I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
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I just received the newest release, Battle Scars, from Walter Trout, and if has a definite mellowing and maturation but keeps the fire. Opening with Almost Gone, a blues based rocker with a feel of Led Zep blended with Aerosmith. Rock solid drumming from Michael Leasure and rich vocal harmonies along with harp overtones balance out Trouts flaming hot guitar riffs. Great opener! Omaha opens with romping tom tom work and Trout singing almost in a field of smoke. An onslaught of guitar enters with high dynamic quality and then disappears as quickly as it came. Nice rocker. Throw out some funk and Trout is doing the boogaloo on Tomorrow Seems So Far Away. I really can't describe how it's different but I like Trout's vocals more than earlier seeming more smooth and hearty. A real nice harp solo grounded by Sammy Avila on keys and Johnny Griparic on bass creates a solid mix. Ballad, Please Take Me Home, is so creamy it could be the Eagles. Nicely blended vocals and solid guitar accompaniment enriched by the key work of Avila gives this track extremely solid radio potential. You want to know if Trout lays it out..of course he does but in a more controlled melodic bluesy fashion. Perfect radio track. Butt kicker Playin' Hideaway has all of the flare that you would expect from Billy G track. Trout's vocals are unmistakable and Leasure's drumming is solid. I really like Trout's alternate approach to guitar soloing on this track, fresh, but unmistakably Trout. Haunted By The Night has an interesting guitar interlude on it with cool volume swells. Trout has always used his share of swells but these feel particularly haunting like I've only experienced listening to the great Roy Buchanan. Interesting track. Rocker, Fly Away, features really developed vocal lines with nicely blended harmonies and a definite hook. Trout takes his strat on a spin but as in any great band, it's the drums that make it fly and Leasure is rock solid. Move On is another solid rocker and another track with much more developed melody and vocal lines. I particularly like Trout's guitar soloing on this track taking it on a nice ride without going over the edge. Slipping on the slide and getting a little funky again, Trout leads My Ship Came In. Avila's organ work against Trout's rhythm guitar work sets the stage. Again harp work takes a lead and Trout spills out some haunting guitar swells before kicking it open and letting it all out. Great rocker! One of my favorite tracks on the release, Cold, Cold Ground, is a hot lumbering blues. You want to hear Trout grip it and rip it...here you go! What initially attracted me to Trout wasn't his fast fingering or explosive riffs but his ability to lay down highly emotional guitar phrases and squeeze great tone. This is the track! Excellent! Wrapping the release is cowboy style ballad, Gonna Live Again. Without sounding cliche, it has the renewed sound of a man on a new train. His vocals are distinctively Trout, with his voice sounding more familiar against a style that is almost foreign to my expectancy. I like it!
This is a different kind of release from Walter and one that definitely deserves exploration!
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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