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Overton Music artist: Russ Green - Stone Cold - New Release Review

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 I just had the opportunity to review the most recent release, Stone Cold , from Russ Green , and it's a driving blues rocker. Opening with Lint Redux , you are immediately in the middle of a swampy blues with modern effects. With a firm foot stomp by Felix Pollard on drums and Vic Jackson on bass Russ Green on harmonica and vocals really has the earthy feel. Giles Corey on slide gives the track great grease and Green's harp work is strong. Excellent opener. 12 Feet of Water opens with a terrific harmonica aria before grinding into a super drum driven romp. With the feel that I can only describe as Hill Country , Green delivers such soulful vocals, comforted by Joe Monroe on keys, this track just grabs you. Green's harmonica is like a shuddering wind blowing through you with the thumping bass of Vic Jackson and Vince Agwada on guitar. Excellent! Easy going shuffle, Nobody Knows has a smooth, supple melody with backing acoustic guitar, minimal drum work and melodic ha...
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I started a quest to find terrific blues music and incredible musicianship when I was just a little kid. I also have a tremendous appreciation of fine musical instruments and equipment. One of my greatest joys all of my life was sharing my finds with my friends. I'm now publishing my journey. I hope that you come along!


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Barber Shop Blues - Claude Hopkins Orchestra

Claude Driskett Hopkins (August 24, 1903 – February 19, 1984) was an American jazz stride pianist and bandleader. Claude Hopkins was born in Alexandria, Virginia in 1903. Historians differ in respect of the actual date of his birth. His parents were on the faculty of Howard University. A highly talented stride piano player and arranger, he left home at the age of only 21 as a sideman with the Wilbur Sweatman Orchestra but stayed less than a year. In 1925, he left for Europe as the musical director of The Revue Negre which starred Josephine Baker with Sidney Bechet in the band. He returned to the USA in 1927 where, based in Washington, he toured the TOBA circuit with The Ginger Snaps Revue before heading once again for NYC where he took over the band of Charlie Skeets. At this time (1932–36), he led a fairly successful Harlem band employing many jazz musicians who were later to become famous in their own right such as Edmond Hall, Jabbo Smith and Vic Dickenson (although it's worth noting that his records were arranged to feature his piano more than his band). This was his most successful period with long residencies at the Savoy and Roseland ballrooms and at the Cotton Club. In 1937 he took his band on the road with a great deal of success. He broke up the band in 1940 and used his arranging talents working for several non-jazz band leaders and for CBS. In 1948/9 he led a "novelty" band briefly but took a jazz band into The Cafe Society in 1950. From 1951 up until his death, he remained in NYC working mostly as a sideman with other Dixieland bands playing at festivals and various New York clubs and recording. Often under-rated in later years, he was one of jazz's most important band leaders and has yet to be given full recognition for his achievements. He died on 19 February 1984, a disillusioned and dispirited man. As popular as Hopkins' band was, it never achieved the high level of musical brilliance that Ellington, Henderson, Hines, Basie, Webb or Lunceford achieved. Besides Hopkins' piano being featured within the band, the high-pitched vocals of Orlando Roberson brought the band a good part of its popularity  

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