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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Charlie Wooton. Show all posts
Showing posts with label Charlie Wooton. Show all posts

Tuesday, December 15, 2020

Billy J - Rise Above - New Release review

 I just had the opportunity to review the most recent release, Rise Above, from Billy J and it's a solid rocker. Opening with She's Mine, a cool 60's style rocker features Billy J on vocal and guitar, Yonrico Scott on drums, Charlie Wooton on bass, and Jeremy Baum on keys, this track could have turned up on an early Englisher metal rocker. Cool opener. Shuffle, Line Em Up is a slick blues rocker with a tight bass line and solid guitar riffs. Slow blues ballad, New Car, gives Billy a strong opportunity to step up and show his stuff soloing. With a play on words with the lyrics and a plenty of space to move, Billy sets a great table. She is a simple, mostly acoustic ballad that would seem to be a direct tune for the radio. With the melody of a Lindsay Buckingham composition, this track is mellow and tight with a nice melodic guitar solo. Wrapping the release is Boomerang, a strong rocker with a driving beat and ripping guitar lead. This is likely my favorite track on the release with it's strong British rock styling, no holds barred guitar style and excellent drum beat.  


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Monday, August 19, 2019

Wild Heart Records artist: Charlie Wooton Project - Blue Basso - New Release Review

I just had the opportunity to review the most recent release (August 23, 2019), Blue Basso, from Charlie Wooton Project and it's really good. Opening with funky rocker, Jaceaux, Wooton sets a terrific bass line with Keiko Komaki heating up the keys, Doug Winbish on bass and Jermal Watson on drums. Excellent opener. Rolling into a cool radio style R&B number, Arsene Delay has lead vocal on Reflections. Her vocals are sweet and float on the tune with glistening key work and jazzy guitar riffs by Daniel Groover. Come On Come Over has a great funky bottom, and instrumental style vocals, an aggressive bass line and a snappy drum line. One Night is a bluesy ballad with my favorite vocals by Delay. Anders Osborne sits in with a real nice guitar solo giving the track a bit more sting. Very nice. One of my favorite tracks on the release is Fulton Alley with really funky bass and guitar lines. This track, which really crosses over into fusion really humps. Excellent! Guitar wiz Sonny Lanreth steps up on Tell Me A Story and his wicked slide. Delay's vocals are deep and rich and with it's Latin framework, really cuts a nice swath. On Front Porch, an country style acoustic blues, Landreth is back and this time on resonator, paired with Wooton and Groover trading riffs. Very nice. Wrapping the release is the Rolling Stones, Miss You, with a hot New Orleans style drum line and really funky bass work from Wooton. Eric McFadden sets a melodic guitar lead trading off with Delay on vocal. As the track winds up it also winds out with a flurry of guitar riffs and that steady thumping bass line by Wooton. Very nice closer for a very cool release. 

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Monday, June 29, 2015

Ruf Records artist: Royal Southern Brotherhood - Don't Look Back - New Release Review

I just received the newest release, Don't Look Back, from the Royal Southern Brotherhood and it's a funky, reggae, soul and blues jam. Opening with I Wanna Be Free, a hot rocker with white hot guitar riffs from new members, Bart Walker and Tyrone Vaughan, and a solid bottom from Charlie Wooton and Yonrico Scott. Reach My Goal adds just a little funk and some cool B3 from Ivan Neville with an almost Doobies sound. Cyrille Neville, Walker and Vaughan blend nice vocally and Walker plays a fluid guitar solo making this an ideal radio track. A real nice bass intro by Wooten opens reggae infused title track, Don't Look Back, with Walker on banjo and nice percussion work from Neville and Scott. Hit Me Once has a light funky jazz sound with an R&B vocal style. This is a cool track and Neville's vocals hit! Walker and Vaughan trade some slashing riffs on this track enforcing this as one of my favorites on the release. The Big Greasy has a slippery funk style with a contagious bass line from Wooton and a hot key solo from Neville. Hard Blues has a nice swagger courtesy of Wooton and Scott and Neville's vocals balance well with the stinging guitar riffs of Walker. Better Half brings it way down for a super sweet southern soul track. This is likely my favorite track on the release with a Luther Ingram feel. Excellent! Penzi has a cool Caribbean feel with excellent percussion and a great bass line holding the bottom. Walker adds a light Spanish feel with stylistic mandolin playing. Another track with broad airplay potential. It's Time For Love has a smooth soulful jazzy feel with nicely phrased guitar riffs and silky vocal lead. Bayou Baby is a really smokey track with red hot slide work. This track has a infectious groove that really gets you... try to just play it once! Excellent! Poor Boy is a R&B flavored rocker with a hot bass line. Vaughan lays out a cool guitar riff complimenting cool, Bobbie Tench like vocals. Nice! They Don't Make Em Like You No More gets into the Tower of Power range with sax work from Max Abrams and Jimmy Hall as well as trumpet from Paul Armstrong. Funky wah wah guitar riffs give this track an edge and plucky bass riffs by Wooten push it on! Nice! Come Hell Or High Water has a really strong melody and maintains an almost Isley Brothers R&B feel. Another track that could easily garner broad radio play, vocals are warm and guitar riffs rich. Wrapping the release is Anchor Me, a quiet acoustic ballad. Coming out with the big guns and retiring with a quiet track, I really like this new release by RSB.

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Thursday, December 11, 2014

Royal Southern Brotherhood Takes the Sonic Highway to Muscle Shoals' FAME Studios



Royal Southern Brotherhood
Takes the Sonic Highway to Muscle Shoals’
FAME Studios
With New Guitarists
Bart Walker and Tyrone Vaughan



ATLANTA, GA - Ruf Recording artists, Royal Southern Brotherhood, are raising the ante as they roll into the legendary FAME Studios in Muscle Shoals, Alabama. The band has added fiery guitar slingers Bart Walker and Tyrone Vaughan to breathe new energy into their third studio release. The new blood is there to help the venerable Cyril Neville and powerhouse rhythm section Yonrico Scott and Charlie Wooton up the funk while maintaining the blues and rock that has brought Royal Southern Brotherhood (RSB) a growing, worldwide audience.


Click on photo to watch footage from the new line up!




The Brotherhood has toured incessantly over the last four years, canvassing the USA, Europe and Australia. The hard work paid off as RSB watched their fan base and notoriety swell. 2014 also saw RSB win a Blues Music Award for their live DVD, Songs From The Road.
Royal Southern Brotherhood has also been fortunate to have NOLA legend, Cyril Neville, featured in an episode of HBO’s “Sonic Highways” series. This is an 8-episode show that follows the Foo Fighters as they visit different towns they consider to be musically unique and important. Neville was a natural and charismatic fit to talk with Dave Grohl about the New Orleans sound. Their shared love of percussion and rhythms creates a chemistry that serves the show well.

Cyril provided some unique insight and stories about growing up in New Orleans along with Troy “Trombone Shorty” Andrews, telling Dave how Troy got his nickname. Neville detailed how Troy began playing at such a young age that the T-bone was actually taller than Troy. Although he is now a grown man, the nickname “Trombone Shorty” has stayed with him.

With this new spotlight on Cyril, he has been a part of the show’s promotional efforts, by being mentioned in the band’s interviews that have been taken to an international level, CNN, Rolling Stone, Anderson Cooper, CBS’ “60 Minutes”, etc. Dave Grohl has claimed Cyril Neville and NOLA to be his new crush.

As RSB began the task of recording their new CD, they knew they needed a historical, creative location to raise the bar. Choosing FAME was a no-brainer. The studio is located along the Tennessee River in Muscle Shoals, which may seem like a quiet, southern town, but it’s a lightning rod for creativity.
In 1960, FAME Studios opened its doors under the direction of Rick Hall. It wasn’t long before Rick had developed a talented and unique group of session players (and production staff). The sound these boys from northern Alabama created drew the attention of artists such as Wilson Pickett, The Staple Singers, Drive-By Truckers, Lynyrd Skynyrd, Paul Simon and Duane Allman. It’s been told, that Eric Clapton, wanted to know who was that playing on “Hey Jude”, by Pickett and that’s how he found ‘Sky Dog' (Duane Allman). The place oozes with musical history, vibe and creative juice that will energize RSB’s new endeavor.


Recently, RSB went into a local New Orleans studio to record some demos and work on the vital band chemistry with the new members, guitarists Bart Walker and Tyrone Vaughan. Bart and Tyrone fell into the Brotherhood quickly and added a spark that only change can bring. The results exceeded expectations.

Tyrone hails from blues royalty. When your father is Jimmie Vaughan and your uncle is the vaunted Stevie Ray (who gave Tyrone his first guitar at 5), it can be a blessing and a curse. A lot is expected from Tyrone before he hits the stage, so it takes courage to follow in the family business. Fortunately, Tyrone is unaffected by the adulation for his family, and developed his own gifted style and signature tone. Tyrone cut his own path by working his way up through the Austin (a town drenched in guitar heroes for the uninitiated) club scene in his teens, eventually packing clubs around Texas. Through hard work, studying the masters and a tip or two from the family, Tyrone has developed a soulful voice along with a guitar tone that mixes blues, rock and country. Tyrone’s description of, “in your face,” tone proves accurate when you hear him cut through any mix.

Bart Walker brings his own unique talents to RSB. As a Nashville native, it was natural for Bart to be affected by the country, bluegrass and gospel music that permeates the air. Bart, however, wanted more. Classically trained, Walker considered an offer to join a German opera company. However, his curiosity kept him searching for new music.

One day Bart wandered into a blues jam and realized he found his calling. Bart paid his dues playing in Mike Farris’ (Screamin’ Cheetah Wheelies) and Reese Wynan’s (Stevie Ray Vaughan) bands before landing his own deal with Ruf Records. His 2013 release, Waiting On Daylight, garnered both national and international acclaim. This attention gave Bart the cache to see a lot of the world via Ruf Records President’s, Blues Caravan Tour, which spotlights new talent to sizable audiences. Now a seasoned player, Walker was ready and able to join the Brotherhood. “Joining RSB was the best idea anyone had for me,” said the affable Walker.

Cyril Neville has long been considered New Orleans royalty for his stints in the Grammy Award winning Neville Brothers, Galactic and The Meters. The Meters opened for the Rolling Stones and have been on the voting ballot twice for nomination into the Rock and Roll Hall of Fame Museum. Neville’s career has spawned 45 some odd years and has included performances with music icons such as Bono, Joan Baez, Dr. John and Tab Benoit.

In 1989, Cyril penned, “Sister Rosa,” about the Civil Rights icon, Rosa Parks. Last year, USA Today honored Neville by choosing the song as one of the  most inspirational song about Martin Luther King’s, “I Have A Dream,” speech on the 50th anniversary of the historical oration given during the march on Washington (Parks was in attendance). “Sister Rosa” may not have had a change on the movement at the time, but Neville’s composition reminded a country of the thousands of souls that risked their lives to bring an end to a shameful tradition in the US.

The current line-up will hit the stage with Cyril Neville (of course) on vocals and percussion, Devon Allman and Bart Walker on vocals/guitars, and Yonrico Scott (drums) and Charlie Wooton playing bass. Many consider Scott and Wooton to be the best rhythm section working, and their skills have provided the foundation for RSB to up the funk. The band is still supporting their latest release, heartsoulblood” with dates throughout the winter and early spring months.

When the Brotherhood’s original guitarists, Mike Zito and Devon Allman decided to concentrate on their solo careers, the parting was amicable and most likely both Zito and Allman will join RSB on stage occasionally. This is because RSB is truly a brotherhood of like-minded musicians that love to work together. Some of the players may rotate (Cyril, however will always steer the ship) but the spirit is the same: write great songs and see where they take you. The chemistry, craftsmanship and artistry of the musicians will always ensure great music.

Devon’s last performance with RSB will be at the Wanee Festival in Live Oak, Florida. The show will take place in mid-April, so we ask you to still use the following photo for tour press coverage.
For information on the band’s tour dates and news, go to www.royalsouthernbrotherhood.com

Thursday, July 17, 2014

Ruf Records artist: Royal Southern Brotherhood - HeartSoulBlood

I just received the newest release, HeartSoulBlood from Royal Southern Brotherhood and it's smooth! Opening with World Blues, a swampy, funky rocker with underlying hot slide and guitar work from Mike Zito and Devon Allman. Cyril Neville adds a super percussion track giving the track tht extra spark. Rock And Roll is a classic rocker with driving guitar riffs and drum work by Yonrico Scott. Groove On has a jazzy feel and hints of Steely Dan. Warm vocal harmonies and a distinctive rhythm are the keys to this track. Nice twin guitar leads to cap the track add a bit of bite. Here It Is is built over a cool funky bass riff from Charlie Wooton. A very funky jam track to get you moving. Callous has a slow slinky bluesy feel and is likely my favorite track on the release. A romping bass line and raw guitar soloing really make this a standout track. Lead vocals on this track are also particularly effective. Ritual had a grinding rhythm guitar part and actually reminds me a bit of Joe Walsh with a metallic edge. A cool track for radio play with a good melody and just enough edge. Shoulda Known is a very well composed R&B style track. I particularly like the vocals on this track and think that it could be the gem of the release. Let's Ride has components of soul and metal but an overriding feel of southern funky rock... funky Lynyrd Skynyrd with vocal harmonies. Cool! Trapped takes a more laid back shot at rock with sonic guitar riffs added over a easy funk rhythm. She's My Lady oozes soul. Keeping the instrumental backing light the vocals are king on this track and nicely executed. Takes A Village features supple vocal lead over light percussion and vocal like slide work. Very nice! Wrapping the release is a jagged tempo intro leading into anthem like, Love And Peace. Cool stagger step rhythms breaking the uniformity of the chant like melody creates a nice duality to the track and dualing guitar leads with Zito and Allman make this another release favorite. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

Tuesday, November 19, 2013

Billy J - New Release Review

I just received the newest release (November 19, 2013), a self titled EP by Billy J and it's pretty cool. Billy is joined on the release by Yonrico Scott (Derek Trucks Band) on drums, Charlie Wooton (Royal Southern Brotherhood) on bass Jeremy Baum (Shemeka Copeland) on keys and Stephen "Buzzy" Krist on percussion. Opening with She's Mine, a country funk with a strong lean to Deep Purple's and Golden Earring, Billy J wastes no time in showing his guitar chops and arrangements by Dave Fields guarantee a tight package. On My Baby's Blue, a straight forward blues rocker, Billy styles a track that should easily fit into many playlists with a solid melody and contagious hook. She, a quiet ballad, sounds like it could have been written by Stevie Nicks and the articulated acoustic guitar work by Buckingham. This is another clever pop like track and again shows strong commercial potential. New Car takes a different street altogether showing flashes of Big Brother and Led Zeppelin. This is my favorite track on the release with contorted guitar riffs, a slow tempo and lots of heat. The EP is wrapped by Boomerang, a fast paced blues rocker. With tastes of Steppenwolf and Wilson Pickett, this is a slick trick and a cool ending to a hot little package.

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”