I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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Reverend Peyton's 'The Front Porch Sessions' coming March 10 from Thirty Tigers
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By
Bman
-
REVEREND PEYTON SHOWCASES
SONGS FROM THE PORCH
Charismatic roots preacher
breaks it down on career-defining The Front Porch Sessions, slated for
March 10, 2017 release
BROWN
COUNTY, Ind. — Southern Indiana-bred singer-guitarist Reverend Peyton is
the bigger-than-life frontman of Reverend Peyton’s Big Damn Band. He
has earned a reputation as both a singularly compelling performer and a
persuasive evangelist for the rootsy country blues styles that captured his
imagination early in life and inspired him and his band to make pilgrimages
to Clarksdale, Mississippi to study under such blues masters as T-Model
Ford, Robert Belfour and David “Honeyboy” Edwards.
That passionate inspiration has made Reverend
Peyton’s Big Damn Band America’s foremost country blues outfit and fuels
the Rev’s new release, The Front Porch Sessions. Peyton’s
dazzling guitar mastery is equaled here by his knack for vivid, emotionally
impactful songwriting, and his originals are matched in their authenticity
by the deeply felt vintage blues tunes that he covers. The album showcases
the Rev’s irrepressible personality while echoing the enduring spirit of
such acoustic blues icons as Charlie Patton, Blind Willie Johnson, Bukka
White and Furry Lewis, whose “When My Baby Left Me” receives a memorable
reading. The Front Porch
Sessions will be
released March
10, 2017 on Family Owned Records/Thirty Tigers. The Front Porch Sessions maintains a potent level of intensity throughout,
from the upbeat optimism of the album-opener “We Deserve a Happy Ending” to
the blunt slice-of-life rural reality of “One More Thing” to the
rollicking, playful swagger of “Shakey Shirley,” “One Bad Shoe” and
“Cornbread and Butterbeans.” Meanwhile, the instrumentals “It’s All Night
Long” and “Flying Squirrels” demonstrate the Rev’s nimble, imaginative
guitar work.
That lifelong pursuit of musical authenticity was
instilled in his musical consciousness while Peyton was growing up in rural
Indiana, where his early love for blues, ragtime, folk, country and other
traditional styles gave him a sense of direction that would soon manifest
itself in his own music. He and the Big Damn Band won a large and loyal fan
base, thanks to their tireless touring efforts and high-energy showmanship,
along with such acclaimed albums as Big Damn Nation, The
Gospel Album, The Whole Fam Damnily, The Wages, Between
the Ditches, So Delicious and the Charlie Patton
tribute disc Peyton on Patton.
Despite his prior achievements, the Rev views The
Front Porch Sessions as a personal creative
milestone. “I really think it’s one of the best things I’ve ever
done,” he asserts. “I’m interested in making hand-made American music, and
the goal is to be timeless.”
# # #
Join the 4.1
Million Internet viewers who have watched the video of Reverend Peyton
playing Shotgun Guitar, also seen on Comedy Central.
Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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