Bman's Blues Report

  Born in Connecticut but raised on the gritty, sun-drenched sounds of Los Angeles, Hummel has spent the last four decades establishing himself as one of the ultimate torchbearers of West Coast blues —a killer style that seamlessly collapses the distance between traditional raw blues and swinging jazz. Since the late '70s, he has fronted his legendary band, The Blues Survivors , and since 1991, he’s been the mastermind behind the annual Blues Harmonica Blowout tours, sharing stages and trading licks with titans like James Cotton and Charlie Musselwhite . He’s got the institutional respect to match the street cred, too, including a Grammy nomination for his 2014 tribute to Little Walter. But if you think a guy with that kind of resume is ready to sit back and coast on past glories, his newest project drops the hammer and reminds us exactly why he's still the master blaster of the blues harp.     🎵 LISTEN & SUPPORT THE ALBUM   Add this Record to Your ...

  I just had the opportunity to review the most recent release, True Believer , from Mark Hummel and it's chocked full of smoking blues. Opening with Chicago style blues track, High Time For The Devil , Oscar Wilson on lead vocals leads the way with solid pace and force, and Mark Hummel on harmonica really shines. Bob Welsh on piano adds a perfect glisten to the track, backed by Randy Bermudes on bass, Billy Flynn on guitar, and Wes Starr on drums. Great opener. Otis Rush's slow blues, Double Trouble , is terrific with Junior Watson getting hot and heavy on guitar, and Hummel shining on lead vocal and harmonica. With Kedar Roy on bass, Brett Brandstadt on piano, Jack Sanford on sax, and Starr on drums, this is my favorite track on the release.  Peter Green's Stop Messin' Round is a great shuffle and Hummel really gets in the slot on vocal. Watson has the lead on guitar again and his phrasing is excellent, backed by Roy, Brandstadt, Sanford and Starr. Little Walter...

 I just had the opportunity to review the most recent release, Crawlin' Kingsnake , from John Primer & Bob Corritore and it's a full house, blues release. Opening with Take A Message , John Primer on lead vocal and guitar starts off this dynamic shuffle. Bob Corritore steps up pretty quickly on harmonica with great Chicago style blues chops that he's well known for, adding a nice solo by Jimi Primetime Smith on guitar, and joined by Bob Stroger on bass, Anthony Geraci on piano and Wes Starr on drums. Super opener. Willie Dixon's Down In The Bottom is up next with a cool bass line by Stroger and potent piano rhythm by Geraci. Primer's vocals are solid and Corritore trades solos with Primer and Smith adding nice balance. John Primer's shuffle, Hiding Place has a really great feel with vocal swagger by Primer and a driving guitar/ piano feel. Corritore lays out a real nice harmonica solo and Primer's solo nods to Elmore James. One of my favorite tracks o...

I just received the newest release from the Golden State Lone Star Blues Review , and it's terrific! This all-star band opens with Gatemouth Brown's loping Texas style blues, Midnight Hour , featuring Mark Hummel on lead vocal, Anson Funderburgh and Little Charlie Baty on guitar, RW Grigsby on bass and Wes Starr on drums. This track is a great opener with reinforcements by Eric Spaulding and Jack Sanford on sax. Billy Boy Arnold's, Here's My Picture , is up next and Hummel takes a super sweet harp break during a break in the primarily Latin rhythm track. Prove It To You is a cool swing blues track with Hummel driving the train on vocal, a nice walking bass line by RW Grigsby and tight drums by Wes Starr. Little Charlie hits the strings with a slick guitar solo and Hummel's phrasing is top notch. Slow NO style blues, Cool To Be Your Fool , features beautiful piano interplay by Jim Pugh and a solid bass line by Grigsby. Very nice! Lowell Fulsom's, Check Yourse...