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Showing posts with the label Arthur 'Big Boy' Crudup

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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Delmark Records artist: Arthur Big Boy Crudup - Sunny Road - New Release review

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I just received the latest release, Sunny Road , by Arthur Big Boy Crudup and it's a smash! This is an unreleased studio release from 1969 and what a gem. This is real blues at it's finest, opening with title track, Sunny Road , a stripped down no frills blues track and Crudup on vocal and guitar sounding just like you'd want a real bluesman to sound and Willie Big Eye's Smith on drums. On Please Don't Leave Me With The Blues , Mike Thompson joins on guitar and Mark Thompson on bass. Crudup holds the spotlight but is backed by Jimmy Dawkins and the complement of Dawkins guitar riffs with Crudup's vocal timbre with his phrasing is killer. Trying To Take Me For A Ride has the sound that real rock came from. This is nicely composed without adornment but just showing the man and his band. On She Gives Me A Thrill , Dawkins takes another distinctive guitar solo and creates cool guitar filler throughout this track but really it's Crudup's delivery that reall...

Delmark update - Eddie C. Campbell / Arthur Big Boy Crudup

Eddie C. Campbell suffers stroke and heart attack. Sad news about our dear friend Eddie C. Campbell from our friend Dick Shurman : "Send your kind thoughts and prayers to Chicago bluesman Eddie C. Campbell , who suffered a stroke and heart attack in Germany last weekend. He's improving, but it's going to be a hard road back. His wife Barbara is doing a good job from afar of staying on top of things but any support, if only in thought, is appreciated." We know it will be a long road to full recovery, but we also know Eddie C. Campbell is a very strong man, inside and out, physically and mentally, and a very positive, beautiful, and determined man who will triumph over this unfortunate health setback.  Eddie C. will go visit that "Spider Eatin Preacher" to alleviate his "Mind Trouble" and say "That's When I Know" his "Hopes and Dreams" will come to fruition, and everything "Gonna Be Alright"...

My Baby Left Me - Arthur 'Big Boy' Crudup

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Arthur "Big Boy" Crudup (August 24, 1905 – March 28, 1974) was an American Delta blues singer, songwriter and guitarist. He is best known outside blues circles for writing songs such as "That's All Right" (1946), "My Baby Left Me" and "So Glad You're Mine", later covered by Elvis Presley and dozens of other artists. Arthur Crudup was born in Forest, Mississippi, United States. For a time he lived and worked throughout the South and Midwest as a migrant worker. He and his family returned to Mississippi in 1926. He sang gospel, then began his career as a blues singer around Clarksdale, Mississippi. As a member of the Harmonizing Four he visited Chicago in 1939. Crudup stayed in Chicago to work as a solo musician, but barely made a living as a street singer. Record producer Lester Melrose allegedly found him while he was living in a packing crate, introduced him to Tampa Red and signed him to a recording contract with RCA Victor's Bluebi...