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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Showing posts with label Hornet's Nest. Show all posts
Showing posts with label Hornet's Nest. Show all posts

Wednesday, March 5, 2014

Alligator Records artist: Joe Louis Walker - Hornet's Nest - New Release Review

I just received the newest release, Hornet's Nest from Joe Louis Walker and it's quite different. Opening with title track, Hornet's Nest, Walker is out of the gate with a lot of guitar pyrotechnics. With a pinch of Eric Clapton on musical style but electricity that has been lacking in much of Clapton's recent work, Walker lights it up. All I Wanted To Do has a soul style with horns and all. Muscle Shoals provides the muscle with Charles Rose on Trombone, Jim Horn on sax and Vinnie Ciesielski on trumpet. Walker takes a stroll on guitar but this is mostly an airplay track. As The Sun Goes Down is a skillfully crafted track and one of my favorites on the release. A bluesy "Thrill Is Gone" kind of feel is conjured up and Walker gets some super groans from his axe. Excellent! Stick A Fork In Me is a rolling shuffle track featuring Tom Hambridge on drums and really nice work from Reese Wynans on piano. Tommy MacDonald has a strong walking bass line on this track and Walker lights up the fretboard complimented by Rob McNelley on guitar. On classic rocker, Don't Let Go, Walker is joined by Ray Walker, Cyrtis Young and Michael Black on vocals and driven by nice bass work by MacDonald. Love Enough has a traditional Robert Johnson styling with a pinch of Cream and a bit of R&B. Walkers vocals on this track are some of my favorites and his slide playing is very cool. Ramblin' Soul is another track with a strong blues rock basis. With energy like that of the old Jeff Beck Group and electrifying guitar riffs, this track is another of my release favorites. Ride On, Baby has a simple Tom Petty like sound and strong pop appeal. Soul City takes R&B to another level with a hat tip to Sly and outrageous guitar riffs.

This release has an additional 3 tracks but I can't access the stream at this time. If I can later I will revise this review. Enjoy!

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Thursday, January 16, 2014

BLUES MASTER JOE LOUIS WALKER TO RELEASE HORNET'S NEST ON FEBRUARY 25, 2014



BLUES MASTER JOE LOUIS WALKER TO RELEASE HORNET'S NEST ON FEBRUARY 25, 2014

"Powerful, soul-stirring, fierce and gritty. A legendary boundary-pushing icon of modern blues." --NPR Music

  "Fine and fierce...gritty gutbucket blues, joyous Stones-style rock and aching R&B." --Billboard

"Commanding and wide-ranging blues-rock...sheer passion and defiant authenticity."" --Living Blues
 
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Award-winning blues master, Blues Hall Of Fame member and Alligator recording artist Joe Louis Walker will release his new album, Hornet's Nest (AL 4959), on February 25, 2014. Walker is among the greatest bluesmen of his generation. He is known worldwide as one of the genre's top musical trailblazers -- a mesmerizing guitarist and soul-testifying vocalist. On his dynamic new CD, Walker's music is equal parts rock ‘n' roll fire and blistering, passionate blues.

Hornet's Nest was recorded in Nashville and produced by songwriter/ drummer Tom Hambridge (producer of James Cotton' Grammy-nominated Cotton Mouth Man, Buddy Guy's Grammy-winning CDs Skin Deep and Living Proof, as well as albums for Susan Tedeschi, George Thorogood and Walker's previous CD, Hellfire). Hornet's Nest -- featuring 12 songs, including nine new originals -- blends Walker's boundless energy and his myriad influences into a contemporary blues tour-de-force. His always-inventive guitar playing is matched note-for-note by his fervent vocals. From menacing, hard rocking electric blues to cool Memphis funk to R&B rave-ups to Sunday morning gospel, Walker's blues-fierce and untamed, adventurous and fun -- continue to define the genre.

The band -- Hambridge on drums, Reese Wynans on B-3 organ and piano, Rob McNelley on guitar, and Tommy MacDonald on bass -- pushed Walker to deliver his absolute best performances. "It comes through loud and clear," Walker says. "If I don't believe it, nobody is gonna believe it. And ain't nobody is gonna listen to it or buy it. Tom made everything exciting."

Joe Louis Walker was born in San Francisco on Christmas Day of 1949. His parents were both from the South and they brought their love of blues with them when they headed west. Joe's dad played blues piano, and his mom played B.B. King records. Walker picked up the guitar as a child, and by the time he was 16 was regularly backing touring blues artists rolling through town. San Francisco's music scene was quickly becoming a melting pot of blues, jazz and psychedelic rock, and Walker was right in the center of it.

As a 16-year-old, Walker was the house guitarist at San Francisco's famed musical playground, The Matrix, where he played with or opened shows for everyone from Lightnin' Hopkins to Jimi Hendrix to Thelonious Monk. He was also a regular at The Fillmore West. The blues legends Walker accompanied shared not only musical knowledge but also their personal wisdom with the teenage up-and-comer. Fred McDowell, Ike Turner, Albert King, Freddy King, Robert Jr. Lockwood, Lightnin' Hopkins and many others taught, fed, and chastised the youngster. Inspired by what he learned, Walker developed his own fiery, melodic, and always unpredictable guitar attack.

Walker met guitarist Michael Bloomfield in 1968 and the two became fast friends. Bloomfield helped push Walker's blues in a more rock-fueled direction, and he became the single biggest influence on Walker's sound. The two shared an apartment for years and remained close friends until Bloomfield's death in 1981. From 1975 to 1985, Walker performed nothing but gospel music, playing and singing as a member of The Spiritual Corinthians. In 1986, after Walker returned to playing the blues, Hightone Records released his debut CD, Cold Is The Night. Firmly rooted in blues, gospel, R&B and rock, the album caught the attention of music fans around the country.

Prior to joining Alligator Records in 2012, Walker had released 23 albums and toured the world virtually non-stop. He has garnered four Blues Music Awards (and has been nominated a whopping 52 times) and holds an international reputation as one of the blues' most prolific and talented stars. He's also recorded as a guest with some of the blues world's best-known artists, including appearances on Grammy-winning records by B.B. King and James Cotton.

His Alligator debut, Hellfire, took the blues world by storm in 2012, receiving the Living Blues Critics' Award for Blues Album Of The Year. The Chicago Tribune said, "His playing is ferocious. His solos spin wilder and wilder with the kind of fierce embellishments that Jimi Hendrix might've conjured." The success of the album helped land Walker and his band on TBS's CONAN.

In 2013 The Blues Foundation inducted Walker into The Blues Hall Of Fame. "I am honored to be in the company of the great artists already inducted," Walker said at the time. "I hope to live up to the honor." Joining the ranks of previous inductees including B.B. King, Hound Dog Taylor, Koko Taylor, Willie Dixon, Muddy Waters, Etta James, Howlin' Wolf and other blues greats while still at the peak of his musical powers, is, as Walker says, "a dream come true."

With each subsequent release, Walker's audience continues to grow, as his touring schedule continues to expand. He's played all over the U.S. and Canada, major European festivals including The North Sea Jazz Festival, Glastonbury, Notodden and Montreux, as well as festivals in Japan, Australia, Taiwan, Ireland, Turkey and Brazil. Now, with Hornet's Nest, Walker is excited about bringing even more people to his music. "Blues is a big tent," he says, "morphing into a bigger tent. Young folks like good blues when they hear it, and I'm here to make sure they want to listen."