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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Bart Walker. Show all posts
Showing posts with label Bart Walker. Show all posts

Wednesday, June 29, 2016

Ruf Records artist: Royal Southern Brotherhood - The Royal Gospel - New Release Review

I just received the newest release, The Royal Gospel, from Royal Southern Brotherhood, and it's their best yet! Opening with Where's There's Smoke There's Fire, this band is hot. Tyrone Vaughan "smokes" the guitar strings with a vicious guitar solo and Norman Caesar's B3 ride is very effective. Darrell Phillips bass work, Bart Walker on guitar and Cyril Neville on percussion with Yonrico Scott on drums makes this a spectacular opener. I've Seen Enough To Know is a cool R&B style track with light funky guitar work and a great bass line. Blood Is Thicker Than Water has a super slinky, funky groove with reggae like vocals. An infectious percussion groove and slick guitar tips this one. A really cool track and one of my favorites on the release. R&B/gospel style, I Wonder Why really has a solid bass groove with nicely woven fabric of guitar , percussion, organ and vocals. Excellent! Cyril's fingerprints are on the writing of I'm Comin' Home, a really groove heavy track. The bass line is terrific and the slide work hair raising! Very nice! Everybody Pays Some Dues has a cool James Brown strut courtesy Walker and Vaughn. Vocals are strong and a cleanly executed guitar solo dresses the track. A soft bed of acoustic guitar by Walker and really lush vocals gives Face Of Love a strong face for radio play. Very nicely done. Spirit Man has soulful lead vocals and cool B3 work over a great percussion section. This track shows a modern interpretation of the stumble drum effect that I love so much about New Orleans jazz and an excellent slide guitar solo is scorching. Nice! Hooked On Plastic is funky to the max. A great bass line and well blended vocals over a hot rhythm line and clever guitar riffs makes this a particularly memorable track. Can't Waste Time has a great funky groove and super backing vocals giving it just the right feel. If this track doesn't get you moving, the San Andreas likely won't. Wrapping the release is Stand Up, a R&B style fast paced track that is just waiting to bust loose. Walker and Vaughan trading riffs on this track creates hot dynamics and with a cushion of B3 and hand claps the track had an old style revival conclusion, driven by a driving bass line of Phillips. Steamy ending to a hot release!


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Monday, June 29, 2015

Ruf Records artist: Royal Southern Brotherhood - Don't Look Back - New Release Review

I just received the newest release, Don't Look Back, from the Royal Southern Brotherhood and it's a funky, reggae, soul and blues jam. Opening with I Wanna Be Free, a hot rocker with white hot guitar riffs from new members, Bart Walker and Tyrone Vaughan, and a solid bottom from Charlie Wooton and Yonrico Scott. Reach My Goal adds just a little funk and some cool B3 from Ivan Neville with an almost Doobies sound. Cyrille Neville, Walker and Vaughan blend nice vocally and Walker plays a fluid guitar solo making this an ideal radio track. A real nice bass intro by Wooten opens reggae infused title track, Don't Look Back, with Walker on banjo and nice percussion work from Neville and Scott. Hit Me Once has a light funky jazz sound with an R&B vocal style. This is a cool track and Neville's vocals hit! Walker and Vaughan trade some slashing riffs on this track enforcing this as one of my favorites on the release. The Big Greasy has a slippery funk style with a contagious bass line from Wooton and a hot key solo from Neville. Hard Blues has a nice swagger courtesy of Wooton and Scott and Neville's vocals balance well with the stinging guitar riffs of Walker. Better Half brings it way down for a super sweet southern soul track. This is likely my favorite track on the release with a Luther Ingram feel. Excellent! Penzi has a cool Caribbean feel with excellent percussion and a great bass line holding the bottom. Walker adds a light Spanish feel with stylistic mandolin playing. Another track with broad airplay potential. It's Time For Love has a smooth soulful jazzy feel with nicely phrased guitar riffs and silky vocal lead. Bayou Baby is a really smokey track with red hot slide work. This track has a infectious groove that really gets you... try to just play it once! Excellent! Poor Boy is a R&B flavored rocker with a hot bass line. Vaughan lays out a cool guitar riff complimenting cool, Bobbie Tench like vocals. Nice! They Don't Make Em Like You No More gets into the Tower of Power range with sax work from Max Abrams and Jimmy Hall as well as trumpet from Paul Armstrong. Funky wah wah guitar riffs give this track an edge and plucky bass riffs by Wooten push it on! Nice! Come Hell Or High Water has a really strong melody and maintains an almost Isley Brothers R&B feel. Another track that could easily garner broad radio play, vocals are warm and guitar riffs rich. Wrapping the release is Anchor Me, a quiet acoustic ballad. Coming out with the big guns and retiring with a quiet track, I really like this new release by RSB.

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Thursday, December 11, 2014

Royal Southern Brotherhood Takes the Sonic Highway to Muscle Shoals' FAME Studios



Royal Southern Brotherhood
Takes the Sonic Highway to Muscle Shoals’
FAME Studios
With New Guitarists
Bart Walker and Tyrone Vaughan



ATLANTA, GA - Ruf Recording artists, Royal Southern Brotherhood, are raising the ante as they roll into the legendary FAME Studios in Muscle Shoals, Alabama. The band has added fiery guitar slingers Bart Walker and Tyrone Vaughan to breathe new energy into their third studio release. The new blood is there to help the venerable Cyril Neville and powerhouse rhythm section Yonrico Scott and Charlie Wooton up the funk while maintaining the blues and rock that has brought Royal Southern Brotherhood (RSB) a growing, worldwide audience.


Click on photo to watch footage from the new line up!




The Brotherhood has toured incessantly over the last four years, canvassing the USA, Europe and Australia. The hard work paid off as RSB watched their fan base and notoriety swell. 2014 also saw RSB win a Blues Music Award for their live DVD, Songs From The Road.
Royal Southern Brotherhood has also been fortunate to have NOLA legend, Cyril Neville, featured in an episode of HBO’s “Sonic Highways” series. This is an 8-episode show that follows the Foo Fighters as they visit different towns they consider to be musically unique and important. Neville was a natural and charismatic fit to talk with Dave Grohl about the New Orleans sound. Their shared love of percussion and rhythms creates a chemistry that serves the show well.

Cyril provided some unique insight and stories about growing up in New Orleans along with Troy “Trombone Shorty” Andrews, telling Dave how Troy got his nickname. Neville detailed how Troy began playing at such a young age that the T-bone was actually taller than Troy. Although he is now a grown man, the nickname “Trombone Shorty” has stayed with him.

With this new spotlight on Cyril, he has been a part of the show’s promotional efforts, by being mentioned in the band’s interviews that have been taken to an international level, CNN, Rolling Stone, Anderson Cooper, CBS’ “60 Minutes”, etc. Dave Grohl has claimed Cyril Neville and NOLA to be his new crush.

As RSB began the task of recording their new CD, they knew they needed a historical, creative location to raise the bar. Choosing FAME was a no-brainer. The studio is located along the Tennessee River in Muscle Shoals, which may seem like a quiet, southern town, but it’s a lightning rod for creativity.
In 1960, FAME Studios opened its doors under the direction of Rick Hall. It wasn’t long before Rick had developed a talented and unique group of session players (and production staff). The sound these boys from northern Alabama created drew the attention of artists such as Wilson Pickett, The Staple Singers, Drive-By Truckers, Lynyrd Skynyrd, Paul Simon and Duane Allman. It’s been told, that Eric Clapton, wanted to know who was that playing on “Hey Jude”, by Pickett and that’s how he found ‘Sky Dog' (Duane Allman). The place oozes with musical history, vibe and creative juice that will energize RSB’s new endeavor.


Recently, RSB went into a local New Orleans studio to record some demos and work on the vital band chemistry with the new members, guitarists Bart Walker and Tyrone Vaughan. Bart and Tyrone fell into the Brotherhood quickly and added a spark that only change can bring. The results exceeded expectations.

Tyrone hails from blues royalty. When your father is Jimmie Vaughan and your uncle is the vaunted Stevie Ray (who gave Tyrone his first guitar at 5), it can be a blessing and a curse. A lot is expected from Tyrone before he hits the stage, so it takes courage to follow in the family business. Fortunately, Tyrone is unaffected by the adulation for his family, and developed his own gifted style and signature tone. Tyrone cut his own path by working his way up through the Austin (a town drenched in guitar heroes for the uninitiated) club scene in his teens, eventually packing clubs around Texas. Through hard work, studying the masters and a tip or two from the family, Tyrone has developed a soulful voice along with a guitar tone that mixes blues, rock and country. Tyrone’s description of, “in your face,” tone proves accurate when you hear him cut through any mix.

Bart Walker brings his own unique talents to RSB. As a Nashville native, it was natural for Bart to be affected by the country, bluegrass and gospel music that permeates the air. Bart, however, wanted more. Classically trained, Walker considered an offer to join a German opera company. However, his curiosity kept him searching for new music.

One day Bart wandered into a blues jam and realized he found his calling. Bart paid his dues playing in Mike Farris’ (Screamin’ Cheetah Wheelies) and Reese Wynan’s (Stevie Ray Vaughan) bands before landing his own deal with Ruf Records. His 2013 release, Waiting On Daylight, garnered both national and international acclaim. This attention gave Bart the cache to see a lot of the world via Ruf Records President’s, Blues Caravan Tour, which spotlights new talent to sizable audiences. Now a seasoned player, Walker was ready and able to join the Brotherhood. “Joining RSB was the best idea anyone had for me,” said the affable Walker.

Cyril Neville has long been considered New Orleans royalty for his stints in the Grammy Award winning Neville Brothers, Galactic and The Meters. The Meters opened for the Rolling Stones and have been on the voting ballot twice for nomination into the Rock and Roll Hall of Fame Museum. Neville’s career has spawned 45 some odd years and has included performances with music icons such as Bono, Joan Baez, Dr. John and Tab Benoit.

In 1989, Cyril penned, “Sister Rosa,” about the Civil Rights icon, Rosa Parks. Last year, USA Today honored Neville by choosing the song as one of the  most inspirational song about Martin Luther King’s, “I Have A Dream,” speech on the 50th anniversary of the historical oration given during the march on Washington (Parks was in attendance). “Sister Rosa” may not have had a change on the movement at the time, but Neville’s composition reminded a country of the thousands of souls that risked their lives to bring an end to a shameful tradition in the US.

The current line-up will hit the stage with Cyril Neville (of course) on vocals and percussion, Devon Allman and Bart Walker on vocals/guitars, and Yonrico Scott (drums) and Charlie Wooton playing bass. Many consider Scott and Wooton to be the best rhythm section working, and their skills have provided the foundation for RSB to up the funk. The band is still supporting their latest release, heartsoulblood” with dates throughout the winter and early spring months.

When the Brotherhood’s original guitarists, Mike Zito and Devon Allman decided to concentrate on their solo careers, the parting was amicable and most likely both Zito and Allman will join RSB on stage occasionally. This is because RSB is truly a brotherhood of like-minded musicians that love to work together. Some of the players may rotate (Cyril, however will always steer the ship) but the spirit is the same: write great songs and see where they take you. The chemistry, craftsmanship and artistry of the musicians will always ensure great music.

Devon’s last performance with RSB will be at the Wanee Festival in Live Oak, Florida. The show will take place in mid-April, so we ask you to still use the following photo for tour press coverage.
For information on the band’s tour dates and news, go to www.royalsouthernbrotherhood.com