Bman's Blues Report

I just received the newest release, Until After Then , from Tommy Talton and it is a mixed bag of cool tunes. Opening with title track, Until After Then , Talton creates an almost Steely Dan like pop jazz feel with Matt Slocum on organ, Frankie Nattola on bass and David Keith on drums joining Talton on guitar and vocal. Real Sugar has a super Al Green like R&B strut. Kevin Holly adds a cool wah wah guitar, Billy Earheart electric piano, David Hood bass, Bill Stewart drums but it is the cool sax work of Brad Guin and trumpet work by Ken Watters added to Talton's vocals that pushes this one over the top for me. Nice! Mr. Love is an easy rocker which actually reminds me quite a bit of Joe Walsh when he plays it mellow. Another cool track. That Distant Light has a super sweet Paul McCartney like melody. Talton continues to show his versatility as both a songwriter and singer. My, O, My again has a McCartney kind of sound with a quiet beauty. Talton does show a little slide ...

I have been listening to the new Tommy Talton release, Let's Get Outta Here and it's likely to make a big splash. I first became familiar with Talton when I was tracking down every recording that Duane Allman played on a lot of years ago. Well, the band isn't Cowboy and the tracks don't sound like Please Be With Me. It's a new day. The release opens with the title track and it sounds more like Wet Willie or Steely Dan than Cowboy. This is a light breezy pop oriented track with horns and a catchy melody. You Can't Argue With Love is a rock ballad featuring Talton on vocal and slide guitar. He has a very distinct slide tone reminiscent of a few of the better slide players. Dream Last Night is a more quiet ballad further reinforcing his talent as a songwriter. Make It Through The Rain finds Talton singing harmony with his old pal Scott Boyer. A primarily acoustic rock track, this could easily make heavy airplay. Slacabamornico has a funky new Orleans beat w...