This Week's Reader Favorite Post

Zac Harmon & The Drive - Live - New Release Review

By Bman -
Image
 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
Post a Comment
CLICK ON TITLE BELOW TO GO TO PURCHASE!!!! CD submissions accepted! Guest writers always welcome!!

I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

Ears and Eyes Records artist: Esthesis Quartet - Time Zones - New Release Review

By Bman -

 


I just had the opportunity to review the most recent release, Time Zones, from Esthesis Quartet and it's quite interesting. Opening with Blue Light, Emma Dayhuff on bass leads the way with a simple bass line joined by Tina Raymond on drums. Dawn Clement on piano adds in a subtle melody, joined by Elsa Nilsson on flute. This is a cool composition showing real style. Solid opener. Hollywood has a curious melody led by Nilsson on flute over a walking bass line by Dayhuff and a tight rhythm by Raymond. Rhythmic accents by Clement on piano adds body to the melody until the handoff, when she takes the lead on piano. A resultant time change give the track an entirely different feel and Clement's work is transformative. Raymond takes an innovative drum solo, maintaining the basic structure of the piece through the refrain where Nilsson rejoins. Very nice. Wrapping the release is Getting Through with an extremely aggressive bass line by Dayhuff. With a tight snare/cymbal ride by Raymond and accents by Clement, Nilsson really get this track humming. After a quick drum break by Raymond, Esthesis brings on the heat for a solid closer. 


View Bman Blueswriter's profile on LinkedIn

  If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! -  ”LIKE”

 For added exposure - Blues World Wide Group "LIKE" 

  qrcode “Like” Bman’s Facebook page and get support for your favorite band or venue - click HERE

For your convenience, you can click the title of this post above to be taken to a site where this cd can be purchased - Happy Listening

Comments

Post a Comment

Popular posts from this blog

Till the Cows Come Home - Lucille Bogan (explicit)

By Bman -
Image
Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Read more

Who Was Charles LoBue

By Bman -
Image
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
Read more

The Legendary J. Blackfoot Died Today

By Bman -
Image
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
Read more