This Week's Reader Favorite Post

Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Blue Dot Records artist: Frank Bey & Anthony Paule Band - Soul For Your Blues - New release review

I just received the newest release, Soul For Your Blues, by Frank Bey & Anthony Paule Band and a not only clever but appropriate name. Opening with I Don't Know Why, a smokin' soul track featuring great heartfelt vocals from Bey and great horn backing from Mike Rinta (trombone and tuba), Nancy Wright (sax) and Steffen Kuehn on trumpet. I'm Leavin' You maintains the sould feel but crosses over closer to the blues with a solid bottom by Paul Olguin (bass) and Paul Revelli (drums). Anthony Paule lays out some really hot guitar riffs on this track again with backing from the dynamo horn section. I Just Can't Go On, written by Christine Vitale, has a really solid soul feel and conjures images of Bey's earlier employer, Otis Redding, who died 45 years to the day of the completion of these recordings. Paule steps up with a nice guitar guitar solo on this track which isn't overpowering but pinpoint on. Super job by all. Don't Mess With The Monkey is a high stepping R&B style track and one of the most memorable tracks on the release with it's catchy melody and hook. Rick Estrin adds cool harp riffs to this already fun track. Buzzard Luck has a real old style club blues swing feel. One of the best tracks to feature Bey's vocal smoothness, also features a different side of Paule on guitar. Real nice. On straight up blues ballad, You're Someone Else's Baby Too, the band really gets a strong groove on, with Bey leading belting out the lead. The warmth of the horns on this track is really super and Paule plays some particularly articulate and melodic guitar lead on this track. I Want To Change Your Mind is another strong R&B track again with Bey leading strong and with rich backing vocals from Lisa Leuscher, Larry Batiste and Ron E. Beck. BB King like blues riffs flow from Paule's fingers adding a nice blues touch to the mix. Instrumental track Smokehouse lets the band get into a New Orleans style blues jam. A really hot trombone solo from Mike Rinta, cool key work from Tony Lufrano and trumpet work from Kuehn are great adds to Paule's lead guitar work. On Percy Mayfield's Nothing Stay's The Same Forever, Rinta plays the lead intro on tuba, something I rarely hear and it's cool, with Bey following closely on vocal. Turning with a funky beat, this is a strong track on every facet. The band is well mixed with just dabs of sound from each member. This is a great track! Wrapping the release is a swinging instrumental version of I Left My Heart In San Francisco. Paule pulls out all the stops leading the way with clean guitar lead. The horns keep the track full and Revelli on drums make this track rock.

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Comments

  1. Yeah, I'm excited about this recording,too. I was on hand for this first part of their set in SF. Folks, it's the real damn deal with people who can actually play backing a voice that has paid the dues. Pick as many copies of this as pssible and let's get Frank Bey out here for a show he & the band deserve.

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