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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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I'm Over You - Jan Bradley

Jan Bradley (born Addie Bradley, July 6, 1943 in Byhalia, Mississippi) is an American soul singer. Bradley grew up in Robbins, Illinois. She was noticed by manager Don Talty (who also managed Phil Upchurch) at a high school talent show. After graduating, she auditioned for Curtis Mayfield, and soon recorded the Mayfield-penned "We Girls", which became a hit regionally in the Midwest (on Talty's Formal Records label). Several singles followed, and another Mayfield song, "Mama Didn't Lie" (b/w "Lovers Like Me"), was released nationally in the U.S. by Chess Records in 1963 and hit #8 R&B and #14 on the Billboard Hot 100. Following the single's success, Mayfield and Chess got into a legal battle over the publishing rights to Mayfield's songs, and as a result Bradley was no longer able to work with him. She started writing her own songs and released several further singles on Chess. "I'm Over You" hit #24 R&B in 1965; other Chess releases included "Just a Summer Memory" b/w "He'll Wait on Me", "It's Just Your Way", and "These Tears" b/w "Baby What Can I Do". Bradley continued working with Talty after her arrangement with Chess ended, releasing singles for Adanti, Doylen, Spectra Sound, and Night Owl. Bradley stopped singing professionally in the early 1970s; she raised a family and became a social worker. She resides in the south suburbs of Chicago and has two children named Timothy and Jamila. She is also the grandmother of three and continues to sing in her church choir. Her records remained popular among devotees of Northern soul. Her catalog of music, both writing and singing, includes soul, pop and even rock and roll.  
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