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Jazzhaus Records artist: Bernard Allison - In The Mix - New Release review

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I just received the newest release (March 17, 2015), In The Mix , from Bernard Allison and it's tight. Opening with Colin James track Five Long Years , Allison kicks out a top notch rocker featuring George Moye on bass, Mario Dawson on drums, Bruce McCabe on keys and a real nice sax solo from Jose Ned James. Allison gnashes his blues guitar teeth on a reprise setting the track on afterburners. Easy blues rocker Call Me Momma has a bit of the New Orleans funky groove and Allison's vocals are smooth. Luther Allison's Move From The Hood has a great blues groove set by Moye and Allison's vocals are perfect. Allison lays into the guitar for some swinging blues solos making this one of my favorite tracks on the release. Tell Me Who , a sweet soul ballad, again shows the strength of Allison's vocals and sets up nicely for smokin solo riffs from James and Allison. Very nice! Something's Wrong has a real hot 12 bar Elmore James feel with hot slide work complimented...

Bluesman Bernard Allison Is "In the Mix" on First New Studio Album in Six Years, Coming March 17 on Jazzhaus Records

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Bluesman Bernard Allison Is In the Mix on First New Studio Album in Six Years, Coming March 17 on Jazzhaus Records FREIBURG, GERMANY – Blues guitarist and singer Bernard Allison will release his first new studio album in six years, In the Mix , on March 17 from the Germany-based label, Jazzhaus Records. Produced and arranged by Bernard Allison, In the Mix features 10 tracks, including five originals, as well as covers of two songs from his legendary father, Luther Allison (“Move from the Hood” and “Moving On Up”), plus tunes from Colin James (“Five Long Years”), Freddie King (“I’d Rather Be Blind”) and Tyrone Davis (“I Had It All the Time”). Although firmly rooted in the blues, the music on In the Mix shows Bernard’s myriad of influences, including soul, rock and R&B. Allison says about the recording sessions: “ I was very excited to record with my reformed group. We went into this recording with the mindset to not make a recording flooded with screamin...