Bman's Blues Report

Guitarist, vocalist and songwriter D.K. Harrell , one of the most formidable young stars of the current blues resurgence , sounds like no one else on the scene today. With his stinging, single note string bending, deep soul vocals, and attention grabbing original songs, the 27 year old Harrel - a major draw at blues festivals around the world is already in a league of his own.  🎵 LISTEN & SUPPORT THE ALBUM (Click the Track Number) ▶ Listen to Album Samples - Click the track number (Click to Expand) Add this Record to Your Collection Available in CD/Vinyl and Digital Formats. 🛒 Buy Album on Amazon Store As an Amazon Associate, Bman earns from qualifying purchases. The Deep Dive Bursting into the release with a stinging guitar intro on A Little Taste , D.K. Harrell has a no holds barred approach with trem bends that will set you shaking. His vocals are...

 I just had the opportunity to review the most recent release, Righteous Souls , from Albert Castiglia and it's chocked full of great music and heavy talent. Opening with Centerline , a rocker with a cool backbeat, Albert Castiglia is upfront on lead vocal and guitar, joined by Jerry Jemmott on bass, Jim Pugh on keys, D'man Martin on drums, Kid Andersen on guitars, Lisa Andersen on backing vocals, and features a great twin guitar duel with Popa Chubby. Great opener. Kevin Burt has the mic on R&B track, Mama, I Love You featuring a strong bass line by Jemmott, tight rhythm by D'Mar and really nice guitar work by Castiglia. Rick Estrin is upfront with Castiglia on Jr Wells' Come On In This House . Estrin's contribution is terrific and Castiglia milks all of the juice from his guitar, complimented by Pugh on piano making this one of my favorites on the release. Buddy Guy's funky, The Dollar Done Fell , features Josh Smith and Castiglia working the guitars and...

 I just had the opportunity to review the most recent release, The Right Man , by D.K. Harrell and if you're looking for a new favorite blues singer who knows how to play a great blues phrase, look no further. Opening with title track, The Right Man , D.K. Harrell on lead guitar and vocal is smooth. He knows how to swing and his riffs are clean. Joined by Kid Andersen on rhythm guitar, Jim Pugh on keys, Jerry Jemmott on bass, Tony Coleman on drums and Jon Otis on congas this is a great opener. With a lot of soul and a funky overtone, Harrell lays down Get These Blues Out Of Me . I really can't think of a more BB King like performer who sounds genuinely original. His delivery is sincere and his counterpoint guitar is effortless and rich. One of my favorite tracks on the release is Hello Trouble with a slower pace and perfect vocal/guitar call and response. Backed by Neil Levonius and John Halbleib on trumpet, Mike Rinta on trombone, Mike Peloquin on tenor and Doc Kupka on bari...

 I just had the opportunity to review the most recent release, You Shocked Me , from Bob Corritore and Friends and it's chocked full of great Chicago based blues. Opening with Hiding Place , John Primer has the lead on vocal and guitar backed by Anthony Geraci on piano, Wes Starr on drums, Jimi Primetime Smith on guitar and Bob Stroger on bass. This is a terrific opener with high energy. Diunna Greenleaf is up front on vocal on title track, You Shocked Me with Bob Margolin on guitar, LA Jones on guitar, Ben Levin on piano, Starr on drums, Adrianna Marie on  bass and Corritore on harmonica. Super track. Alabama Mike has the mic on slow blues, Somebody Stole My Love From Me , a soul jammed track. With excellent harmonica lead by Corritore, Stroger on bass, Margolin on guitar, Fred Kaplan on piano, and Starr on drums, this is one of my favorites on the release. Love Francine Reed's vocals on Don't Need Your Permission , a swinging shuffle with Corritore really humming on har...

 I just had the opportunity to review the most recent release, I Ain't Playin' (May 20, 2022), from Diunna Greenleaf and it's chocked full of R&B, blues and soul. Opening with Koko Taylor's Never Trust A Man , Diunna Greenleaf on lead vocal slips into a funky blues, Albert King style, With Jerry Jemmott on bass, Jim Pugh on keys, Kid Andersen on guitar and Dmar Martin on drums with Mike Rinta on trombone, Aaron Lington on sax and Jeff Lewis on trumpet. Power opener. In Big James Montgomery's If It Wasn't For The Blues , Greenleaf really shows powerful phrasing and excellent command for that funky blues that we all love so much. With a great bass line by Andersen, Lington on flute, Rinta on trombone and Lewis on trumpet, and Igor prado on lead guitar, this is a really strong track. Original shuffle, Sunny Day Friends has a loose feel and Greenleaf really slides into the pocket. Jemmott's bass line is terrific, Andersen's guitar lead is strong and  P...

 I just had the opportunity to review the most recent release, Spider In My Stew, from Bob Corritore and Friends and it's terrific. Opening with Tennessee Woman , Corritore on harmonica is joined by Oscar Wilson on vocal, Tony Tomlinson on guitar, Shea Marshall on piano and sax, Patrick Skog on bass and Alan West of drums and percussion. A solid Chicago style track with a Latin beat, this is a solid opener. Moving into a full on romp, Sugaray Rayfield has the lead on vocal on Big Mama's Soul Food , backed by Kid Ramos on guitar, Blake Watson on bass and Marty Dodson on drums. Great vocals by Rayford, Corritore's always always fine harmonica work and saucy guitar work by Ramos give this track real zing. Diunna Greenleaf is upfront on Don't Mess With the Messer and with a snappy drum beat by Andrew Guterman and hot sax work by Doug James, this track is strong. Lurrie Bell delivers really inspired lead vocal and guitar on title track Spider In My Stew with Bob Margolin ...

I just had the opportunity to review the most recent release, Dog Eat Dog , from Billy Price and it's old school R&B. Opening with Funky rocker, Working On Your Chain Gang , Price, who has one of the smoothest voices on the circuit leads the way with strong support from Alex Pettersen on drums, Jerry Jemmott on bass, Jim Pugh on keys, John Halblieb on trumpet, Jack Sanford on sax, Kid Andersen on guitar and organ, and Walter, James and Dwayne Morgan on backing vocals. Very cool. Smooth pop jazz track, Lose My Number sounds like it's right off of a Steely Dan record with it's strong melody and supple vocals over a organ lead backing melody. Eric Spaulding adds a real nice sax solo on this one giving it a real kick. With a smooth dance groove, title track, Dog Eat Dog is really in the groove with great lead vocals by Price, tight backing vocals by Lisa Leuschner Andersen and Alabama Mike, cool congas by Vicki Randell, the super sax work of Spaulding and great harmo...

I just had the opportunity to review the most recent release, Nothin' To It But To Do It , by Junior Watson and I really like it. It's become a theme, but I like most of what comes out of Greaseland, Kid Andersen's shop. Opening with Up and Out , an up tempo blazer led by Sax Gordon, Junior Watson opens this release like a showman with horns blazing. Gordon really has it humming with great underpinning by Kedar Roy on bass, Andrew Guterman on drums and Jim Pugh on keys, swinging the door open and letting Junior Watson run on guitar. Excellent! On swing boogie, Louella , Watson has lead vocal and guitar with big time sax work by Gordon. This track really has presence and Gordon shares the spotlight with Watson who shows why he's one of the best loved contemporary guitar players on the circuit. A Shot In The Dark is a terrific slower blues with Alabama Mike really working vocals upfront and giving Watson the space to work over his fretboard and he really does give i...

I just had the opportunity to review the most recent release, Do The Hip-Shake Baby! , from Bob Corritore & Friends and I really like it. Corritore usually sticks pretty close to traditional Chicago style blues but not on this one. He's mixing it up but the mix is great. Opening with Shake Your Hips , Mighty Joe Milsap is upfront on vocals and they are rich and powerful. With Alan West on drums and percussion this track has a swampy rhythmic feel and Corritore's harp work is used like a sharp knife carving in essential riffs. Very nice. Alabama Mike leads on Gonna Tell Your Mother , a classic R&B track with Johnny Rapp and LA Jones on guitar, Adrianna Marie on bass, Fred Kaplan on keys and Brian Fahey on drums. With sassy backing vocals and a slick guitar solo, this track is swinging. Bill "Howl-N-Madd" Perry gets down, slow and gritty on You Better Slow Down . Corritore has his harp singing on this one over the classic guitar riffs of Perry and Rapp. Ver...

I just had the opportunity to review the most recent release (releasing today), Don't Let The Devil Ride! , from Bob Corritore & Friends and it's super. Opening with Willie Buck's shuffle track, Went Home This Morning , Bob Corritore on harp joins up with Willie Buck on lead vocal, Mojo Mark on guitar, Troy Sandow on bass and Brian Fahey on drums for a solid opener. On Little Walter's Tell Me Mama , Oscar Wilson is on lead vocal and Corritore lays out a real nice harp solo with Priimetime Smith on guitar, Henry Grey on piano and Johnny Rapp on guitar. Alabama Mike has the lead on Laundromat Blues and with really expressive lower octave work from Corritore, particularly nice soloing from Atkinson on guitar and strong piano work from Welch making this one of my favorites on the release. Corritore original, Fork In The Road , features Oscar Wilson on vocal, with Henry Grey on piano and Johnny Rapp on guitar with Corritore in in mostly a strong supportive role cho...

I just had the opportunity to review the most recent release, Howlin' At Greaseland , from Kid Andersen's Greaseland Studios and it's strong. This all-star tribute release to Howlin' Wolf features many of today's greatest blues players. Opening with Meet Me In The Bottom , Alabama Mike is upfront on lead vocal backed by Rick Estrin on harp, Alex Pettersen on drums, Bobby Yamalov on bass, Kid Andersen on guitar and slide and Lorenzo Farrell on piano paving a wide path. On Smokestack Ligntnin' , John Blues Boyd has the mic, joined by Rockin' Johnny Burgin and Kid Andersen, Joe Kyle Jr. on bass, Estrin on harp, D'Mar on drums and Jim Pugh on piano. Very nice. Howlin' For My Darling features Terry Hanck on sax and vocals, backed by Johnny Cat Soubrand on guitar, Andersen on bass, Pettersen on drums and Pugh on piano. Both Hanck and Soubrand stretch a bit instrumentally adding nicely to the tight groove.  Tail Dragger is upfront on I'm Leaving Yo...

I just had the opportunity to review the most recent release, Neoprene Fedora , from Rockin' Johnny Burgin and it's spectacular! I've had the pleasure to review a few Rockin' Johnny releases and also to see him in person and I gotta say, there aren't too many players out there right now that I'd rather see. (Check here to see my recent interview with RJB) . He is inventive, his guitar work is clean and distinctive, his vocals are cool and he's music is a lot of fun. Opening with the title track, Neoprene Fedora , Burgin hits the strip running with a 50's style blues surfer with great great vibrato, and cool phrasing. The Latin beat and the shimmery guitar soloing is out of sight and Nancy Wright 's sax work is hot and heavy. Excellent! Joining Burgin are Kid Andersen on guitar, Bob Welsh on guitar, June Core on drums and Chris Matheos on bass. On Guitar King Burgin swings back into his Chicago roots and I really like his vocals. Aki Kumar...

I just received the newest release, Upset The Status Quo , from Alabama Mike , and it's a cool groove. Blending R&B, Blues and funk, Mike has put together a fine set here. Opening with title track, Upset The Statue Quo , a bluesy shuffle, Mike leads the way on vocal joined by Aki Kumar on harp, Bernard Anderson on sax, Kid Andersen and Bob Welsh on guitar, Kedar Roy on bass and D'Mar Martin on drums, this track is a great start. Identity Theft opens with a a cool bass line from Jerry Jemmott this track and an overall R&B feel which is quite cool. B3 punctuation, backing vocals by Loralee Christansen and Lisa Leuschner and a hot sax solo by Anderson tops the track off nicely. Low slung blues number, MISSISSIPPI is a great track with a serious lope and Kumar doing some fine work on harp and a nice piano solo from Bob Welsh. Funky number, Think, also shows the strong bass work of Jemmott and features nice B3, Anderson on sax as well as a hot guitar solo from Kid Ande...

I just received the newest release, House Party at Big Jon's , from Big Jon Atkinson & Bob Corritore and it's a huge side of Chicago blues. Opening with Goin' Back To Tennessee , Big Jon Atkinson is on lead vocal and guitar with Bob Corritore accenting his vocal. Nicely stylized, almost John Mayall/British Blues feel, these guys have a great opener joined by Danny Michael on guitar, Troy Sandow on bass and Brian Fahey on drums. On shuffle track, Here Comes My Baby , Big Jon and Corritore step up the instrumental a bit with a real nice line of instrumental soloing and Malachi Johnson on drums adds a fine snap to the track. Taking the tempo down a bit, It Wasn't Easy , gives Corritore a bit more breathing space and his warm chops fill nicely. Jon has a great singing style which resonates "old style blues" throughout the release and his guitar work on this track is understated but effective. Stepping up with She's My Crazy Little Baby , Jon really del...

Alabama Mike is a hard-driving Chicago style blues singer with the ability to make you feel as if you’ve revisited the early CHESS RECORDS days. Many things come to mind upon hearing Alabama Mike sing for the first time, but mostly it’s where has this guy been? With a soulful voice that brings such greats as Elmore James, Buddy Guy, Little Johnny Taylor and yes, even BB King to mind, you will be asking yourself, “Why haven’t I seen or heard of him before.” Alabama Mike is a very unique talent, not only a gifted singer but also a very talented song writer, having penned over half of the tunes on this impressive debut. Born in Talladega, Alabama, in 1964, “Alabama” was influenced by the Gospel singing of his father at an early age, as well as his love for Chicago Blues. Alabama Mike is embarking upon a bright future. He is an artist that anybody that has any interest in the Blues will soon notice.