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Zac Harmon & The Drive - Live - New Release Review

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 I just had the opportunity to review the most recent release, Live , from Zac Harmon & The Drive and it's super! Opening with soulful, NTRO , Nate Robinson on bass and Gino Iglehart on drums set a solid foundation, with Corey Lacy building on keys and lush guitar work by Zac Harmon and Kingston Livingston really setting the bar. Terrific opener. Blue Pill Thrill has super movement and soulful vocals by Harmon. Lacy on keys works the rhythm with Robinson and Iglehart and Livingston and and Harmon play stinging riffs on guitar really giving this track some kick. Deep blues track, Feet Back On The Ground features Albert King like stinging riffs and super soulful vocals by Harmon. Keeping the music floor low allows Harmon plenty of space to go dynamically from soft to wow quickly adding real emotion to the track. Excellent! Boogie Down is a strong jam with a firm piano base by Lacy giving Harmon plenty of headroom for vocal corralling. Lacy lays in some real tasty keyboar...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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The Walk - Leroy Kirkland

Leroy Kirkland, (February 10, 1906 – April 6, 1988) was an arranger, bandleader, guitarist and songwriter whose career spanned the eras of big band jazz, R&B, rock 'n' roll and soul. Kirkland played guitar in southern jazz bands in the 1920s, and during the 1930s he worked as arranger and songwriter for Erskine Hawkins. He joined Tommy and Jimmy Dorsey in the 1940s and later in that decade began arranging music at Savoy Records in New York. He continued to arrange R&B artists for OKeh Records, Mercury Records and other companies. Some of Kirklands more successful collaborations were with Screamin' Jay Hawkins ("I Put A Spell On You, "Little Demon","Yellow Coat", etc.), Big Maybelle (Kirkland co-wrote her biggest hit, "Gabbin' Blues"). In 1956, Kirkland and his session band teamed up with 14-year-old singer Barbie Gaye to record an R&B song, "My Boy Lollipop" Kirkland's arrangement of the song resulted in a sound that was new and original, Years later, that style would become known as ska, and would influence other genres such as bliebeat, rockdtedy and most popluarl reggae. When the song was covered eight years later by Jamaican artist, millie smalls, the cover version, with little change went on to become one of the biggest selling records in It wasn't until another eight years At Savoy Records, Kirkland worked with Nappy Brown and Wilbert Harrison). Although behind the scenes for most of his career, Kirkland contributed to the recordings of music legends such as Etta James, Charlie Parker, Ella Fitzgerald, The Righteous Brothers, The Supremes, Brook Benton and the Five Satins  

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