I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!
I just received the newest release, Didn't See This Coming, by The Bush League and it's another smoker! Like their first release, ”Can of Gas and a Match” this release is gritty, raw and bluesy. This release is live and gives The Bush League a chance to stretch out a bit and I think that it pays off in spades. Opening with Hearse, a rambling blues with trace clues to Govt Mule, this track has a really nice underlying bass line by Royce Folks, super vocals by JohnJay Cecil and wild frenzied guitar work by Michael Burgess and Brad Moss over a stiff drum rhythm by Wynton Davis. Real nice! Bringing the pace (but not the heat) down, Show You Off has has a real nice swagger with a woven tapestry of guitar, drums and bass carrying the vocals on a chariot. With an increase in intensity as the track grows, the band is really getting the crowd sweaty. Lowell Folsom's Tramp, one of the great underrated tracks of our time fits nicely into the set. Shelly Thiss joins the band sharing lead vocals with Cecil and she has an excellent voice! She has a great weighted clarity like some of my favorite contemporary blues singers. This is an excellent demonstration of the bands capabilities both vocally and instrumentally! Gimme My Money is a real nice R&B style track in the Otis Redding flavor. Cecil is a great band leader with a super voice and this track is solid as a rock. Can of Gas & a Match is a real nice hill country style boogie. The band really gets would up on this one cranking out an excellent jam with acute dynamics. Frysumfish is a funky track that I'm certain has the crowd on it's feet. How funky you say?...Think Sly Stone! Kick Up Yo' Heels has a Tommy Tucker feel with a few hot guitar solos. Wrapping the release is Muddy Water's Mannish Boy, a 12 plus minute long jam with excellent guitar riffs and also featuring Pete Turpin on harp.
This a sweet live performance by one of today's earthiest blues bands. Enjoy!
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Lucille Bogan (April 1, 1897 – August 10, 1948) was an American blues singer, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson . The sexologist and music critic, Ernest Borneman , stated that Bogan along with Ma Rainey and Bessie Smith , was in "the big three of the blues". She was born Lucille Anderson in Amory, Mississippi , United States, and raised in Birmingham, Alabama . In 1916, she married Nazareth Lee Bogan , a railwayman, and gave birth to a son. She first recorded vaudeville songs for Okeh Records in New York in 1923, with pianist Henry Callens . Later that year she recorded " Pawn Shop Blues " in Atlanta, Georgia , which was the first time a black blues singer had been recorded outside New York or Chicago. In 1927 she began recording for Paramount Records in Grafton, Wisconsin , where she recorded her first big success, " Sweet Petunia ", which was covered by Blind Blake . She also recorded for Brunswick...
Charles LoBue was one of the fathers of the custom electric guitar business. Charles came to the industry after taking classes from Michael Gurian, first working in and around the guitar repair business in NYC in the mid 60's. Charles' interest in the business began by doing basic repairs on factory made guitars. These were primarily made by Gibson and Fender, the "Gold Standard" for electric guitars, as well as any guitar including acoustics which came through the door. As a professional player in the U.S. in the 60's, Gibson and Fender were the most likely choices if you wanted an electric guitar. It is well known that the Brits used European made guitars as well, primarily due to their accessibility. By the mid late 60's both companies had been sold to larger corporations which were not primarily in the guitar business. The basic perception even today is that the guitars made by these companies during this period were inferior in quality and also l...
It is with great sadness to report that J. Blackfoot (born John Colbert , November 20, 1946) died today, November 30, 2011 at Methodist Germantown Hospital near Memphis, TN. We will keep you abreast of service information as we receive it. J. Blackfoot will truly be missed. “Like” Bman’s Facebook page (available in over 50 languages). I will not relay senseless nonsense. In this way I can get out the word on new talent, venues and blues happenings! - click Here
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