I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just had the opportunity to review the newest release, Rain, from Lew Jetton & 61 South and it has a cool groove. Opening with contemporary blues number, Who's Texting Me, Lew Jetton has the mic and p[lays lead guitar. Backed by Erik Eicholtz on drums, Dan Bell on organ and guitar, Alonzo Pennington on guitar and James Sullivan on bass this track moves. Cool rocker, Move On Yvonne, is a great track with it's bass line and Jetton's vocals balanced with harp work by J.D. Wilkes. I also really like the piano work by J. Solon Smith and the soulful vocals of Miranda Louise. Excellent! Melodic, R&B track, Lay Me Down, is a definite radio track with smooth vocals and a catchy hook. James Sullivan takes the bass and Sam Moore steps up on guitar for a solid track. With the spark of a revival tent, Glory Train, has you up and hopping. With country pickin' by Pennington and Jetton and terrific backing vocals by Louise, this track is super. On John Hiatt's Feel's Like Rain, Bell creates a smooth organ bed for Jetton's soulful vocals and Moore and Jetton lay down some real nice guitar riffs giving the track a soothing feel. Very nice. On country rocker, Done Done It, Jetton is about as stripped down as it gets making a cool track with all the basics. His guitar soloing is kept simple and his vocals straight down the line...like a rocker should. Sandy Lee is a really cool blues track with vocal style of a Mississippi delta bluesman with only some basic polish, a slick glistening piano solo by Smith and solid bass and drums by Otis Walker and Eicholtz respectively. Loping blues rocker, Keeping Me Awake, opens it up a bit with some hot guitar riffs by Pennington and Jetton over a solid walking bass line by Walker. Smith steps up again with some real nice piano work making this one of my favorites on the release. Wrapping the release is Allen Toussaint's It's Raining. Stylistically done with Smith on piano, Jetton's vocals are pure and warm.
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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