How It Feels To Be Loved , really has that warm universal radio play feel featuring James on guitar and vocal, a paced, walking bass line by Jones and warm B3 contributions by Michael Hicks and Jim Hoke on sax. Very nice. Another track that has a great rock feel is This Song Kills Hate with it's guit...

  I just had the opportunity to review the most recent release, Who Needs This Mess!!?? , from Franck L. Goldwasser and it's a thick slice of blues. Opening with with a solid blues number, Don't Give Up On Me Baby , Franck Goldwasser on vocal and guitar follows a SBW vamp and with strong vocals and really nice guitar work really gets things going. Backed by Ralph Carter on bass and Johnny Morgan on drums, this is a strong opener. Skwurley is a real cool instrumental with excellent slide work by Goldwasser matched with R.J. Mischo. Excellent! Playing off of a "Green Onions" skeleton, Diskum Baab Uleh Shun is another instrumental with plenty of room for Mischo on harmonica to trade riffs with Goldwasser on guitar over the solid bottom of Carter and Morgan. With a zydeco feel, Sobbby Doggy Boogy is a fun track with a great tempo, driven by Goldwasser on guitar and slide. Pure Chicago on If I Could Holler with Goldwasser on vocal and a constant harmonica vamp througho...

 I just had the opportunity to review the most recent release, Life Don't Miss Nobody , by Tracy Nelson and it's really good. Opening with Strange Things Happening Every Day , Tracy Nelson on vocal really gets things moving. Kevin McKendree on piano knows how to play a boogie and backed by John Gardner on drums, Byron House on bass, Mike Henderson on electric guitar, this is a great opener. With a Spanish taste, title track, Life Don't Miss Nobody features Nelson on lead vocal and Wurlitzer, with Mike Dysinger on congas and Guiro, House on bass, Larry Chaney on 12 string guitar and Cuatro and Steve Conn on piano and with the tight horn work of Jack Warner on sax, Dominique Caster on trumpet, and Chase Carpenter on trombone. Very nice. Willie Nelson steps up on Honky Tonkin' sharing the lead vocals with Nelson. Mickey Raphael adds some tasty harmonica lead melody and I particularly like Mike Johnson's contribution on steel guitar. One of my favorites on the relea...

  I just had the opportunity to review the most recent release (September 20, 2021), Blind Faith , from Jimmy Carter (Co-Founding member of The Blind Boys of Alabama) and it takes pieces of a number of genres of music and blends them together nicely. Opening with After The Storm , Carter on lead vocal, is joined by Joey Williams with some nicely finessed gypsy style guitar, Ryan Joseph on violin, Steven Ray Ladson on bass and tidy drum rhythms by Chris Marshak. Solid opener. With a cool R&B feel, Dream On, has a snappy rhythm and super backing vocals. With a firm bass line. forward trombone solo by Freddie Lonzo, and piano backing by Max Leake, this is one of my favorites on the release. Charlie Musselwhite  lays in some nice harmonica work on Find Your Way Home with the addition of Joseph on violin, and a jazzy piano solo by Peter Levin. Wrapping the release is blues shuffle/gospel track, Why Me , with Musselwhite, on harmonica, Ron Pullman on guitar and powerful choral...

  I just had the opportunity to review the most recent release (June 25, 2021), A Sweet Relief Tribute to Joey Spampinato , NRBQ founding member and writer of all of the tracks on thie release. Opening with blues rocker, You Can't Hide , by Al Anderson on lead vocal and guitar, with Carl Minor on acoustic guitar, David Dorn on keys, Steve Mackey on bass, and Evan Hutchings on drums. Energetic opener. Los Lobos contributes Every Boy and Girl , with David Hildago on guitar, accordion and vocal, Steve Berlin on sax, Vince Hidalgo on bass and David Hildago Jr on drums. Pop tune, How Can I Make You Love Me , is performed by She and Him with Zooey Deschanel on vocal and M. Ward on guitar and keys. The Minus 5 brings us Don't She Look Good in a slightly punky rockabilly style. Scott McCaughey on guitar, piano, organ, percussion and vocal with Mike Mills on bass, Peter Buck on guitar, and Joe Adragna on drums and with a really cool guitar solo by Dave Depper. I really like Buddy Mi...

I just had the opportunity to review the most recent release, My Blues Pathway , from Kirk Fletcher and I really like it. Opening with R&B flavored, Ain't No Cure For The Downhearted , Fletcher is front and center on lead guitar and vocal over a pumping bass line by Travis Carlton and drums by Lemar Carter, with Jeff Babko on keys, Joe Sublett on sax and Mark Pender on trumpet. Strong opener. No Place To Go is one of my favorite tracks on the release with is stepping pace, strong vocals and the horn work of Sublett and Pender accenting crisp guitar riffs by Fetcher. Very nice. Slinky blues, Struggle For Grace , is in the vein of King's Thrill is Gone with solid lead vocals and stinging lead guitar by Fletcher, David Kida on drums and warm horn support by Sublett and Pender. Super. Slow blues, Heart So Heavy really finds Fletcher in a nice groove with his trademark soulful guitar bends and fluid runs and his vocals sound as good as ever. Excellent! Sonny Boy Williamson...

 I just had the opportunity to review the most recent release, Volume 1 , from New Moon Jelly Roll Freedom Rockers and it's great stuff. Opening with Blues, Why You Worry Me features Charlie Musselwhite on lead vocal  and harmonica. A strong Chicago style shuffle, also includes Alvin Youngblood Hart and Jimbo Mathus on guitars, Jim Dickinson on piano, Luther Dickinson on guitars, mandolin, Cody Dickinson on drums, Chris Chew on bass and Paul Taylor on tub bass. Super opener. Charlie Patton's Pony Blues is a super follow up with it's Hill Country styling and Hart on lead vocal. It's no secret that Mathus is one of my favorite contemporary musicians with his quirky style and super grooves (not to mention his solid country sound). Night Time features Mathus on lead vocal and one of his infectious, funky grooves, driven by Chews' bass line and strong harmonica work from Musselwhite. Very cool. One of those cool party rags, Come On Down To My House , features the late...

I just had the opportunity to review the most recent release, Live from Johnny Burgin and it's really good. Opening with brisk shuffle, You Got to Make A Change , Johnny is upfront on vocal and guitar, backed by Aki Kumar on harp, Kid Andersen on guitar, Chris Matheos on bass and Steve Dougherty on drums. Excellent, slow blues, Can't Make It Blues , Johnny really shines with his soulful vocal and blistering guitar riffs. Most people don't think of Chicago bluesmen as hot, slingers with real pyrotechnics but Burgin is here to show you that Buddy Guy is no longer the only game in town. Excellent! There are only a few contemporary players that can really pull off the funky blues like Albert King could and Burgin is one of them. She Gave Me The Slip is a great example with solid blues riffs over a great funky beat. Time for a great Chicago blues instrumental and Kumar is up and ready on harp. Burgin, Andersen and Kumar really kick it on this one with smoke flying. Rae Gor...

Johnny Burgin Live" on Delmark Records, CD/LP Street Date 8.16!   This live CD/LP offers twelve brand-new originals and two covers, performed in front of an enthusiastic crowd in Sonoma County, CA on Jan 5 of this year.    The band consisted of my road-tested rhythm section of Steve Dougherty and Chris Matheos in addition to some special guests and friends that I don't get to work together regularly, namely Kid Andersen, Rae Gordon, Aki Kumar, Charlie Musselwhite and Nancy Wright.  We had just one night to nail it, which made this recording a crazy, but thrilling, high wire act!  Blues legend Charlie Musselwhite's driving boogie-woogie harp on L"California Blues" is an absolute highlight.  You ...

I just had the opportunity to review the most recent release, Tony Holiday's Porch Sessions and I really like it. Vocalist and harmonica player, Tony Holiday has put together a great release here with a who's who of the blues business. Opening with Pick-Pocket Fingers a cool shuffle track Holiday on lead vocal is joined by James Harman on harmonica, Kid Ramos on guitar, Landon Stone on guitar and Kid Andersen on bass, this is a cool opener. John Primer steps in on lead vocal and guitar on They Call Me John Primer with featured harp work by Bob Corritore and Holiday and Joel Meza Jr. on drums. I always love Primer's slide style and Corritore has beautiful tone. Very nice. An easy, funky track, A Woman Named Trouble , showcases John Nemeth and Jake Friel with Holiday on vocal and harmonica. This is a funky funky track with a great bass line by Anderson. Excellent! Mitch Kashmar and Ronnie Shellist join Holiday for Three Way Party and slower but soulful guitar and ha...

I just had the opportunity to review the most recent release (February 23, 2018), Love Is An Army , by Janiva Magness and it's earthy. Opening with R&B track, Back To Blue, Janiva Magness shows authority in the shadows of Mayfield and Green with Stephen Hodges on drums, Davey Faragher on bass, Arlan Schierbaum on keys, Doug Livingston on pedal steel, Dave Darling on guitar, Phil Parlapiano on piano and Darrell Leonard, Joe Sublet and Alfredo Ballesteros on horns. Also contributing backing vocals are Kudisan Kai, Sugaray Rayford, Gary Pinto, Natasha Pinto, Thrones, Aurelia, Dave Darling and Brie Darling. Excellent opener. Another nice entry is Tell Me with strong vocals and real nice guitar work by Darling. Ballad and title track, Love Is An Army , has a strong melody with warm pedal work by Livingston and really nice vocal duet between Magness and Bryan Stephens. One of my favorite tracks on the release is Down Below with a really earthy feel and featuring Courtney Hart...

I just had the opportunity to review the most recent release, Travelin' With The Blues , by Harpdog Brown and I really like it. Opening with Better Days , a rolling blues number, Harpdog is upfront on vocal and his signature harp work with Jordie Edmonds on guitar, Pat Darcus on bass, Carl Sonny Leyland on piano, Jimmy Morello on drums and featuring Kid Andersen with some hot guitar riffs. On Otis Spann's Must Have Been The Devil , Brown settles down nicely into the Chicago style on vocal and strong harp with Edmonds and Little Victor laying down some real tasty guitar. On Latin flavored, Moose On The Loose , Brown and Charlie Musselwhite play off of each other on harp. With Mike Thorne on cowbell, and solid guitar riffs by Edmonds, this track rocks. Boogie Woogie track, For Better or Worse , features Andersen laying out some really nice rocking riffs with a nice twang. Excellent! Slowing it down a bit on What's Your Real Name , Brown tells it Bishop style, but subbing...

I just received the newest release, I Ain't Lyin'... , from Charlie Musselwhite and its Chicago style blues pure and simple. Opening with Latin flavored, Good Blues Tonight , Musselwhite is joined by Matt Stubbs on guitar, June Core on drums and Steve Froberg on bass. With classic Musselwhite harp styling and a snazzy guitar solo by Stubbs this is a cool opener. Elmore James' Done Somebody Wrong , is up next and has classic 70's arrangement not unlike Beck and Page or the Allmans but with Musselwhite's signature vocals and harp riffs. Stubbs has a clean guitar dialog which, with cool vibrato has a punch of it's own. Long Lean Lanky Mama is one of my favorite tracks on the release with it's freewheeling harp and deliberate guitar attack. Very nice! Slow blues, Always Been Your Friend , really gives Stubbs a solid floor to solo on guitar and Musselwhite delivers nicely on harp and vocals. Morganfield style, If I Should Have Bad Luck , is a great toe tappe...

I just received the newest release, Over Your Head , by Josh Smith and I really like it! Opening with aggressive blues rocker, How Long , Smith takes no time at all establishing his presence. A heavy bass line by Calvin Turner, drums by Lemar Carter and solid vocals and lead guitar by Josh Smith, this track hits hard. With rock solid footing, Smith sets the track on fire with creative guitar riffs. His work is also complimented by Joe Bonamassa on guitar. Excellent! Title track, Over Your Head , is a well written rocker with grinding guitar riffs and gravelly vocals. I really like Smith's poise and guitar attack which shows both composure and explosiveness. Very cool! Strongly blues oriented, When I Get Mine , has a modified shuffle feel with cool blues guitar phrasing over a melodic bass line. Very smooth! Walking jazz bass line by Turner sets the pace for Still Searching with Jeff Babko on keys. This is a really nice improvisational piece that has a great groove. First Hand...

I just received the newest release, Rich In Love , from Colin Linden and it's very entertaining. Opening with Knob & Tube , an easy paced blues pop track featuring Linden on mandolin and vocal and backed by Amy Helm on vocal, the release is off to a good start. R&B slanted, I Need Water has a slick, Boz Scaggs style. Linden delivers nicely on this track with quiet but really interesting slide riffs, backed by John Dymond on bass, Gary Craig on drums and Tim Laur on organ. Very nice! Delia Come For Me is a strong ballad with Linden on vocal accompanying himself on acoustic guitar and overdubbing a really sweet slide guitar track. Solid writing and performance. Harp master, Charlie Musselwhite adds his signature harp styling on The Hurt , a bluesy ballad. Linden opens the electric slide up a bit on this track giving it a nice contrast and Reese Wynans dances on piano giving the track a certain sparkle. Everybody Ought To Be Loved is a soulful ballad and one that should ...