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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Georgie Bonds. Show all posts
Showing posts with label Georgie Bonds. Show all posts

Wednesday, December 16, 2015

Roadhouse Redemption Records artist: Georgie Bonds - Hit It Hard - New Release review

I just received the newest release, Hit It Hard, from Georgie Bonds and it's a mover! Opening with Pickin' Your Bones,the band is hitting it hard with Buddy Cleveland on harp, Andy Haley on drums, Walter Runge on organ and Neil Taylor on guitar, Bond is leading the way on lead vocal. Great opener. Funky, Let's Get Down, has a great groove with Runge on piano backing Bonds' lead vocal and Vanessa Collier and Dave Renz trading sax solos. Corey Paternoster and Haley jazz it up a bit with some jazzy rhythms as well. Sentenced To The Blues is a solid down the middle slow blues and has the best of Bonds' vocals. Runge's organ work creates tension in the track, Cleveland lays out a really nice harp solo and Taylor hits a stiff guitar solo of his own. Very nice! Shuffle track, Not Tired Of Living, has an almost Elvin Bishop strut. Bonds has a cool swing and Taylor's guitar work, coupled with Cleveland's harp highlights leads to a full group chorus by Cleveland, Collier, Gina Burnett and Mike Bardzik. Come Back Baby is a blues fused rocker with a great bass line from Prince. Bonds vocals are inspired and Cleveland trades harp riffs with Runge on piano for a cool track. Ballad, The Soul Of A Man, is a really nice composition with Bonds' solid vocal work trimmed by Cleveland on harp. The use of Wurlitzer by Runge on this track was a nice choice accenting the feel of the track. Taylor plays a nicely articulated solo of his own giving the track a blusier feel. Very nice. Butter Your Biscuit and a cool shuffle with Bonds' vocal just off the beat. I really like when someone does this well and Bonds hits it perfectly. Taylor steps up with some of his coolest riffs on the release and Cleveland lays it out flat, backed by Runge on keys making this one of my favorite tracks on the release. Deadly Poison has a cool back beat and nice bass lines by Prince. Again, Runge chooses Wurlitzer for the perfect effect and Bonds, working with Collier and Matecki get the vocals spot on. Lumbering blues, Paid Vacation, sets a nice pace and solid bass lines by Prince and the freewheelin' vocals by Bonds really opens the door. Harp work by Cleveland and guitar work by Taylor makes this a super track. R&B track, Blues Job, is quick paced and reinforced by the sax work of Renz and Collier. Taylor steps up with some nice fluid guitar riffs on this track and ultra sassy sax lines make this another of my favorites on the release. Wrapping the release is Another Year, a quiet ballad featuring soft blending of Taylor's guitar work, Bonds vocals and Cleveland's harp. This is a nice conclusion to a cool release.
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Friday, November 28, 2014

BGB Music, Inc. artist: Georgie Bonds - Stepping Into Time - New release Review

I just received the newest release, Stepping Into Time, from Georgie Bonds and it's smooth. Opening with the classic St. James Infirmary, Georgie Bonds, singing a capella establishes himself immediately as a solid soulful vocalist. Joined on The Blacksmith, a Robert Johnson rooted blues track with cool rhythm and slide work from Neil Taylor as well as Kenny Githens on bass,Andy Haley on drums, Walter Runge on organ and with a gritty harp solo from Buddy Cleveland this is a real nice track. On swing jazz track, What More?, Bonds really takes the track for a ride and sax work from Dave Renz adds a heavy warmth. Harry Jacobson whips down a slick guitar solo as well. On New Orleans influenced Lord, Oh Lord Haley and Runge really set the tempo and Buddy Cleveland punctuates Bonds fine vocal work. Daily News is a bluesy ballad and Bonds is certainly up to the soulful task. Neil Taylor plays a well heeled guitar solo over the solid organ work of Runge and still regiment of Haley. Very nice! On funky organ track Dyin' Is The Easy Way, Runge and Joey Stout on piano set a nice pace. Bonds is certainly up to the challenge, James White plucks some fine bass riffs and Taylor rips it wide open with a screaming guitar solo. Another strong soul ballad, Calling Your Name is a cool spotlight for Bonds on vocal. A slow dancer this track has basic backing from Runge on piano and Haley on drums. Kicking it up to full funk blues, Going Shopping is pushed along by funky riffs by Taylor, Haley, and Kenny Githens on bass. One of the hottest tracks on the release it features a cool organ solo from Runge and nicely articulated solo from Taylor as well. A fine slow blues, Out Of The Fryin' Pan gives Bonds to really show his blues vocal chops. Taylor lays up a nice guitar solo heavily supported by Runge and Stout on keys. James White is tight on bass and Haley never misses a beat. I Need Somebody is a funky rocker with a Bonds on top and cool harp additions by Cleveland. On Hurricane Blues, Taylor rips some pretty hot riffs supporting Bonds solid vocals and cool bass riffs from Githens. Wrapping the release is John Lee Hookers, Dimples, with a bit more polish than Hooker but still with a nice rawness and broken delivery. I like Russ Joels drum work on this track and think Taylor does some of his most aggressive yet bluesy guitar work complimented by Cleveland on harp and bringing out the rawest vocal delivery by Bonds on the release. A rudimentary delta style track with harp and acoustic guitar take it home. Very Nice!

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