I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the newest release, Cab Driving Man, from Mississippi Heat and it's a cornucopia of blues. Opening with R&B track, Cupid Bound, Pierre Lacocque is on the harp with sweet tone. Inetta Visor has the lead vocals. Chris "Hambone" Cameron sets up the keys backed by Brian Quinn on bass, Kenny Smith on drums with excellent guitar riffs by Michael Dotson and Sax Gordon on sax. Nice opener. Title track, Cab Driving Man, has great pace with Terrence Williams on drums and sweltering bari sax by Gordon. Visor's vocals are solid and Ruben Alvarez's percussion is tight. Boogie track, That Late Night Stuff features Dotson on lead vocal and his lead guitar work really hits the spot. On delta style blues, Flowers On My Tombstone, Visor lays in some of the best vocals on the release, backed by Sumito Aruyo on piano, Lacocque on harp and Dotson on guitar. Very nice. Icy Blue has a real nice funky bottom to it thanks to Quinn and Williams. Giles Corey lays down some real nice slide work on this track and Lacocque ices the track with always cool harp riffs. Cool boogie guitar riffs by Dotson open The Last Go Round and he stays at the mic on lead vocal. Punched along by Lacocque, this track has a Chicago twist. Bass driven, Rosalie, has a Latin flavor with Visor back on the mic and excellent percussion work by Alvarez. With slick guitar soloing by Corey, nice electric keys by Cameron, a hot bass solo by Quinn and an extended harp solo by Lacocque, this is a stand out track. Slinky, blues rocker, Luck Of The Draw is one of my favorites on the release with a great complex bass line and flaming guitar riffs by Dave Specter. Lacocque sits down nicely on the track delivering really smooth phrasing. Mama Kalia is a real nice blues ballad featuring Visor's vocals and really sweet guitar lead soloing by Dotson. With a light jazz edge, this track is smooth as silk. Smooth Operator has R&B roots but a New Orleans flavor with Gordon anchoring on bari, Alvarez adding vital percussion and Vison's vocals leading the way. Lacocque's harp solo is melodic and Gordon rips a real nice sax solo. Excellent! With a Morganfield feel, Can't Get Me No Traction, Dotson takes the lead on vocal and guitar. Lacocque rides the top on harp and Williams' drumming is tight. With the bluesiest instrumental work on the release, Lacocque sets up his harp for the run and Dotson cleans the plate. Very cool. Wrapping the release is Hey Pipo!, a real cool boogie track. Featuring nice lead lines by Lacocque and Cameron this is a real nice closer for a real cool release.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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