CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com
Showing posts with label Fresh Air. Show all posts
Showing posts with label Fresh Air. Show all posts

Tuesday, September 20, 2016

Johnny Nicholas - Fresh Air - New Release Review

I just had the opportunity to review the most recent release, Fresh Air, from Johnny Nicholas and it's got breadth. Opening with Moonlight Train, Nicholas keeps it light with his own vocal and harmonica backed by Scrappy Jud Newcomb on guitar and John Chipman on drums. An early blues sound drives this track with purity. Sleepy John Estes' Kid Man Blues is up next with a cool bop. Cindy Cashdollar makes an appearance with some cool slide and Newcomb adds in nice mandolin giving this track a whole new feel. With a Little Feat kind of funk, Blues Time, has a real nice groove. Backaing himself on guitar with Cashdollar on slide and super percussion and drums by John Chipman and Bruce Hughes this track has a real nice feel. Country flavored, Red Light, gets a real nice lap flavor from Cashdollar and with slick piano work, Steve Riley on button accordion and Newcomb's guitar, Nicholas' vocals are perfect. Sweet Katrina has a smoky Latin feel emphasized by precise piano work and nice slide from Cashdollar. Expressive vocals by Nicholas and nicely executed guitar riffs give the track a real cool sound. Play Me Like You Play Your Guitar has an easy, slinky feel highlighted by nice bass work by Hughes and Jack Bruce like falsetto vocals by Nicholas. Painterly organ parts and a nice trade of acoustic and electric guitar riffs add a nice dimension. With a forward jazz ballad feel, How Do You Follow A Broken Heart?, is a strong entry with simple brush drums, rich lap steel soloing and nice chords supporting Nicholas' clean vocals. Very nice. With it's 8 bar format, Bayou Blues, gives Nicholas on harp, Cashdollar on lap steel and Riley on accordion equal footing in the spotlight. Nicely finger picked, Roll Mississippi, is a solitude blues ballad with mostly acoustic guitar and mandolin. Backing vocals by Newcomb, Chipman and Hughes give the track a warm closeness. Willie Dixon's Backdoor Man features Nicholas o national resonator and Newcomb on mandolin for a update on primitive blues styling. Very nice. Wake Up Bobby has a cool, swampy funk feel punched along by Hughes on bass. Nicholas' vocal phrasing and slick slide work by Cashdollar make this one of my favorites on the release. Grinding guitar tone on the opening of Workin In The Garden sets a rock theme with cool western overtones set by Cashdollar. Strong vocal delivery makes this the most radio driven track on the release. Title track, Fresh Air is a real nice track with Nicholas on slide resonator balanced against Newcomb on mandolin and clear lead vocals backed by warm rich backing vocals for a soft touch closer.

View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

 

Monday, August 8, 2016

Heralded Austin Musician Johnny Nicholas Brings a Breath of "Fresh Air" with New Blues/Roots CD Coming September 2






Heralded Austin Musician Johnny Nicholas Brings a Breath of Fresh Air with New Blues/Roots CD Coming September 2


AUSTIN, TX – Acclaimed roots musician Johnny Nicholas has announced a September 2 release date for his new CD, Fresh Air, which showcases his multiple talents on various guitars and soulful vocals for an album surely to be one of the best musical revelations of the year.


Watch the Johnny Nicholas video that includes musical excerpts from the Fresh Air album:





Fresh Air was produced by Bruce Hughes and recorded at Arlyn Studios in Austin. Featuring an all-star cast that includes Scrappy Jud Newcomb (guitars, mandolin, mandocello), John Chipman (drums, percussion, vocals) and Bruce Hughes (bass, vocals, percussion), plus a guest list that includes Cindy Cashdollar (lap steel and additional guitars), the new CD creates a satisfying statement of true American roots music at its finest and most authentic.
Fresh Air is a collection of stories and melodies that have haunted me for some time,” says Johnny Nicholas. “There are some different styles here but all of this is the blues as I know it—as all American music and rock and roll has sprung from the same source. I don’t understand a whole lot of what is going on in the modern world, but I do know I could use a little ‘fresh air.’ I hope you dig these tunes.”

Containing a baker’s-dozen 13 tracks, Fresh Air covers a wide swath of Johnny’s roots – everything from the Delta blues of the album’s opener, “Moonlight Train,” to the Chicago-style city blues of the Howlin’ Wolf classic, “Back Door Man,” along with sojourns into swampy Cajun styles, Americana and everything in between.  The constant throughout all these songs is Johnny’s high-lonesome blues vocal style, lithe harmonica playing and soulful string work on an assortment of guitars. Other than “Back Door Man” and the Sleepy John Estes chestnut, “”Kid Man Blues,” Johnny Nicholas had a hand in writing all of the other songs on Fresh Air.
“Johnny Nicholas is one of the best bluesmen ever, black or white.” – Stephen Bruton. When it comes to Americana roots music and especially the blues, the late, great Stephen Bruton knew what he was talking about. His description of his long-time friend and musical comrade in arms is succinct and quite a heady compliment, but then, Johnny Nicholas is an amazing talent.
For four decades, Johnny’s consummate musicianship and vocal skills have graced live music scenes across the country and abroad. He has toured, performed and recorded with many true blues and Americana roots music legends, including Mississippi Fred McDowell, Robert Lockwood Jr., Johnny Shines, Big Walter Horton, Roosevelt Sykes, Nathan Abshire, Robert Pete Williams, Eddie Taylor, Hound Dog Taylor, Johnny Young, Houston Stackhouse, and Boogie Woogie Red.
Johnny recorded and toured with Johnny Shines and Snooky Pryor, producing and playing guitar on their W.C. Handy Award-winning album, Back to the Country. He was one of the lead vocalists with Asleep at the Wheel when they won their first of many Grammy Awards. He gave blues guitar icon Ronnie Earl his first gig in the now legendary band, Guitar Johnny and the Rhythm Rockers. He has also performed with the likes of Howlin’ Wolf, B.B. King, Muddy Waters, Bonnie Rait, Eric Clapton, Pops and Mavis Staples, Delbert McClinton, Willie Nelson, Merle Haggard, Marcia Ball and Jimmie Vaughan, among many others. He can wow a festival crowd of thousands or a small room of devotees.
Born in Rhode Island, Johnny discovered the blues at an early age, grooving to the great R&B that was blasting from the airwaves in the late ‘50s and early ‘60s—Jimmy Reed, Lightnin’ Slim, Lloyd Price, Slim Harpo, Larry Williams, Little Walter, Ray Charles and Howlin’ Wolf were all big blips on this impressionable young man’s radar screen. Like fellow Greek-American Johnny Otis had a generation earlier, this Johnny easily made the leap into the soulful world of the blues. He was high school friends with Duke Robillard and the two of them shared licks and records after school, as well as each leading their own band (Duke’s was called the Variations and Johnny’s was called the Vikings).
In 1966, he hopped the train to New York City to see his idol, Howlin’ Wolf. He ended up hanging with Wolf’s band at the Albert Hotel by day (where Wolf, the Muddy Waters band and Otis Spann were all staying), and at Ungano’s nightclub by night, where the Wolf was holding musical court while on a two week prowl of the Big Apple. This experience cemented his love of the blues while providing inspiration and a gateway to friendships and musical adventures that would help mold a successful career, and still smolder in this talented and restless soul
In 1980, Johnny decided to take time off from touring in order to raise a family. He married Brenda Schlaudt, one of the co-founders of Antone’s night club; and played music at (and helped manage) what became a Texas culinary and music legend: Hill Top CafĂ© (housed in a former 1920s-era gas station - “inconveniently located in the middle of nowhere”) near Cherry Spring, not far from Austin. Hill Top’s eclectic menu includes items that reflect his and Brenda’s Greek, Cajun and Texas influences.   
After fathering three sons, Nicholas stepped up his music ventures, highlighted by Back to the Country in 1991.  Since then, he has released several more albums and returned to a more rigorous touring, songwriting and performance schedule.
Johnny Nicholas will support the release of Fresh Air with a series of dates in the Texas area, as well as showcase venues and festival dates around the country.