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Showing posts with label Memphis Slim. Show all posts
Showing posts with label Memphis Slim. Show all posts

Monday, September 3, 2012

I Know The Blues - Memphis Slim


Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Memphis Slim's birth name was John Len Chatman, and he was born in Memphis, Tennessee, United States. His father Peter Chatman sang, played piano and guitar, and operated juke joints, and it is now commonly believed that he took the name to honor his father when he first recorded for Okeh Records in 1940. Although he started performing under the name Memphis Slim later that same year, he continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939, and began teaming with Big Bill Broonzy in clubs soon afterward. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, "Beer Drinking Woman," and "Grinder Man Blues." These were released under the name "Memphis Slim," given to him by Bluebird's producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee "Sonny Boy" Williamson, Washboard Sam, and Jazz Gillum. Many of Slim's recordings and performances until the mid-1940s were with guitarist and singer Broonzy, who had recruited Slim to be his piano player after Joshua Altheimer's death in 1940.

After World War II, Slim began leading bands that, reflecting the popular appeal of jump-blues, generally included saxophones, bass, drums, and piano. With the decline of blues recording by the majors, Slim worked with the emerging independent labels. Starting in late 1945, he recorded with trios for the small Chicago-based label Hy-Tone. With a lineup of alto saxophone, tenor sax, piano, and string bass (Willie Dixon played the instrument on the first session), he signed with the Miracle label in the fall of 1946. One of the numbers recorded at the first session was the ebullient boogie "Rockin' the House," from which his band would take its name. Slim and the House Rockers recorded mainly for Miracle through 1949, enjoying commercial success. Among the songs they recorded were "Messin' Around" (which reached number one on the R&B charts in 1948 and "Harlem Bound." In 1947, the day after producing a concert by Slim, Broonzy, and Williamson at New York City's Town Hall, folklorist Alan Lomax brought the three musicians to the Decca studios and recorded with Slim's on vocal and piano. Lomax presented sections of this recording on BBC radio in the early 1950s as a documentary titled The Art of the Negro, and later released an expanded version as the LP Blues in the Mississippi Night. In 1949, Slim expanded his combo to a quintet by adding a drummer; the group was now spending most of its time on tour, leading to off-contract recording sessions for King in Cincinnati and Peacock in Houston.

One of Slim's 1947 recordings for Miracle, released in 1949, was originally titled "Nobody Loves Me". It has become famous as "Every Day I Have the Blues." The tune was recorded in 1950 by Lowell Fulson, and subsequently by a raft of artists including B. B. King, Elmore James, Ray Charles, Eric Clapton, Natalie Cole, Ella Fitzgerald, Jimi Hendrix, Mahalia Jackson, Sarah Vaughan, Carlos Santana, John Mayer and Lou Rawls. Joe Williams recorded it in 1952 for Checker; his remake from 1956 (included in Count Basie Swings, Joe Williams Sings) was inducted in the Grammy Hall of Fame in 1992.

Early in 1950, Miracle succumbed to financial troubles, but its owners regrouped to form the Premium label, and Slim remained on board until the successor company faltered in the summer of 1951. His February 1951 session for Premium saw two changes in the House Rockers' lineup: Slim started using two tenor saxophones instead of the alto and tenor combination, and he made a trial of adding guitarist Ike Perkins. His last session for Premium kept the two-tenor lineup but dispensed with the guitar. During his time with Premium, Slim first recorded his song "Mother Earth."

Slim made just one session for King, but the company bought his Hy-Tone sides in 1948 and acquired his Miracle masters after it failed in 1950. He was never a Chess artist, but Leonard Chess bought most of the Premium masters after the failure.

After a year with Mercury Records, Slim signed with United Records in Chicago; the A&R man, Lew Simpkins, knew him from Miracle and Premium. The timing was propitious, because he had just added Matt "Guitar" Murphy to his group. He remained with United through the end of 1954, when the company began to cut back on blues recording.

Slim's next steady relationship with a record company had to wait until 1958, when he was picked up by Vee-Jay. In 1959 his band, still featuring Matt "Guitar" Murphy, cut LP Memphis Slim at the Gate of the Horn, which featured a lineup of his best known songs, including "Mother Earth," "Gotta Find My Baby," "Rockin' the Blues," 'Steppin' Out," and "Slim's Blues."

Slim first appeared outside the United States in 1960, touring with Willie Dixon, with whom he returned to Europe in 1962 as a featured artist in the first of the series of American Folk Festival concerts organized by Dixon and promoter Willie Dixon that brought many notable blues artists to Europe in the 1960s and 1970s. The duo released several albums together on Folkways Records, including, Memphis Slim and Willie Dixon at the Village Gate with Pete Seeger, in 1962. That same year, he moved permanently to Paris and his engaging personality and well-honed presentation of playing, singing, and storytelling about the blues secured his position as the most prominent blues artist for nearly three decades. He appeared on television in numerous European countries, acted in several French films and wrote the score for another, and performed regularly in Paris, throughout Europe, and on return visits to the United States. In the last years of his life, he teamed up with respected jazz drummer George Collier. The two toured Europe together and became friends. After Collier died in August 1987, Slim appeared in public very little.

Two years before his death, Slim was named a Commander in the Ordre des Arts et des Lettres by the Ministry of Culture of the Republic of France. In addition, the U.S. Senate honored Slim with the title of Ambassador-at-Large of Good Will.
Memphis Slim grave

Memphis Slim died on February 24, 1988, of renal failure in Paris, France, at the age of 72. He is buried at Galilee Memorial Gardens in Memphis, Tennessee.

In 1989, he was posthumously inducted into the Blues Hall of Fame.
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Friday, February 24, 2012

I'm Lost Without You - - Memphis Slim


Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Memphis Slim's birth name was John Len Chatman, and he was born in Memphis, Tennessee, United States. His father Peter Chatman sang, played piano and guitar, and operated juke joints, and it is now commonly believed that he took the name to honor his father when he first recorded for Okeh Records in 1940. Although he started performing under the name Memphis Slim later that same year, he continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939, and began teaming with Big Bill Broonzy in clubs soon afterward. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, "Beer Drinking Woman," and "Grinder Man Blues." These were released under the name "Memphis Slim," given to him by Bluebird's producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee "Sonny Boy" Williamson, Washboard Sam, and Jazz Gillum. Many of Slim's recordings and performances until the mid-1940s were with guitarist and singer Broonzy, who had recruited Slim to be his piano player after Joshua Altheimer's death in 1940.
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Monday, September 5, 2011

Slim's Boogie - Memphis Slim


Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
Memphis Slim's birth name was John Len Chatman, and he was born in Memphis, Tennessee, United States. His father Peter Chatman sang, played piano and guitar, and operated juke joints, and it is now commonly believed that he took the name to honor his father when he first recorded for Okeh Records in 1940. Although he started performing under the name Memphis Slim later that same year, he continued to publish songs under the name Peter Chatman.

He spent most of the 1930s performing in honky-tonks, dance halls, and gambling joints in West Memphis, Arkansas, and southeast Missouri. He settled in Chicago in 1939, and began teaming with Big Bill Broonzy in clubs soon afterward. In 1940 and 1941 he recorded two songs for Bluebird Records that became part of his repertoire for decades, "Beer Drinking Woman," and "Grinder Man Blues." These were released under the name "Memphis Slim," given to him by Bluebird's producer, Lester Melrose. Slim became a regular session musician for Bluebird, and his piano talents supported established stars such as John Lee "Sonny Boy" Williamson, Washboard Sam, and Jazz Gillum. Many of Slim's recordings and performances until the mid-1940s were with guitarist and singer Broonzy, who had recruited Slim to be his piano player after Joshua Altheimer's death in 1940.

After World War II, Slim began leading bands that, reflecting the popular appeal of jump-blues, generally included saxophones, bass, drums, and piano. With the decline of blues recording by the majors, Slim worked with the emerging independent labels. Starting in late 1945, he recorded with trios for the small Chicago-based label Hy-Tone. With a lineup of alto saxophone, tenor sax, piano, and string bass (Willie Dixon played the instrument on the first session), he signed with the Miracle label in the fall of 1946. One of the numbers recorded at the first session was the ebullient boogie "Rockin' the House," from which his band would take its name. Slim and the House Rockers recorded mainly for Miracle through 1949, enjoying commercial success. Among the songs they recorded were "Messin' Around" (which reached number one on the R&B charts in 1948 and "Harlem Bound." In 1947, the day after producing a concert by Slim, Broonzy, and Williamson at New York City's Town Hall, folklorist Alan Lomax brought the three musicians to the Decca studios and recorded with Slim's on vocal and piano. Lomax presented sections of this recording on BBC radio in the early 1950s as a documentary titled The Art of the Negro, and later released an expanded version as the LP Blues in the Mississippi Night. In 1949, Slim expanded his combo to a quintet by adding a drummer; the group was now spending most of its time on tour, leading to off-contract recording sessions for King in Cincinnati and Peacock in Houston.

One of Slim's 1947 recordings for Miracle, released in 1949, was originally titled "Nobody Loves Me". It has become famous as "Every Day I Have the Blues." The tune was recorded in 1950 by Lowell Fulson, and subsequently by a raft of artists including B. B. King, Elmore James, Ray Charles, Eric Clapton, Natalie Cole, Ella Fitzgerald, Jimi Hendrix, Mahalia Jackson, Sarah Vaughan, Carlos Santana, and Lou Rawls. Joe Williams recorded it in 1952 for Checker; his remake from 1956 (included in Count Basie Swings, Joe Williams Sings) was inducted in the Grammy Hall of Fame in 1992. "Every Day I Have the Blues" is also seen in John Mayer's, Where The Light Is, a DVD (and CD) live recording in Los Angeles' Nokia Theatre featuring Steve Jordan (drums) and Pino Palladino (bass).

Early in 1950, Miracle succumbed to financial troubles, but its owners regrouped to form the Premium label, and Slim remained on board until the successor company faltered in the summer of 1951. His February 1951 session for Premium saw two changes in the House Rockers' lineup: Slim started using two tenor saxophones instead of the alto and tenor combination, and he made a trial of adding guitarist Ike Perkins. His last session for Premium kept the two-tenor lineup but dispensed with the guitar. During his time with Premium, Slim first recorded his song "Mother Earth."

Slim made just one session for King, but the company bought his Hy-Tone sides in 1948 and acquired his Miracle masters after it failed in 1950. He was never a Chess artist, but Leonard Chess bought most of the Premium masters after the failure.

After a year with Mercury Records, Slim signed with United Records in Chicago; the A&R man, Lew Simpkins, knew him from Miracle and Premium. The timing was propitious, because he had just added Matt "Guitar" Murphy to his group. He remained with United through the end of 1954, when the company began to cut back on blues recording.

Slim's next steady relationship with a record company had to wait until 1958, when he was picked up by Vee-Jay. In 1959 his band, still featuring Matt "Guitar" Murphy, cut LP Memphis Slim at the Gate of the Horn, which featured a lineup of his best known songs, including "Mother Earth," "Gotta Find My Baby," "Rockin' the Blues," 'Steppin' Out," and "Slim's Blues."

Slim first appeared outside the United States in 1960, touring with Willie Dixon, with whom he returned to Europe in 1962 as a featured artist in the first of the series of American Folk Festival concerts organized by Dixon and promoter Willie Dixon that brought many notable blues artists to Europe in the 1960s and 1970s. The duo released several albums together on Folkways Records, including, Memphis Slim and Willie Dixon at the Village Gate with Pete Seeger, in 1962. That same year, he moved permanently to Paris and his engaging personality and well-honed presentation of playing, singing, and storytelling about the blues secured his position as the most prominent blues artist for nearly three decades. He appeared on television in numerous European countries, acted in several French films and wrote the score for another, and performed regularly in Paris, throughout Europe, and on return visits to the United States. In the last years of his life, he teamed up with respected jazz drummer George Collier. The two toured Europe together and became friends. After Collier died in August 1987, Slim appeared in public very little.

Two years before his death, Slim was named a Commander in the Ordre des Arts et des Lettres by the Ministry of Culture of the Republic of France. In addition, the U.S. Senate honored Slim with the title of Ambassador-at-Large of Good Will.
Memphis Slim grave

Memphis Slim died on February 24, 1988, of renal failure in Paris, France, at the age of 72. He is buried at Galilee Memorial Gardens in Memphis, Tennessee
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Thursday, June 23, 2011

Everyday I Have The Blues - Memphis Slim


Memphis Slim (September 3, 1915 – February 24, 1988) was an American blues pianist, singer, and composer. He led a series of bands that, reflecting the popular appeal of jump blues, included saxophones, bass, drums, and piano. A song he first cut in 1947, "Every Day I Have the Blues", has become a blues standard, recorded by many other artists. He made over 500 recordings.
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Thursday, June 16, 2011

The Blues Aint' Nothin' But a Woman - Helen Humes


This is a top notch lineup with Helen Humes : vocal,Sonny Terry : harmonica,Brownie 'Kazoo' McGhee : vocal, guitar,Willie Dixon :vocal, bass,T-Bone Walker : vocal, guitar,Memphis Slim : vocal, piano and Jump Jackson : drums.

Helen Humes (June 23, 1913 - September 9, 1981) was an American jazz and blues singer.

Humes was successively a teenaged blues singer, band vocalist with Count Basie, saucy R&B diva and a mature interpreter of the classy popular song.

Humes was born in Louisville, Kentucky, was spotted by the guitarist Sylvester Weaver and made her first recordings in 1927, her true young voice consorting oddly with bizarre material like "Garlic Blues"

She moved to New York City in 1937 and became a recording vocalist with Harry James' big band. Her swing recordings with James included "Jubilee", "I Can Dream Can't I", Jimmy Dorsey's composition "It's The Dreamer In Me", and "Song of the Wanderer".

Humes became one of the vocalists with the Count Basie Orchestra in 1938, replacing Billie Holliday as lead female vocalist. Her vocals with Basie's band included "Between the Devil and the Deep Blue Sea" and "Moonlight Serenade".

During the 1940s and 1950s, Humes became a solo performer and worked with different bands and other vocalists including Nat King Cole. She sounded very sprightly on the jump blues Be-Baba-Leba (Philo, 1945) and Million Dollar Secret (Modern, 1950).

In 1950 Humes recorded Benny Carter's "Rock Me to Sleep". She managed to bridge the gap between big band jazz swing and rhythm and blues. She appeared on the bill at the Monterey Jazz Festival in 1960.

She moved to Hawaii and then to Australia in 1964, returning to the US in 1967 to take care of her ailing mother. Humes was out of the music industry for several years but made a full comeback in 1973 at the Newport Jazz Festival,[citation needed] and stayed busy up until her death, performing all over Europe, for instance, including at the prestigious Nice Jazz Festival in the mid-70s. She received the Music Industry of France Award in 1973, and the key to the city of Louisville in 1975.

Helen Humes died of cancer at the age of 68 in Santa Monica, California. She is buried at the Inglewood Park Cemetery, Inglewood, California.
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