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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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I've Found A new Baby - Roy Eldridge, Jimmy Mundy

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Jimmy Mundy (28 June 1907–24 April 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie and Earl Hines. Born James Mundy in Cincinnati, Ohio, and gained his arranging skills in the 1920s while playing with local bands led by Erskine Tate, Tommy Miles, and Carroll Dickerson. In 1932 he joined Earl Hines for four years, originally as a saxophonist, but swiftly developing a reputation as an arranger. After selling one of his arrangements to Benny Goodman in 1935, Goodman hired him away from Hines, and Mundy became Goodman's staff arranger. (Mundy also did a couple of arrangements for Claude Hopkins in 1932.) Mundy was also a significant supplier of arrangements to Count Basie (from about 1940 to 1947), as well as writing for Gene Krupa, Paul Whiteman, Dizzy Gillespie (in 1949), Charlie Spivak, Harry James, and many others. He briefly led his own band in 1939, but after World War II he returned to arrangi...
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