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Showing posts with the label Jimmy Yancey

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💿 ALBUM REVIEW: D.K. Harrell - Live Your Dream - Talkin' Heavy

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Guitarist, vocalist and songwriter D.K. Harrell , one of the most formidable young stars of the current blues resurgence , sounds like no one else on the scene today. With his stinging, single note string bending, deep soul vocals, and attention grabbing original songs, the 27 year old Harrel - a major draw at blues festivals around the world is already in a league of his own.  🎵 LISTEN & SUPPORT THE ALBUM (Click the Track Number) ▶ Listen to Album Samples - Click the track number (Click to Expand) Add this Record to Your Collection Available in CD/Vinyl and Digital Formats. 🛒 Buy Album on Amazon Store As an Amazon Associate, Bman earns from qualifying purchases. The Deep Dive Bursting into the release with a stinging guitar intro on A Little Taste , D.K. Harrell has a no holds barred approach with trem bends that will set you shaking. His vocals are...

Midnight Stomp - Jimmy Yancey

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James Edwards "Jimmy" Yancey (February 20, 1894 – September 17, 1951) was an African American boogie-woogie pianist, composer, and lyricist. One reviewer noted him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style" Yancey was born in Chicago in (depending on the source) 1894, or 1898. His older brother, Alonzo Yancey (1894 – 1944) was also a pianist, while their father was a guitarist. Yancey started performing as a singer in traveling shows during his childhood. He was a noted pianist by 1915, and influenced younger musicians, such as Meade Lux Lewis and Albert Ammons. While he played in a boogie-woogie style, with a strong-repeated figure in the left hand and melodic decoration in the right hand, his playing was delicate and subtle, rather than hard driving. He popularized a left hand figure which became known as the 'Yancey bass', and was later used in Pee Wee Crayton's "Blues After Hours", Guitar Slim's ...

South Side Stuff - Jimmy Yancey

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James Edwards "Jimmy" Yancey (February 20, 1894 – September 17, 1951) was an African American boogie-woogie pianist, composer, and lyricist. One reviewer noted him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style" Yancey was born in Chicago in (depending on the source) 1894, or 1898. His older brother, Alonzo Yancey (1894 – 1944) was also a pianist, while their father was a guitarist. Yancey started performing as a singer in traveling shows during his childhood. He was a noted pianist by 1915, and influenced younger musicians, such as Meade Lux Lewis and Albert Ammons. While he played in a boogie-woogie style, with a strong-repeated figure in the left hand and melodic decoration in the right hand, his playing was delicate and subtle, rather than hard driving. He popularized a left hand figure which became known as the 'Yancey bass', and was later used in Pee Wee Crayton's "Blues After Hours", Guitar Slim's ...

Rolling The Stone - Jimmy Yancey

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James Edwards "Jimmy" Yancey (February 20, 1894 – September 17, 1951) was an African American boogie-woogie pianist, composer, and lyricist. One reviewer noted him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style" Yancey was born in Chicago in (depending on the source) 1894, or 1898. His older brother, Alonzo Yancey (1894 – 1944) was also an pianist, while their father was a guitarist. Yancey started performing as a singer in traveling shows during his childhood. He was a noted pianist by 1915, and influenced younger musicians, such as Meade Lux Lewis and Albert Ammons. While he played in a boogie-woogie style, with a strong-repeated figure in the left hand and melodic decoration in the right hand, his playing was delicate and subtle, rather than hard driving. He popularized a left hand figure which became known as the 'Yancey bass', and was later used in Pee Wee Crayton's "Blues After Hours", Guitar Slim's ...