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Overton Music artist: Russ Green - Stone Cold - New Release Review

By Bman -
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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Reference Recordings artist: Fiona Boyes - Voodoo in the Shadows - New Release Review

By Bman -
I just had the opportunity to review the most recent release, Voodoo in the Shadows, from Fiona Boyes. Opening with dark, smoky Call Their Name, Boyes, with her swampy guitar rhythms and solid vocals leads the way backed by Tim Neal on keys, Mark Grunden on drums and Johnny Sansone on harp. On What You Put On Me, the band sets a Mississippi hill country pace with Sansone wailing away on harp and Boyes laying out some prime cigar box slide work. Very nice. On Latin flavored, Dark and Dangerous Love shows a different side of Boyes with dark, a seductive melody, steamy vocals and smooth guitar lead. Neal adds some real nice sax backing in addition to a hot organ solo and Grunden's conga playing really spices it up. New Orleans has a nice bluesy feel with great piano work by Neal. R&B roots fuel With A Little Respect. Neal steps up with another nice sax solo and melodic harp work by Sansone adds just the right tough to Boyes vocal efforts. Wrapping the release is another R&B track, Ember, with the most straight forward melody. Boyes' vocals are really nice and her guitar lead is tight, warmed nicely by the organ efforts of Neal. This is a nice closer for a real solid release.


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