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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!

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Showing posts with label Memphis Rent Party. Show all posts
Showing posts with label Memphis Rent Party. Show all posts

Friday, April 13, 2018

Fat Possum: Memphis Rent Party - Soundtrack to Robert Gordon's Book - New Release Review

I just had the opportunity to review Memphis Rent Party, the soundtrack to Robert Gordon's 6th book, and it's excellent. Opening with a ragged but remarkable rendition of Guy Clark's Desparados Waiting On A Train by Jerry McGill. Backed by Mud Boy and the Neutrons, this is subtly terrific with excellent piano and slide work under McGill's haunting vocals.  On Chevrolet Luther Dickinson and Sharde Thomas exchanging lead vocals and playing fife vs slide backed by snappy marching like snare drums and powerful bass drums strokes.  Junior Kimbrough is up next with his trademark sound on All Night Long, recorded in Kimbrough's living room in the middle of a cotton field in 1986. Very cool. Another unmistakable sound is the sound of Furry Lewis' vocals with his own slide guitar on Why Don't You Come Home Blues, recorded in his living room in the 60's. How does it get any better than this? The surprise track for me was Calvin Newborn on Frame for the Blues, a sophisticated jazzy blues entry. Newborn's blues guitar phrasing is subtle but innovative coupled with flute and a solid backing. Very very nice!   Jerry Lee Lewis rolls out Harbor Lights with his unmatched rocking piano work. The Fieldstones, live at Green's Lounge in South Memphis, grind out Little Bluebird, a slow gripping blues number. Mose Vinson does a real nice barrelhouse piano boogie, Same Thing On My Mind, with clarity and real feel. Very cool. Charlie Feathers contributes Cajun flavored country track, Defrost Your Heart with pure style and grace. Wrapping the release is Jim Dickinson on I'd Love to be a Hippie, a lumbering blues track with a rock edge. This is a super closer to a powerful release.

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