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Showing posts with the label Henry "Rufe" Johnson

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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Boogie, Baby - Henry "Rufe" Johnson

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Henry Johnson was born in Union County, S.C. near the towns of Union and Jonesville on December 8, 1908. He was inspired to play guitar by a cousin by the name of Thelman Johnson as well as local man by the name of J.T. Briggs. He also was inspired by recordings on 78 RPM by Blind Lemon Jefferson, Blind Blake & Blind Boy Fuller. Johnson soaked up a lot of styles in his youth by local string bands as well as gospel artists that he heard in live performances. (One artist was Blind Gussie Nesbitt). Around 1933 he also took up playing the piano hearing local artists on the instrument such as "Come By" Shelton & Tommy Foster. All of these influences made him a multi-instrumentalist playing finger-picking as well as slide guitar styles, piano and he also picked up harmonica along the way. A buried treasure, he wasn't heard until early white blues enthuasists chanced upon him in the early 1970's. Johnson recorded a full-length album for Trix in 1973, and a few live r...