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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Tech Talk - Gibson GA-90 (1956)

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A "Revelation in Rythm" - the GA-90 was introduced alongside Gibson's first electric bass - the violin-shaped EB-1. Finished in dark brown "buffalo-grained" leatherette. The amplifier features six 8 inch speakers, strangely enough it may seem. The confined throw of a speaker from that period combined with a small cone area makes it less appropriate for deep bass reproduction. Just adding more speakers won't do the job. This amp was designed by Seth Lover to rid the problem of the large single coil pick-up for the new bass guitar that "would make a god-awful hum" when it got to close to the amplifier. Later he would try solving this problem by designing the "humbucking" pickup. Top mounted preamp with control panel and a bottom mounted chassis for the main amp. 25 watts output. Speakers 6-8" Inputs (instr. + mic.) 2+2* *hi-gain sw. 2 Channels 2 Volume Controls 2 Bass, treble for ea. ch. No Tubes 8 Preamp...

Tech Talk - Gibson GA-40 (1957)

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Surprisingly, the GA-40 wasn’t Gibson’s most powerful amp of the time, contrary to the kind of firepower that you might think the powerful Les Paul Standard demanded. But remember, the Les Paul wasn’t designed to be the blues-rock and heavy-rock monster that it would prove itself to be in the mid ’60s and beyond. It was originally designed as a solidbody alternative for jazz and pop players, guitarists much like its namesake, and for this market, Gibson deemed a pair of lower-powered 6V6 output tubes and a conservative 14 to 16-watt rating absolutely adequate. Don’t believe for one second, however, that this diminutive rating means a GA-40 can’t roar when you want it to: these are real fire breathers, truly scorching when you crank them up, and a lot louder, too, than that output rating might imply. If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking ...

Tech Talk - Gibson GA-20 (1956)

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Gibson GA20 (1955) Speaker Config: Jensen P12R Wattage: 12w Tube Setup: 5Y3, 2x6V6, 12AY7s If you like what I’m doing, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

Tech Talk - Gibson GA-6 (1954)

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GA-6 (tweed) 10-14W 2x12" Guitar Combo (identical to the GA-14 Titan except for the 12" speaker) Speakers: 2x12" Inputs (instr. + mic.): 2+2 (tweed) Channels: 2 Volume Controls: 2 Tone Controls: 1 Tremolo: No Tubes: 5 (2x12AX7, 2x6V6, 5Y3 or (newer version) Pre (2x7025), Pow (1x6V6 PAIR + 5Y3)) Watts Output: 10-14 Shipping Totals: See GA-6 (two-tone) Harmony Central Review GA-6 Schematic with 2x12AX7, 2x6V6, 1x5Y3 For info on and pics of the Gibson GA-6 Interim Model see Miles O'Neal's web-site. This amp replaced the BR-6. The circuit is identical to that of the GA-14. (www.drtube.com, March 28, 2003) Push-pull 6V6s; like a Fender 5D3/5E3 Tweed Deluxe; cross between the two Fender circuits

Tech Talk - Gibson GA-30 (1948)

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Here's our daily amp video. These old Gibson amps can really have an interesting sound. Designed to be played with a humbucking pickup they are totally different from a fender based design. Gibson GA-30(1948) 15Watts 1x8" & 1x12" speaker Built some two years after Django's 1946/7 American Tour this amp is barely comparable to that which was used by Django to be heard adequately while the Duke Ellington Orchestra wailing alongside him. His must have been a special and who knows perhaps a prototype issued by Gibson to support their Gibson ES300 Guitar used by Reinhart throughout the tour. He wasn't well received by the Ellington Fans who were more than discontent if the band remained silent but for a few riffs and a crescendo during his sets. Django was lone figure without his usual support and Ellington had not written anything special for his unique talents, but there again Django new nothing of Key's or reading Music Notation, didn't speak ...

Tech Talk - Vintage Amp Gibson GA8

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Another coll small amp for guitar or harp: GA-8 Discoverer (Crestline) 15W 1x12" Guitar (Harp?) Combo Speakers: 12" (Jensen) Inputs: 2 Channels: 1 Volume Controls: 1 Tone Controls on Each Channel: Bass, treble Tremolo: No Reverb: No Tubes: 5 (6EU7, 6C4, 2x6BQ5, 6CA4 (correspond to Epiphone EA-35 Devon)) Diodes: 0 Extension Speaker Jack: Yes Monitor Jack: Yes Watts Output: 15 Shipping Totals: 1962: 841, 1963: 188