This Week's Reader Favorite Post

Nicky T And The Snake Charmers - Ain't Wasting Time - New Release Review

Image
 I just had the opportunity to review the most recent release, Ain't Wasting Time , from Nicky T And The Snake Charmers and it's dripping blues, soul and R&B music. Opening with Magic Sam 's, That's All I Need , Nicky T with soulful vocals and groomed guitar riffs gets into that Impressions groove. With Todd Glass on drums, Alex Lyon on bass, Chris Codish on keys, and Greg Nagy on backing vocals, this is a solid opener. Rock n Roller, Feel Like A Hundred , features a driving guitar lead with vocals by Nicky and super piano work by Andy Szymanski on piano. Pete Berg on drums and Frank Greenhalgh round out the band and this track is really moving. Gritty blues, The Glass really gets down featuring guitarist extraordinaire, Ronnie Earl on lead guitar and excellent vocals by Greg Nagy. This tracks really sails with the addition of Jon Johnson on drums, Mike Marshall on bass, Jason Bone on rhythm guitar, John Gavin on piano and warm organ work by Szymanski. Excell...
CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

EZ Link to purchase the reviewed album

CLICK ON TITLE BELOW TO GO TO PURCHASE CD/LP/Download !!!!

Bluesman Bernard Allison Is "In the Mix" on First New Studio Album in Six Years, Coming March 17 on Jazzhaus Records


Bluesman Bernard Allison Is In the Mix on First New Studio Album in Six Years, Coming March 17 on Jazzhaus Records

FREIBURG, GERMANY – Blues guitarist and singer Bernard Allison will release his first new studio album in six years, In the Mix, on March 17 from the Germany-based label, Jazzhaus Records. Produced and arranged by Bernard Allison, In the Mix features 10 tracks, including five originals, as well as covers of two songs from his legendary father, Luther Allison (“Move from the Hood” and “Moving On Up”), plus tunes from Colin James (“Five Long Years”), Freddie King (“I’d Rather Be Blind”) and Tyrone Davis (“I Had It All the Time”).

Although firmly rooted in the blues, the music on In the Mix shows Bernard’s myriad of influences, including soul, rock and R&B. Allison says about the recording sessions: “I was very excited to record with my reformed group. We went into this recording with the mindset to not make a recording flooded with screaming guitars. I just wanted to share my arrangement and songwriting skills, as well as play some tracks I‘ve been holding onto for years.With the help of my bandmates as well as my mom Fannie Mae Allison, I can say I‘m very proud of the outcome of In the Mix, which  reminds me a bit of the old Memphis soul sound with a touch of Hendrix's Band of Gypsys group."

Born in Chicago as the youngest of nine children of iconic bluesman Luther Allison (who bought his son his first guitar), Bernard got the playing bug at an early age when his father began schooling the youngster in the roots of black music and the art of the electric guitar.

“I didn’t start to play until I was maybe 10 years of age,” Allison remembers. “I started by picking up the guitar and listening to my father’s records.” He also absorbed the music of his dad’s influences, including Magic Sam, Otis Rush, T-Bone Walker, Lightnin’ Hopkins and B.B. King, as well as the next generation of stars: Jimi Hendrix, Stevie Ray Vaughan and Johnny Winter.

Bernard made his first appearance on record at 13 and by age 18 had joined his father onstage for shows such as the Chicago Blues Festival. One week after graduating high school, he got the call from the great Koko Taylor, who asked Bernard to be the lead guitar player in her band. He played with Koko Taylor’s Blues Machine for three years, getting a wonderful education in how to behave both on and off the stage, and also backing the great Willie Dixon.

The 1980s brought contemporary influences and friendships with Johnny Winter and Stevie Ray Vaughan, and in 1990, Bernard Allison recorded his first solo album. Over the next 20 years, he recorded numerous studio and live albums, touring endlessly with his own band. When Luther Allison passed in 1997, son Bernard picked up the blues torch, but carried it with his own light, assuming the challenge of helping to keep the blues alive with his own brand of music that fused blues with rock, soul and other influences to carry it into the next millennium.

“The blues is my roots,” states Allison. “Regardless of how far outside of the blues I reach for tones, I can’t ever leave the blues. Whenever I play, all those guitar parts are Luther Allison coming through me. My dad was the same way; he wasn’t all blues. He loved Otis Redding and Chuck Berry. I’m just showing where my influences come from, and respecting the people who got me to this point.”

For more information, visit www.bernardallison.com and www.jazzhausrecords.com.

Comments