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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

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Showing posts with label Andrew Keeling. Show all posts
Showing posts with label Andrew Keeling. Show all posts

Thursday, January 27, 2022

Noisy Records artists: Cross and Keeling - October is Marigold - New Release Review

 I just had the opportunity to review the most recent release, October is Marigold, by David Cross and Andrew Keeling. This is a very interesting release spanning classical, rock, progressive and even eurojazz. Cross, who has played violin with King Crimson and Keeling who has collaborated with Robert Fripp are together for their second composition as a follow up to their earlier 2009 release, English Sun. This is largely improvised music so more difficult to describe in a traditional way, but it is mind expanding and enjoyable and should be viewed as a singular piece of music with many interwoven movements... so here goes. Opening with Marigold 1, Keeling on piano presents a simple piano structure composed of two chords and Cross plays a beautiful melody on Violectra. Very nice. On title track, October is Marigold, Kelling again constructs a structure on keyboard but then interweaves layers of flute.  As the theme progresses, Cross adds electric violin to the weave for a complex yet stimulating composition. On Strong as a Mountain Lion, Keeling plays a loose melody on flute, almost nature like, with Cross interjecting complimentary electric violin lines, making for an almost obtuse yet congruous environment of music. Returning again to a Marigold theme (Marigold 2) Cross' cello like playing is rich and welcoming with only the least amount of piano structure. Another section of "call and response" with Ever Nearer and Marigold 3 reinforces the earlier theme and gets progressively more rich as the music develops. The Spiking Darts That Were Trees is the most aggressive of the movements with abstract concepts and distorted looping creating even more interest. Wrapping the composition is The Dark Edge of Desire and Marigold 4 with a bottom of Cross' violin created texture and Keeling on guitar arpeggiating in a staggered stair stepping manner. The intensity continues to grow as Keeling adds piano structure and Cross adds firm Violectra strokes for a powerful, loosely constructed melody... ultimately winding down with another Marigold 4 movement and rich cello like melody. This is an adventurous piece and one that I thoroughly enjoyed. 

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