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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Root Nine Records. Show all posts
Showing posts with label Root Nine Records. Show all posts

Wednesday, March 7, 2018

Root Nine Records artist: Revelator Hill with Ron Holloway - Live By The Creek - New Release Review

I just had the opportunity to review the most recent release, Live By The Creek, by Revelator Hill with Ron Holloway and it's a smoking blues rocker. Revelator Hill is back with another super release and this time with Ron Holloway and live! Opening with Bad Luck Goodbye, front man Bobby Thompson sets the pace with fat guitar tones, rocking rhythm and solid vocals. backed by Seth Morrissey on bass and vocal, Wes Lanich on keys and Gary Crockett on drums these guys rock the joint and guest artist Ron Holloway adds some real hot sax. Great opener. Gets Me Over is certainly a crowd pleaser with it's warm melody, Cream like vocal harmonies, ultra solid drums work reminiscent of Ginger Baker and fat sax work by Holloway. Very cool. With it's driving bass line by Morrissey, excellent slide work by Thompson, articulate drums work, a super understated bass line, Look At You Now is another solid entry which of course also includes rich sax work by Holloway. Lightly funky ballad, Consider Me changes the pace up a bit featuring mostly vocals by Thompson and the cool organ work of Lanich. Holloway, always ready on the trigger of course contributes nicely here as well. A cover of Howlin' Wolf's How Many More Years is one of my favorites on the release. I know I have said this before on an earlier review but Thompson's vocals are very similar to Jack Bruce and that's a heavy endorsement from me. His own excellent guitar riffs, chasing his vocals, boiling in the pot with strong organ work by Lanich make this track stand out large. Until We Shine is a formidable track with a wealth of slide guitar work and a driving rhythm. Lanich takes a nice organ interlude and this band presses right at the edge of being a formal jam band (like Govt Mule). Very nice. Wrapping the release is Eric Clapton's Bottle Of Red Wine using mostly his original arrangement. Thompson and Morrissey blend vocals nicely and Lanich's piano work is tops. Holloway adds really nice sax work to top to close out this really enjoyable release. 

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Thursday, April 20, 2017

Root Nine Records artist: Revelator Hill - Atlantic Detour - New Release Review

I just had the opportunity to review the most recent release, Atlantic Detour, from Revelator Hill and it's a solid dose of rock! Opening with Bad Luck Goodbye, Bobby Thompson has the lead on vocal and guitar, backed by Seth Morrissey on bass, Wes Lanich on keys, Gary Crockett on drums and Jeff Mills on percussion. Classic styling, clever time changes and a solid beat make this a great opener. With a drone note on guitar, Gets Me Over has a dirty blues sound, overdriven amps, heavy tom tom and cool vocal blending. Look At You Now is a straight forward rocker with a driving beat and riding slide guitar. With a rock hard bass line and snappy drums, this track is rolling. Thompson's lead vocals on Let It Roll are particularly. With super percussion and full organ work, this is one of my favorite tracks on the release. Classic rock lines propel Lay It On Me, with a great bass line and some of Thompson's best vocals on the release. Reinforcing the strength of the track are super vocals and nicely styled guitar lead with nicely blended backing vocals. Howlin' Wolf's How Many More Years is a terrific track and Thompson's Jack Bruce like vocals and fluid guitar soloing really make this track soar. A lumbering blues feel with heavy bass and guitar bottom really kicks ass on this one. Sit back and enjoy! With a funky rhythm and slide guitar melody, Enough To Go Around, is composed somewhat like a Govt mule track. Again, Jack Bruce like phrasing is welcoming and the driving rhythm makes it hard not to rock out. Very cool. Wrapping the release is another driving rocker with a stiff in your face drum slap and single note bass line. Thompson lays down a loose guitar solo that really works nicely with the general feel of the track. Super closer for a strong release.

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