CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com
Showing posts with label Larry Taylor. Show all posts
Showing posts with label Larry Taylor. Show all posts

Wednesday, December 27, 2023

Nola Blue Records artist: Larry Taylor and the Taylor Family - Generations of Blues: West Side Legacy - New Release Review

 I just had the opportunity to review the most recent release, Generations of Blues: West Side Legacy, from Larry Taylor and the Taylor Family and it's strong. Opening with She Treat Me Just The Same, Larry Taylor on lead vocal and drums leads the way. With a bluesy R&B feel, he sets a solid drum line, joined by Joe B. Brinson on guitar, Abraham Avery on bass, Barrelhouse Bonni on keys and hot sax work by Ronnie G. Solid opener. Demetria Taylor steps up to the mic on Bad Girl, a nice shuffle and she's the perfect leader for this track. Her vocals are sassy and tight, backed by Eddie Taylor Jr on guitar and Ronnie G. on sax and Duke Harris on keys.  Brenda Taylor is featured on lead vocal on I Found Out with Jerry-O Mansfield on guitar and Ronnie G on sax. This is a strong track with a great balance between Brenda and Ronnie. Demetria is back up front on funky, You Belong To Me. This is one of my favorite tracks on the release with a hot sax solo by Ronnie G. I Paid My Dues is another track featuring Larry upfront on vocal and his style and presence carries this track nicely with an almost Albert King like feel. With wailing sax work by Ronnie, solid piano by Bonni and Brinson on guitar, this track is another showpiece. Wrapping the release is slower blues, Larry and Eddie Jr. Groove (Blues In The Rain), Eddie Jr. has the guitar lead with Matthew Skoller on harmonica. Larry keeps the bottom tight on drums with Michael Sleepy Riley on bass. This is a solid release packed with talent. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode 

 “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Monday, July 1, 2013

Delmark Records artist: Tail Dragger - Stop Lyin' - New Release Review

I just received the newest release of Tail Dragger's work, Stop Lyin' which was recorded in 1982 but never released, and I have to say I believe that it his best work to my ear. Opening with So Ezee, with Jimmy Dawkins on guitar and Little Mack Simmons on harp. A classic Chicago track, Burks really plays some nice riffs on harp and TD is in good form. Lafayette Leake is also a standout on piano on this track. Where Did You Go is a strong slice of "Smokestack Lightning" and a terrific track with solid vocals from TD. Ain't Gonna Cry No Mo is a terrific slower blues track featuring Johnny B Moore and Jesse Lee Williams on guitars, Willie kent on bass, Larry Taylor on drums and Eddie Jewtown Burks on harp. Solid harp and guitar work punctuate this track. Don't You Want A Good Man follows along the lines of Trouble No More and Moore shines nicely on this track. On classic TD track, My Head Is Bald, Jimmy Dawkins and Leake are again present with Little Mack Simmons on harp. Alabama Bound has a Elmore James feel featuring Moore on slide guitar. TD again shows how he got his reputation as a singer with a strong vocal outing. Another of my favorites on the release is Don't Trust Yo Woman, another track strongly affected by Wolf ... the strong rhythmic structure being accented by stinging guitar riffs. Please Mr Jailer has solid roots to Muddy and Moore again steps forward with some real nice guitar riffs. Stop Lyin', with a Muddy style gets a really great groove going and cool slide work from Moore. The release is capped by an interesting description of the immediate blues environment at the time. This is a cool release and certainly the most enjoyable Tail Dragger release that I have heard in a few years. If you like TD as a vocalist and you like Chicago blues, this is more than just another collectors only edition but a strong set to hear.  

If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”