Little Village artist: Candice Ivory - When The Levee Breaks - New Release Review

 I just had the opportunity to review the most recent release, When The Levee Breaks, from Candice Ivory, and it's a updated rework of the music of Memphis Minnie. Opening with Me And My Chauffeur, Candice Ivory has a different kind of voice that I typically hear in contemporary blues singers but with plenty of sass. Joined by guitar/bass wizard, Charlie Hunter, Da Shawn Hickman on pedal steel and George Sluppick on drums this is a cool opener. I really like the application of African style percussion by Brevan Hampden and Atibe Rorie on You Can't Rule Me continuing throughout the track with Kickman on steel and Sluppick, all supporting to focused vocal of Ivory. When You Love Me has a more traditional feel with Hunter on finger picked guitar and Ivory just singing from the heart. Very nice. One of my favorite tracks on the release is funk soaked World Of Trouble. Not only does Hunter and Hickman really get this thing going and potent percussion backing but Ivory digs deep really punching it out. Excellent! Wrapping the release is New Bumble Bee with a super staggering drum rhythm and rich vocal work by Ivory with just the right guitar underpinnings by Hunter. I think this release is well done and enticing. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Little Village artist: Nic Clark - Everybody's Buddy - New Release Review

 I just had the opportunity to review the most recent release, Everybody's Buddy, by Nic Clark and it's strong. Opening with lazy shuffle, Laughing At The Rain, Nic Clark shows a warm voice, backing himself on dobro and accompanying himself on harmonica. Joined by Charlie Hunter on guitar and bass and George Sluppick on drums, this track has definite air potential. With an R&B feel, It'll Be Alright sounds like it's out of Sam Cooke's songbook. Harmonica, nicely phrased, warm vocal lead, Hunter's bass line and Sluppick with rimshots makes this a really nice track. Showing Jimmy Reed style on Don't Count Yourself Out, Clark's vocal and harmonica really solidify as the most focused up tempo blues track on the release with Hunter and Sluppick just adding the bottom for Clark's work. Very nice. My favorite track on the release, How I Met The Blues really is a showcase for Clark's vocal and harmonica work with some beautiful guitar chords by Hunter over his own bass line and the simple percussion of Sluppick. Strong. Title track, Everybody's Buddy, has an acoustic "country blues" feel with Clark on vocal and harmonica and nicely overlaid pedal steel work by DaShawn Hickman. Wrapping the release is folky, Breathe Slow with Clark on vocal and dobro and backing vocal by Wendy Hickman. Solid closer for a cool change of pace release. 

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

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Little Village artist: Tia Carroll - You Gotta Have It - New release Review

I just had the opportunity to review the most recent release, You Gotta Have It, from Tia Carroll, and I really like it. Opening with Neo soul track, Ain't Nobody Worryin' Tia Carroll really has this release humming from the start. With guitar phenom, Charlie Hunter handling bass and guitar (at the same time) D'Mar on drums, Jim Pugh on organ and Carroll on lead vocal with James Walter and Dwayne Morgan on backing vocals, this track is hot. Carroll's vocals are so soulful on Even When I'm Not Alone, it makes you sweat. With Pugh's organ work, Kid Andersen on guitars, Steve Ehrmann on bass and Paul Revelli on drums, a strong track. With real blues swagger, Mama Told Me plays into the power of Carroll's voice with Andersen laying in some stinging guitar riffs over the power horns work of Mike Runta on trombone, Rob Sudduth on tenor sax, and Aaron Lington on bari sax. Excellent! Wrapping the release is Why Am I Treated So Bad with it's dark soulful sound. With a daunting bass line by Ehrmann and the power horns of Rinta, Sudduth, Lington and Lewis, supporting Carroll's strong vocals and a cool key solo by Pugh, this is a terrific closer for a terrific release.

 


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Charlie Hunter Tour Info - FREE DOWNLOAD!

UPCOMING TOUR DATES It's that time of year again and Charlie is BACK in the Bay Area! Accompanied by Scott Amendola on drums, the duo will be hitting spots all over the Bay Area, including a very special seated show at The Independent. Don't miss opener Bhi Bhiman who will kick off the night in Petaluma, Sac, SF, SLO, and Santa Barbara! For more details and to purchase tickets, please see below.

CHARLIE HUNTER SOLO 'PUBLIC DOMAIN' Not since Solo Eight-String Guitar a decade ago has Charlie made a recording of just him and his guitar. This time, he's down to 7-strings and is performing songs that are all public domain. The songs were all hand-picked by Charlie's grandfather! "I was into doing a solo record for some time and just hit on the public domain idea. I figured I'd ask someone who actually remembered the tunes from his youth: My grandfather, Sidney Greenman. He was born in 1911 (yep, he's 99). He helped pick the tunes for me. I recorded this in a day at The Bunker Studio in Brooklyn. Everything is live, there is no editing. Hope you like." The album is aptly titled Public Domain. Pick up an exclusive CD copy only available here! It is also available for download at iTunes and all major digital distribution retailers. Also pick up both a t-shirt and 'Public Domain' CD for a discounted price in Charlie's Store. DOWNLOAD FREE MP3 from 'PUBLIC DOMAIN' "Limehouse Blues"

CHARLIE HUNTER TOUR DATES 2011 DEC 8, 2011 DANA STREET ROASING COMPANY w/ Scott Amendola (drums) MT. VIEW, CA INFO SOLD OUT DEC 9, 2011 MYSTIC THEATER w/ Scott Amendola (drums) PETALUMA, CA INFO TICKETS DEC 10, 2011 HARLOW'S w/ Scott Amendola (drums) SACRAMENTO, CA INFO TICKETS DEC 11, 2011 THE INDEPENDENT w/ Scott Amendola (drums) SAN FRANCISCO, CA INFO TICKETS DEC 12, 2011 KUUMBWA JAZZ CENTER w/ Scott Amendola (drums) SANTA CRUZ, CA INFO TICKETS DEC 13, 2011 SLO BREWING CO. w/ Scott Amendola (drums) SAN LUIS OBISPO, CA INFO TICKETS DEC 14, 2011 SOHO w/ Scott Amendola (drums) SANTA BARBARA, CA INFO TICKETS DEC 16, 2011 THE MINT w/ Scott Amendola (drums) LOS ANGELES, CA INFO TICKETS DEC 17, 2011 THE MINT w/ Scott Amendola (drums) LOS ANGELES, CA INFO TICKETS

If 6 Was 9 - Charlie Hunter

Think you've seen it all...note that there isn't a bass player...this guy is doing it all.

First coming to prominence in the early 1990s, Hunter has recorded 17 albums. Hunter plays custom-made seven and eight-string guitars, on which he simultaneously plays basslines, rhythm guitar, and solos. Critic Sean Westergaard describes Hunter's guitar technique as "mind-boggling ... he's an agile improviser with an ear for great tone, and always has excellent players alongside him in order to make great music, not to show off."

Shown here is a custom "Charlie Hunter" model by Novax Guitars.
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