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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

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Showing posts with label Bill Stuve. Show all posts
Showing posts with label Bill Stuve. Show all posts

Wednesday, December 7, 2016

Delta Groove Music artist: Mitch Kashmar - West Coast Toast - New Release review

I just had the opportunity to review the most recent release, West Coast Toast, by Mitch Kashmar and it swings. Opening with hot shuffle, East of 82nd Street, Mitch Kashmar on harp is joined by Junior Watson on guitar, Fred Kaplan on keys, Bill Stuve on upright bass and Marty Dodson on drums. Mitch really rocks it on this one and Watson is throwing fire from the frets. Super opener. With a Latin flavor,Willie Dixon's Too Many Cooks, has a cool groove featuring Mitch on lead vocal, claves and harp. Dodson's precision playing and glistening chords from Watson set the pace and Kaplan's solo on piano is strong. Henry Glover's Young Girl is up next with Chicago style. With a solid bottom Kashmar vocals are tops and his harp playing is soulful and adventurous. Cool swinger, The Petroleum Blues, has a super 12 bar feel and and Kashmar sits nicely in the groove. Watson nails it on guitar again with a really nicely styled guitar solo. Slowing the pace down a bit, Mood Indica, gives Kashmar the chance to really milk the blues from his harp. Kaplan's piano work is really cool and blended with Watson's guitar work, this is my favorite track on the release. Cool boogie track, Don't Stay Out All Night, rides nicely on Stuve and Dodson's bottom giving Kashmar space to stretch vocally and Watson to trade solo's with Kashmar. Gritty Chicago blues, My Lil' Stumptown Shack, is as pure as it gets. Kashmar's vocals are deep and a super weaving of blues instrumentation by Kashmar, Kaplan and Watson are planted solidly on the work of Stuve and Dodson. One of my favorites on the release is Alcohol Blues with a straight groove and a nice walking bass line by Stuve. Kashmar's vocals are clear and his harp solos sit nicely on Watson and Kaplans work. Very cool. Wrapping the release is Canoodlin', a silky smooth jazz instrumental which at over 7 minutes gives Kasmar, Kaplan and Watson each super opportunities to dish out some solid solos. Excellent closer for a tasty release.

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