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Showing posts with the label J.T. "Funny Paper" Smith

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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Good Coffee Blues - J.T. "Funny Paper" Smith

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J.T. "Funny Paper" Smith was a pioneering force behind the development of the Texas blues guitar style of the pre-war era; in addition to honing a signature sound distinguished by intricate melody lines and simple, repetitive bass riffs, he was also a gifted composer, authoring songs of surprising narrative complexity. A contemporary of such legends as Blind Lemon Jefferson and Dennis "Little Hat" Jones, next to nothing concrete is known of John T. Smith's life. Assumed to have been born in East Texas during the latter half of the 1880s, he was a minstrel who wandered about the panhandle region, performing at fairs, fish fries, dances, and other community events (often in the company of figures including Tom Shaw, Texas Alexander, and Bernice Edwards). Smith settled down long enough to record some 22 songs between 1930 and 1931, among them his trademark number "Howling Wolf Blues, Pts. One and Two"; indeed, he claimed the alternate nickname "Howli...