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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

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Showing posts with label Charlie Love. Show all posts
Showing posts with label Charlie Love. Show all posts

Monday, September 29, 2014

Blue Kitty Music artist: Liz Mandeville - Heart 'O' Chicago - New Release Review

I just received the newest release. Heart 'O' Chicago from Liz Mandeville and it's quite cool! Opening with Cloud Of Love, a blend of soul, R&B, funk and gospel; I really like the feel! Featuring sax solo's from Oz Landessberg and Eddie Campbell as well as a cool trombone work from Eric Campbell and hot bass from Darryl Wright, this smokes. On These Blues, the band falls back into a calm swing and Mandeville goes from a hot spiritual vocal style to more of a club jazz style. Minoru Wright on guitar and Joan Gand share the instrumental spotlight backed by Wade baker on trumpet, Eric campbell on trombone and Oz Landessberg on sax and the slick stick work of Jeremiah Thomas on drums. Don't Doubt My Love finds Charlie Love in a vocal duet with Mandeville on an easy R&B track. Maruyama lays down a nicely stylized guitar solo on this track which nicely dresses it. So Called Best Friend has a cool groove set by Wright and Thomas and featuring Mandeville on vocal. Billy Branch lays down some real nice harp on this one as does Maruyama with his stinging guitar riffs. Quit Me On Voice Mail has a real nice slow sensibility. Eddie Shaw digs in on this track showing some of his best chops on anything I've heard in a while. Mandeville shows real comfort moving from the slow ballad to the moving R&B and high energy spiritual. Maruyama again steps up with sweet sweet blues riffs. Very nice! Shuffle track, Party At The End Of Time, lead by a rolling bass line from Wright, features Branch back on harp and a cool solo line from Maruyama. Silver Lining (Shirley's Blues) is a cool R&B track again with gospel energy. I have always liked this style of track and mandeville's voice is nicely suited for this. I really dig Wright's bass work on this track and well articulated guitar work from Maruyama is tops. Baker, Campbell, Landessberg and Gand really get this track swinging! Tic Tok has more of a Rock/R&B feel with strong horn backing and nice B3 work from Gand. Why Would A Woman Sing The Blues is a high stepping track with a super nice groove. Mandeville takes one of the most aggressive, raw guitar solos on the release immediately elevating it to one of my favorites. Smart Women Foolish Choices again features a vocal duet with Charlie Love and Mandeville. A slick modern shuffle, features really nice bass work again from Wright and a cool trumpet solo from Wade Baker. (Life Is Like A) Wave takes standard 12 bar format and features Dizzy Bolinski on harp. Mandeville steps up with a little blues swagger of her own on guitar in tandem with Bolinski for a simple conclusion to a very cool release.

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Monday, February 11, 2013

Uptown Bumps

Adolphe Paul Barbarin (May 5, 1899 – February 17, 1969) was a New Orleans jazz drummer, usually regarded (along with Baby Dodds) as one of the very best of the pre-Big Band era jazz drummers. He studied under the famed drummer, Louis Cottrell, Sr. Paul Barbarin's year of birth is often given as 1901, but his brother Louis Barbarin (born 1902) said he was quite sure that Paul was several years older than he was, and Paul Barbarin simply refused to answer the year of his birth in an interview at Tulane's Jazz Archives. From the late 1910s on, Barbarin divided his time between Chicago, New York City and New Orleans, and touring with such bands as those of Joe "King" Oliver, Luis Russell, Louis Armstrong, and Henry Red Allen. From the 1950s on he usually led his own band. He, along with Louis Cottrell, Jr. founded and led the second incarnation of the Onward Brass Band from 1960 to 1969. Barbarin was an accomplished and knowledgeable musician, a member of ASCAP, and the composer of a number of pop tunes and Dixieland standards, including "Come Back Sweet Papa", "Don't Forget to Mess Around (When You're Doing the Charleston)", "Bourbon Street Parade", and "(Paul Barbarin's) Second Line". Paul Barbarin died on February 17, 1969 while playing a New Orleans Mardi Gras parade. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, ”LIKE” ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorite band!