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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


Please email me at Info@Bmansbluesreport.com

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What Am I Gonna Do? - Beulah Bryant

Claimed by the proud state of Alabama as one of their homegrown talents, Beulah Bryant was born Blooma Bryant and sang in local church groups. She left the state as a teenager, though, relocating to California in 1936 and more or less officially launching her professional career about a decade later by winning an amateur contest held by a network radio show. This victory inspired her to start up her own trio, which worked regularly in California. In the mid-'40s she moved to New York and by 1950 was part of a group of signings pulled off by Joe Davis wearing his hat as an MGM A&R man. The June, Billboard of that year announced that the label had "inked West Coast blues thrush Beulah Bryant." She made some excellent recordings with a group of musicians that had also backed up singers such as Irene Redfield and Millie Bosman, including the fine trombonist Will Bradley and trumpeter Taft Jordan. Bryant's style was tailored from the same type of musical suits worn by the so-called "blues shouters." She had a strong, authoritative delivery, a sense of rhythm that was like a bass drum pedal come to life, and the advantage of some first-class material created specifically for her by contributors such as singer and writer Irene Higginbotham If you support live Blues acts, up and coming Blues talents and want to learn more about Blues news and Fathers of the Blues, Like ---Bman’s Blues Report--- Facebook Page! I’m looking for great talent and trying to grow the audience for your favorites band! ”LIKE”

 

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