I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the most recent release, Let's Go, from Cousin Harley and it's a blast. Billed as Canada's premier hillbilly rockers, Cousin Harley opens with Right Back With The Blues, a country stepper. Paul Pigat on lead vocal and guitar, Jesse Cahill on drums and Keith Picot on bass make this track sound like it was recorded in the USA circa 1956 and I love it. Pigat's vocals are strong and chesty and his guitar playing a solid tele finger picking workout. Excellent! Jumping right on the throttle with heavy driving drums by Cahill, Let's Go has a heavy bass line that is almost metal like but the result of this track is nothing short of pure rock n' roll with berry like guitar riffs. Excellent! I'm a sucker for surf tunes and El Swarto's Big Adventure is a great instrumental with fat shimmery chords and a Latin beat. Great! Cool rag style jazz track, Dancing For Bobo is a cool country flavored jazz tune which could be straight from a Chet Atkins or Danny Gatton release with plenty of snap and strong fluid guitar lead work. Very nice. Another cool rocker with a dash of surf is Who's That Lyin' with traces to Son House and an infectious rhythm. This is not only a terrific track, it also is my choice for radio track on the release! Excellent! Bluesy rocker, Gone, Gone, Gone has a dark, Blind Willie McTell feel and another terrific entry. Pigat's vocals are nicely surrounded by the heat and sweat of a gritty hotel room and his guitar riffs are tight and meaningful. Very nice! Wrapping the release is Merle The Gypsy, sounding like Atkins meets Django. With fluid finger picking and an accelerated beat, this is a terrific closer for one of the best releases I've heard in a long time.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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